One of America’s pioneering filmmakers had nothing to do with Hollywood but nevertheless left his mark on the emerging industry. Oscar Micheaux was a homesteader, who then turned his attention to making movies in the early 1900s. He was a Black man who made movies for Black audiences at a time when they weren’t allowed into mainstream, white-only theaters. And for several pivotal years in the 1920s, he operated out of Roanoke, Virginia.
Listen: Hot Club of Cowtown Have Our Song of the Week
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This week on Mountain Stage we look back to another classic episode from 2010, this time featuring live performances from Cake, Hayes Carll, Old 97s and Hot Club of Cowtown. Tune in on one of these public radio stations starting this Friday, May 1.
When they appeared in 2010, Texas trio Hot Club of Cowtown were touring in support of their excellent Texas swing album What Makes Bob Holler? This tribute to the pioneer of Western Swing Bob Wills and his Texas Playboys found the band covering classics like “Stay a Little Longer” and “Faded Love.” Our Song of the Week, “I Can’t Give You Anything But Love, Baby” appears on their 2003 album Continental Stomp.
Hot Club of Cowtown joined us earlier this year with songs from their latest The Finest Hour. A live album recorded in Minneapolis, The Finest Hour is filled with a “glorious array of music on the radio across the United States in 1945 at the end of WWII and celebrates artists from Bing Crosby to Billie Holiday, Bob Wills to Doris Day.”
Credit Brian Blauser/ Mountain Stage
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Members of Old 97’s, Hot Club of Cowtown, Hayes Carll and Cake gather for the finale song on December 5, 2010,
You’ll also hear an interactive set from alt-rockers Cake, a band set from Hayes Carll, and a predictably raucous set from country-rockers Old 97s. Check out the playlist and find out where you can hear the show on one of these public radio stations and enjoy the sound of audience applause that we’re all admittedly missing right about now.
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America continues to wrestle with racial division, but music has often been a space where those barriers are challenged. In this episode of Us & Them, host Trey Kay revisits a 1960s moment when a band refused to perform unless a mixed-race couple was allowed to dance — and paid the price for taking that stand. It’s a story about courage, consequences and the uneasy intersection of music and race in America.
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On this West Virginia Week, another round of school consolidations in the state, the Republican caucus lays out plans for the upcoming legislative session and a Nashville poet and songwriter channels a connection to LIttle Jimmie Dickens.
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