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This story originally aired in the March 3, 2024 episode of Inside Appalachia.
On a foggy morning, Angela Wynn heads into the John C. Campbell Folk School in Brasstown, North Carolina. Normally, she’d be starting a day of work as a housekeeper here. But today, she’s at the school for a different reason. She’s here to learn how to cut out wood blanks from Richard Carter, a longtime Brasstown Carver.
The Brasstown Carvers were once so celebrated that in the 1930s, First Lady Eleanor Roosevelt purchased some of their carvings as state gifts. Today, only a handful of Brasstown Carvers remain. But a dedicated teacher, an enthusiastic student and a supportive community are helping to keep this local craft tradition alive.
Wynn pays close attention as Carter flips through a binder of photos, diagrams and instructions. Using this pattern book as a guide, they’ll use a bandsaw to cut out wood shapes to carve into animal figurines.
Wynn began learning to carve about a year and a half ago, after moving to Brasstown from Florida. She had tried different crafts before, but this just felt different.
“I was instantly hooked,” Wynn says.
Well, almost instantly.
“The first carving night, I absolutely was clueless and I didn’t even know where to start,” she says. “I could see what I wanted to do, I just didn’t have the nerve to do it.”
Then, Wynn got some help from Carter.
“He was very generous with his praise on my first carving,” she says. “I look at it now and … it’s pretty sad. It was a squirrel. I still have it. I laugh at it now.”
There’s a long tradition of whittling and woodcarving in Brasstown, but being an official Brasstown Carver is a special honor.
“People want to know, ‘How quick can I get to be a Brasstown Carver?’” Carter says. “And it’s not quick.”
Now 73, Carter grew up near the Folk School and has been a Brasstown Carver for almost 50 years. He says each aspiring Brasstown Carver has to complete a checklist of challenges to prove their skill and consistency. One of those challenges is carving “least ones” — tiny animal carvings that stand under two inches tall.
Wynn has already successfully produced a “least one” goat, bear, goose and pig, among others. Today, she and Carter are carving tiny beavers out of basswood. As they work, Carter shows Wynn some shortcuts and tricks.
Wynn says she’s learned a lot from carving — including patience.
That’s something I can relate to on a personal level. I used to work at the Folk School, and I attended the carving nights that the Brasstown Carvers hold every week. I loved chatting with my neighbors while my hands were busy, but it was hard for me to see anything in the wood. I usually felt like I was getting nowhere.
But Carter says Wynn showed promise from her very first carving night.
“We watch people in here and we can tell when they’re going to be able to do real well and she does real good,” Carter says.
Being able to visualize the animal that a block of wood “wants” to become is key — and it’s one of Wynn’s favorite parts of carving.
“For me, the joy is just finding the animal in there and making it my own,” she says. “It’s just like a little surprise every time.”
Carter agrees.
“I know one of my great friends, he was here a month ago,” he says. “He took a bird home with him. And he brought it back last week and it was a little gnome.”
The Brasstown Carvers were started by Olive Dame Campbell in the mid-1920s, a few years after she co-founded the John C. Campbell Folk School. The carvers were encouraged to carve what they saw — typically animals — and they became famous for their realistic figures. According to Caroline Baxter, the Folk School’s craft shop manager, the Brasstown Carvers program was part of Campbell’s larger vision of an economic future for Appalachians that didn’t require moving away from home.
“One of [Campbell’s] goals was to provide economic development for the carvers, give them a way to make money in the season where their fields were not being worked and they kind of had downtime,” Baxter says.
The Brasstown Carvers soon began selling their work in shops across the country. By the 1930s, says Travis Souther, the Folk School’s archivist, Brasstown Carver fame had reached the White House.
“Some of those woodcarvings were purchased by [President Franklin D. Roosevelt] and Mrs. Roosevelt,” Souther says. “They were later given as gifts to a young lady who was living in England at the time.”
The young lady? Future Queen Elizabeth II.
There’s a legend in Brasstown about a family that was able to purchase a house during the Great Depression with the money they earned from carving alone. For today’s Brasstown Carvers, carving is still a meaningful source of extra income, but the earnings don’t stretch as far as they did during the carvers’ heyday. For one thing, carving requires immense hand strength and physical stamina, and many of the carvers now are in their 70s and 80s. For Wynn and Carter, carving is also something they fit in between other jobs and home and family responsibilities.
“It’s only side money now,” Wynn says. “I would love to be able to carve full-time, but I’m not to that point.”
These days, Wynn is more than just a student of Carter’s. At age 53, she’s the newest official member of the Brasstown Carvers, representing a new generation. To support her continued training, the North Carolina Arts Council recently awarded Carter and Wynn a folklife apprenticeship grant. Wynn says she looks forward to passing on what she learns to the next generation of Brasstown Carvers.
On Thursday nights, the Brasstown Carvers host their free weekly carving night at the Folk School. It’s a place for experienced carvers to spend time together and talk shop.
It’s also a place for newcomers to try out carving. Carter and Wynn especially want to encourage young people to come.
“We got a young one, a nine-year-old, coming tonight, so hopefully he’s excited to get into this,” Carter says. “I’ve got a six-year-old at home that wants to do it, but I’m trying to hold out on that for a while. I may give him a bar of soap and something to let him work on.”
As the newest Brasstown Carver, Wynn has some advice for beginners:
“Don’t be afraid. Don’t be intimidated,” she says. “Just give it a shot. You never know what you can do until you try it.”
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This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia and the Folklife Program of the West Virginia Humanities Council.
The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts and culture.
