On this week's encore broadcast of Mountain Stage, you'll hear performances from Bettye LaVette, Kim Richey, Keller Williams, The Langan Band, and Megan Jean’s Secret Family. This episode was recorded live at the Templeton-Blackburn Alumni Memorial Auditorium in Athens, Ohio with our friends at Ohio University and WOUB.
Don’t get us wrong, we love doing themes for “Mountain Stage After Midnight” (see: Celtic music for St. Patrick’s Day, archived sets in honor of new releases). But this week’s archived shows are nothin’ but good music, plain and simple.
Broadcast from 1am-5am Saturday and Sunday mornings here on West Virginia Public Broadcasting, “Mountain Stage After Midnight” takes the best episodes from the show’s 31 year history and shares their memories and songs with our late-night listeners.
Take a mid-day nap and stay up late to hear some amazing live performance radio on Saturday April 18 and Sunday April 19 during “Mountain Stage After Midnight.”
First up is a January 2008 show featuring Bill Evans Soulgrass with Sam Bush & Richard Bono, Marc Cohn, Jeremy Fisher, Kelly Sweet and Amy Correia.
We’ll also hear a February 2008 show featuring Tim Finn, Otis Taylor, Grant Lee Phillips, Patty Larkin and Joe Rathbone.
On this week's encore broadcast of Mountain Stage, you'll hear performances from Bettye LaVette, Kim Richey, Keller Williams, The Langan Band, and Megan Jean’s Secret Family. This episode was recorded live at the Templeton-Blackburn Alumni Memorial Auditorium in Athens, Ohio with our friends at Ohio University and WOUB.
Folk music is not the easiest way to make a living, but artists still find a way to balance making music with putting food on the table. Mason Adams traveled to MidMountain arts collective in Virginia, where he spoke with both veteran folksingers and emerging talents.
This week's encore broadcast of Mountain Stage was recorded on the campus of West Virginia University (WVU) at the Canady Creative Arts Center. On this episode, we hear live performances from Duke Robillard Band, Cedric Burnside, Sam Weber, Las Cafeteras, and The Black Feathers.
In this album, Soltis performs works all by American female composers, highlighting a group of underrepresented musicians in the Classical realm. Soltis says this album shows how “American women in classical music are not isolated novelties … but rather they represent an unbroken tradition of compositional excellence.” Some highlights from the album include Amy Beach’s “Berceuse” and Florence Price’s "Adoration."