Alert (09/10/2026): Our Parkersburg TV transmitter is undergoing maintenance for a few days and will not be operational. We apologize for any inconvenience.
All our programming is available via our TV livestreams on our website and WVPB Passport. Thank you for your patience!
Appalachians have always made use of the region’s wide variety of plants. A new book, called Appalachian Plants: In the Garden, In the Yard, and In the Wild, explores some of the history and lore of regional staples. It’s written by Linda Hager Pack and illustrated by Pat Banks. Inside Appalachia Host Mason Adams spoke with them.
“I am always doing what I cannot yet do, in order to learn how to do it.” ― van Gogh
Soft, watery, Impressionistic, veiled, implied, nuanced: these might be descriptions of the art of Sharon Lynn Stackpole.
She describes her style as “being all over the map” and indeed the pieces have a broad palate of styles. Still, there is a unity and a recognizable style to her work.
What does it mean? Well, that can vary both in message and depth. Speech recalls a traumatic childhood issue with speaking; thus the overwhelming proliferation of words around a Munch-like foreground figure. The delicate grace of Watery Fish reflects just a love and fascination with aquatic life and environs. In A Moment’s Hesitation, the gesture is more enigmatic as if to say, “You, the viewer, must discern the meaning.” This is an artist who goes with the flow and follows where she believes the piece wants to take her. To let the piece evolve at its own pace.
"I try to get out of my own way and not think too much when I'm in the zone. It's kind of like being a leaf in the river. I'm just going along the current and letting it happen."
Which brings up the general discussion of meaning. Do you need an obvious narrative for the art to speak to you? In my experience, I am more often wrong than right in discerning the meaning of a work. That used to confound me, but now I see it as an unexpected surprise and pleasure. When I have the delight of freely wandering a gallery, my pulse quickens as I anticipate that epiphany when a work speaks to me.
To paraphrase the great Joseph Campbell, perhaps we are not looking for specific meaning in art, but rather to have the artistic experience. To be drawn out of one’s self, to surrender, to be swept up in another’s imagination. The world of art awaits our presence – we only need to look.
Sharon talks about her style, process and her thoughts on rules.
The artist talks about the works, Speech and Watery Fish. She lets us know, in a very unguarded moment, about a childhood struggle and how artistic honesty might help others.
02_Sharon_Lynne_Stackpole_Part-2.mp3
Sharon Lynn Stackpole, pt. 2.
Add WVPB as a preferred source on Google to see more from our team
In 2020, the U.S. Navy commissioned a new aircraft carrier, CVN-81, and chose to name it after Doris "Dorie" Miller, but stories have surfaced recently of discussions about renaming it after President Donald Trump.
Appalachians have always made use of the region’s wide variety of plants. A new book, called Appalachian Plants: In the Garden, In the Yard, and In the Wild, explores some of the history and lore of regional staples. It’s written by Linda Hager Pack and illustrated by Pat Banks. Inside Appalachia Host Mason Adams spoke with them.
This week, in author Willie Carver, Jr.’s new book, he reconsiders a negative childhood experience with a neighborhood girl who might have just been looking for a friend. Also, a southwestern Virginia community rang the alarm after more and more of its children were diagnosed with cancer. A local journalist is trying to unravel the cause. And, the city of Asheville has a new crusading reporter. He’s a puppet.
Lydia Hamessley is a professor of music at Hamilton College in New York and the author of "Unlikely Angel, The Songs of Dolly Parton." She spent nearly a decade researching Dolly's music catalog. Inside Appalachia Associate Producer Abby Neff talked with Hamessley.