Appalachia is home to many types of music: Old-time and bluegrass, of course, but also rock and hip hop, Americana and jazz, metal and hardcore — and dungeon synth. In fact, that genre, which spun out of black metal, will be showcased outside Whitesburg, Kentucky this weekend, June 13 and 14, at Appalachian Dungeon Fest.
John Smith fretting a five-string bass at the West Virginia Music Hall of Fame.
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Fifty years ago, a band of Black musicians stood up to racism and now they’ve been honored for that action.
Bass player John Smith is the surviving member of “The In Crowd,” a Charleston, West Virginia band that played popular tunes in the 1960s. One night at the Charleston Athletic Club, a multi-racial couple was refused service and the band took a stand.
Smith says, “If they couldn’t dance, we wouldn’t play.”
There were consequences for that action, but now, finally, Smith and his deceased colleagues have been honored for the role they played to push back against racial discrimination.
For this episode, host Trey Kay talks with John Smith at the West Virginia Music Hall of Fame. They sat in on a practice session of the Charleston-based band The Carpenter Ants. Practice gave way to conversation as musicians from different generations talked about their experiences past and present. They reflect on a golden era of the local music scene and the unity AND division they’ve all experienced.
This episode of Us & Them is presented with support from the West Virginia Humanities Council and the CRC Foundation.
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Trey Kay
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John Smith on his front porch swing at his home in Rand, WV.
John Smith
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Young John Smith playing guitar while serving in the Army in Germany in 1959.
Trey Kay
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Michael Pushkin, President of Local 136 of the American Federation of musicians, at the Levi Baptist Church in Rand, WV, apologizing to John Smith and the late members of “The In Crowd” for the actions the union took fifty years ago.
Trey Kay
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The Carpenter Ants practicing at the West Virginia Music Hall of Fame in Charleston, WV. Charlie Tee (vocals), Michael Lipton (guitar), Ted Harrison (bass) and Jupie Little (drums).
Trey Kay
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WVPB
Barbara and John Smith grooving to the Carpenter Ants at the West Virginia Music Hall of Fame.
Trey Kay
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WVPB
Carpenter Ants bassist Ted Harrison showing John Smith his five-string bass at the West Virginia Music Hall of Fame.
Brian Smith
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Trey Kay with Barbara and John Smith at the West Virginia Music Hall of Fame
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Appalachia is home to many types of music: Old-time and bluegrass, of course, but also rock and hip hop, Americana and jazz, metal and hardcore — and dungeon synth. In fact, that genre, which spun out of black metal, will be showcased outside Whitesburg, Kentucky this weekend, June 13 and 14, at Appalachian Dungeon Fest.
This week, some of the stories on our show inspired college student art — including a vivid image of a bear smashing a clarinet. Also, a Hare Krishna community in West Virginia serves vegetarian food made in three sacred kitchens. And, COVID-19 exposed the contempt society has for marginalized people. One author says, these folks are anything but passive.
The Nelsonville Music Festival celebrates its 20th anniversary this year. The Ohio-based festival over the years has hosted American music icons, like John Prine, Willie Nelson and Loretta Lynn, while also supporting regional artists. Inside Appalachia’s Abby Neff spoke with festival founder Tim Peacock to learn more.
While baseball fields are run of the mill in most communities, there’s a certain type of diamond that’s less common: it’s called a “Miracle Field.” There are three of these in West Virginia – in Morgantown, Wheeling and Green River. These are accessible baseball facilities that can accommodate players with disabilities.