This week, Inside Appalachia, dinos fight Civil War soldiers at a theme park throwback — Dinosaur Kingdom II in Natural Bridge, Virginia. Also, one person’s roadside weed is another’s “golden” treasure. So says a North Carolina fiber artist. And, the backstory of a bus that sits at the confluence of the New and Gauley rivers — and the man who put it there.
Workhorses And The Intimacy Of Spoons, Inside Appalachia
Now farming on the western end of Tazewell County, Virginia, at the foot of historic Paint Lick Mountain, Charlie Lawson uses Betty and Millie to prepare the ground for spring plantingConnie Bailey Kitts/West Virginia Public Broadcasting
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A few people still farm the way folks did before tractors. We visit with farmers who still rely on real workhorses to get their work done.
Also, Kentucky artist Lacy Hale’s “No Hate in My Holler” screenprint may never go out of style. Appalachians are still telling her how much they identify with its message.
And a Virginia poet reflects on the importance of spoons and what’s helped his writing.
A family photo of Danny Wingate using a team of horses to plow his sister’s garden in Comers Rock, Virginia. Shortly after being interviewed for this story, Wingate passed away.
Workhorses On The Farm
Before the tractor, farmers in Appalachia relied on workhorses to plow fields and pull their wagons. In southwestern Virginia, the practice has mostly disappeared, often along with the farms themselves. But a few farmers never let go of farming with a horse.
Folkways reporter Connie Bailey Kitts had the story.
No Hate In My Holler
In Pound, Virginia, a mural depicts an old woman smoking a pipe and holding a baby wrapped in a big bright quilt. The mural honors midwife Nancy Mullins Shores and is part of a growing body of work by artist Lacy Hale. Her work also includes the viral image “No Hate in My Holler.” In 2022, Mason Adams spoke with Hale about her work, but also caught up with her recently.
Writer Jim Minick explores meanings in silverware, among other things in “The Intimacy of Spoons.”
Jim Minick And The Intimacy Of Spoons
Jim Minick made a career as a writing professor, teaching at colleges and universities in Georgia, South Carolina and southwestern Virginia, but he’s also the author or editor of eight books. His latest is a volume of poetry/collection of poems titled The Intimacy of Spoons.
Producer Bill Lynch spoke with Minick about Appalachian book festivals and writing about silverware.
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Our theme music is by Matt Jackfert. Other music this week was provided by Ed Snodderly, James Michael Stevens, Morgan Wade, John Blissard, Tim Bing, Sierra Ferrell and Kaia Kater.
Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens. We had help this week from folkways editor Chris Julin. You can find us on Instagram and Twitter @InAppalachia.
You can send us an email: InsideAppalachia@wvpublic.org.
In the early 20th century, the coal industry was booming in Appalachia. That made the region a destination for Black migrants from the Deep South, who were moving northward in search of new jobs. Black communities thrived in Appalachia during the boom. But as coal employment declined, Black coal camps began to dwindle. Now, a West Virginia man is reviving one of those coal camps — through farming. Tiara Brown reports with support from Black By God, the West Virginian.
Following the American Civil War, a group of freed people fled violence and bought land in Western North Carolina. In the summer of 1873, these people formed a Black communal society they named “The Kingdom of the Happy Land.” A new novel tells a story set in the kingdom, both in the past and in the present day. It’s titled, “Happy Land.” Host Mason Adams spoke with its author, Dolen Perkins-Valdez.
There is a rich tradition of Black Appalachian poets and writers. One of the newest is Torli Bush, who grew up in Webster Springs, West Virginia. Bush has won poetry slams in the region, and now has a new book, Requiem for a Redbird. Producer Bill Lynch spoke with Bush about the book.