This week, during the Great Depression, Osage, West Virginia was a raucous river town. It’s sleepier now, but music is keeping the magic alive. Also, a poet remembers growing up in a secret city in Tennessee that was built during World War II. And, rock climbing is usually for warmer months, but some climbers have taken to climbing frozen waterfalls.
I cannot remember when I first heard Joseph, but immediately was struck by their harmonies; the way they could blend and yet retain their individual timbres. On top of that was their arrangments: solo voice gives way to two or is it all three in unison? These intricate harmonies, the robust then delicate dynamics followed by a solo voice were so unique.
Who was this? I was reminded of Johnny Depp as Barnabas Collins when, watching Karen Carpenter on TV, he yells “What sorcery is this? Reveal yourself, tiny songstress!”
Turns out, it’s called genetics. Natalie, Allison and Meegan Closner (Claws-ner) are sisters from Portland, Oregon. In fact, the band name came from the town of Joseph – a place where they spent their childhoods surrounded by the natural beauty.
When asked about the band’s name, the answer used to be attributed to their grandfather. “The name Joseph is more after the town Joseph, Oregon – the town our grandpa Jo grew up in,” said Allison, “because he name is actually just Jo. Just J-O, which we didn’t find out about until recently when my mom actually looked at his birth certificate.” The two sisters laughed. (Sister Meegan was having internet issues and could only join our conversation via text.)
Music was always around the family. Their father, a natural talent who was in a college vocal jazz ensemble, encouraged and helped them learn the craft of singing. Mom too was in local theater and musicals, so a robust musical life was to be found.
Acclaimed singer-songwriter Amythyst Kiah released "Still + Bright" last year, which featured guests like S.G. Goodman and Billy Strings. Inside Appalachia host Mason Adams spoke with Kiah from her home in Johnson City, Tennessee at that time. We listen to an encore of that conversation.
America continues to wrestle with racial division, but music has often been a space where those barriers are challenged. In this episode of Us & Them, host Trey Kay revisits a 1960s moment when a band refused to perform unless a mixed-race couple was allowed to dance — and paid the price for taking that stand. It’s a story about courage, consequences and the uneasy intersection of music and race in America.
The struggle against racial discrimination has hundreds of years of history in the United States. On the next episode of Us & Them, Trey Kay looks at the intersection of music and race in the 1960s. It’s about a band that took a stand against racism – and musicians who suffered the consequences.