Appalachia has a rich history of protest music. Today, some regional musicians are using their voices to oppose data centers being built across Appalachia and the artificial intelligence they power. Folkways Reporter Andrea “river” Peterson has more.
On this week’s episode, we begin our journey through Appalachia in the meadows and woods of West Virginia to catch the buzz on beekeeping.
We’ll also revisit our interview with Pocahontas County, West Virginia native Trevor Hammons. The young banjo player decided to carry on his family’s traditions of storytelling, wild lore and old-time music.
Then, we’ll check in with Kentucky artist Lacy Hale, who designed her iconic “No Hate In My Holler” screenprint five years ago. Appalachians are still telling her how much they identify with its message.
You can hear that and more in our latest tour Inside Appalachia.
We begin among the trees — in stands of black locust and tulip poplars — with a report from our Folkways reporter Margaret Leef, who checks in with a community of West Virginia beekeepers.
Music Comes Naturally To Son Of Hammons Legends
Trevor Hammons, a member of the famed Hammons family of Pocahontas County, West Virginia.
The Hammons Family of Pocahontas County, West Virginia are known around the world for their distinctive old-time music that reflects the early Appalachian frontier of the Mountain State. Nine members of the Hammons family — Edden, Pete, Maggie, Sherman, Burl, Lee, Currence, Mintie and Dona — were inducted into the West Virginia Music Hall Of Fame in 2020.
We’re listening back to our story from 2020, when we first met 22-year-old Trevor Hammons, who is helping to ensure his family’s musical legacy lives on.
No Hate In My Holler
Lacy Hale
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Courtesy
“No Hate In My Holler,” a screenprint by Lacy Hale.
Artist Lacy Hale’s mural, honoring Nancy Mullins Shores, a beloved local midwife in Pound, Virginia.
In Eastern Kentucky, artist Lacy Hale has been painting murals and dabbling in other art forms for years. In 2017, her screenprint “No Hate In My Holler” — designed in response to a Nazi rally — went viral.
That image still resonates with Appalachians and can be found all over social media. Our host Mason Adams spoke with Hale about her work for this week’s episode.
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Our theme music is by Matt Jackfert. Other music this week is by Long Point String Band, Ona, Chris Stapleton and the Hammons Family. Bill Lynch is our producer. Alex Runyon is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens. Zander Aloi also helped produce this episode.
Dan Parks has been reporting on data center development in Tucker County, West Virginia. Parks writes a Substack called Country Roads News, which covers a rural county that’s home to Dolly Sods, Canaan Valley, Blackwater Falls and about 6,700 people. Inside Appalachia Host Mason Adams spoke to Parks about his reporting.
Appalachia has a rich history of protest music. Today, some regional musicians are using their voices to oppose data centers being built across Appalachia and the artificial intelligence they power. Folkways Reporter Andrea “river” Peterson has more.
AI proponents say the technology will revolutionize our lives. It’s also started a conversation about creativity and what’s really art. That applies to kinds of expression that seem to have nothing to do with machines, like crochet. Folkways Reporter Wendy Welch brings us this story of how crocheters found AI invading their communal spaces and what they plan to do about it.
There is a lot riding on the outcome of Tuesday's election, both in this state and across the nation. Assistant News Director Maria Young spoke with Marshall University Political Science Professor Marybeth Beller about what to watch for as the results come in.