This week, we’re revisiting a show featuring storytellers out loud in front of audiences. Folks like five-time champion of the West Virginia Liars’ Contest, Bil Lepp. Also, musicians Anna & Elizabeth, whose storytelling used something known as a crankie. And, we’ll head to the International Storytelling Center in Jonesborough, Tennessee.
Workhorses And The Intimacy Of Spoons, Inside Appalachia
Now farming on the western end of Tazewell County, Virginia, at the foot of historic Paint Lick Mountain, Charlie Lawson uses Betty and Millie to prepare the ground for spring plantingConnie Bailey Kitts/West Virginia Public Broadcasting
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A few people still farm the way folks did before tractors. We visit with farmers who still rely on real workhorses to get their work done.
Also, Kentucky artist Lacy Hale’s “No Hate in My Holler” screenprint may never go out of style. Appalachians are still telling her how much they identify with its message.
And a Virginia poet reflects on the importance of spoons and what’s helped his writing.
A family photo of Danny Wingate using a team of horses to plow his sister’s garden in Comers Rock, Virginia. Shortly after being interviewed for this story, Wingate passed away.
Workhorses On The Farm
Before the tractor, farmers in Appalachia relied on workhorses to plow fields and pull their wagons. In southwestern Virginia, the practice has mostly disappeared, often along with the farms themselves. But a few farmers never let go of farming with a horse.
Folkways reporter Connie Bailey Kitts had the story.
No Hate In My Holler
In Pound, Virginia, a mural depicts an old woman smoking a pipe and holding a baby wrapped in a big bright quilt. The mural honors midwife Nancy Mullins Shores and is part of a growing body of work by artist Lacy Hale. Her work also includes the viral image “No Hate in My Holler.” In 2022, Mason Adams spoke with Hale about her work, but also caught up with her recently.
Writer Jim Minick explores meanings in silverware, among other things in “The Intimacy of Spoons.”
Jim Minick And The Intimacy Of Spoons
Jim Minick made a career as a writing professor, teaching at colleges and universities in Georgia, South Carolina and southwestern Virginia, but he’s also the author or editor of eight books. His latest is a volume of poetry/collection of poems titled The Intimacy of Spoons.
Producer Bill Lynch spoke with Minick about Appalachian book festivals and writing about silverware.
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Our theme music is by Matt Jackfert. Other music this week was provided by Ed Snodderly, James Michael Stevens, Morgan Wade, John Blissard, Tim Bing, Sierra Ferrell and Kaia Kater.
Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens. We had help this week from folkways editor Chris Julin. You can find us on Instagram and Twitter @InAppalachia.
You can send us an email: InsideAppalachia@wvpublic.org.
On this West Virginia Week, the unhoused population in the state declines, child well-being remains the same, and just how many abandoned gas wells are there?
This week, we’re revisiting a show featuring storytellers out loud in front of audiences. Folks like five-time champion of the West Virginia Liars’ Contest, Bil Lepp. Also, musicians Anna & Elizabeth, whose storytelling used something known as a crankie. And, we’ll head to the International Storytelling Center in Jonesborough, Tennessee.
This week’s Inside Appalachia features storytellers from around the region, including author, television host and five-time West Virginia Liars Contest winner Bil Lepp. Here he is back in 2019, telling a story during a Mountain Stage performance at the West Virginia Culture Center.
Daniel Johnston recorded songs in his parents' basement in rural West Virginia that would eventually inspire artists such as Kurt Cobain, Beck, Wilco, and Sonic Youth. In this award-winning episode of Us & Them, host Trey Kay explores the life, art, and enduring legacy of the late singer-songwriter and visual artist whose creative genius and struggles with bipolar disorder made him one of America's most influential outsider artists.