This week, we visit the Seeing Hand Association. They bring together people who are visually impaired to learn the craft of chair caning. Also, corporate greed has been gobbling up newspapers for years. Now, some of those same companies are taking a bite out of mobile home parks. They’re raising rents and letting repairs slide. And, as the Mountain Valley Pipeline nears completion, people who live near it say government officials are ignoring their concerns about pollution.
This week, we visit the Seeing Hand Association. They bring together people who are visually impaired to learn the craft of chair caning.
Corporate greed has been gobbling up newspapers for years. Now, some of those same companies are taking a bite out of mobile home parks. They’re raising rents and letting repairs slide.
And, as the Mountain Valley Pipeline nears completion, people who live near it say government officials are ignoring their concerns about pollution.
You’ll hear these stories and more this week, Inside Appalachia.
Employees restore caned chairs at the Seeing Hand workshop in Wheeling, West Virginia.
Photo Credit: Clara Haizlett/West Virginia Public Broadcasting
A lot of folks in Appalachia grew up with caned chairs in the house. Maybe your parents or grandparents had a set in the kitchen, but you don’t see the old caned chairs as much as you used to. Cane breaks down and needs to be replaced. Few people know where to go to fix their chairs. So, a lot of them are discarded or thrown away. But they don’t have to be.
At a workshop in Wheeling, WV, a community of skilled workers repair old chairs and show that not everything that looks broken has to be thrown out. Folkways reporter Clara Haizlett brought us the story.
Quilting In The New, Traditional Way
Shane Foster pictured with a quilt made by his great-grandmother.
Photo Credit: Liz Pahl/West Virginia Public Broadcasting
Passing on traditional knowledge happens in different ways. Shane Foster is an optometrist in Ohio and an avid quilter. Quilting had been in his family for generations, but to learn this traditional craft, Foster chose a way that’s a little less traditional.
From 2022, Folkways Reporter Liz Pahl has this story.
David Vs. Goliath At A Mobile Home Park
After a new owner took control of a mobile home park in Mercer County, West Virginia, the rents went up, and it seemed like less was done to take care of problems. One resident started looking into exactly who this new owner was.
Mason Adams brought us the story.
West Virginia Flood Concerns
The floods of 2016 devastated several counties and it has taken seven years for them to be mostly returned to normal.
Photo Credit: Kara Lofton/West Virginia Public Broadcasting
Flooding has always been a threat in Appalachia, but over the past few decades, severe floods have become more frequent.
Curtis Tate spoke with Nicolas Zegre, an associate professor of forest hydrology at West Virginia University, about why West Virginia is so prone to flooding.
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Our theme music is by Matt Jackfert. Other music this week was provided by John Blissard, John Inghram, Tim Bing, Gerry Milnes, Mary Hott, and Tyler Childers.
Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens.
You can send us an email: InsideAppalachia@wvpublic.org.
Red Terry’s property in Bent Mountain, Virginia, is in the path of the Mountain Valley Pipeline. She says the place was beautiful, but she’s worried about the dangers of the pipeline not far from her home. Plus, almost everybody has a favorite cup or coffee mug, but how far would you go to replace it? One woman would go pretty far. And… we explore an effort in western Virginia to make old-time music more available to Black musicians.
Red Terry’s property in Bent Mountain, Virginia, is in the path of the Mountain Valley Pipeline. She says the place was beautiful, but she’s worried about the dangers of the pipeline not far from her home.
Plus, almost everybody has a favorite cup or coffee mug, but how far would you go to replace it? One woman would go pretty far.
And… we explore an effort in western Virginia to make old-time music more available to Black musicians.
You’ll hear these stories and more this week, Inside Appalachia.
Coles and Red Terry at their home in Virginia in 2024.
Photo Credit: Mason Adams/West Virginia Public Broadcasting
People have been fighting the Mountain Valley Pipeline since it was first announced. The project runs through West Virginia and Virginia, connecting natural gas terminals with a 303-mile pipeline stretching across some of Appalachia’s most rugged terrain. Almost immediately after construction began, protestors tried to block it by setting up platforms in trees along the route and living in them.
In 2018, host Mason Adams interviewed activist and tree sitter Theresa “Red” Terry, as she protested against the pipeline on her own property.
Six years later, with the pipeline nearly finished, Adams went back to Bent Mountain to talk with Red Terry and her husband Coles to hear what’s happened since Red came down from her tree sit.
The Last Unicorn (Mug)
The magic is in the mug.
Photo Credit: Wendy Welch/West Virginia Public Broadcasting
Folkways stories come in all shapes and sizes. And sometimes, they bring a little magic – like a story about how losing a very special mug can lead to finding something greater.
Folkways Reporter Wendy Welch brings us this tale of a potter who lost her mojo and a woman who helped her get it back.
Earl White’s Old-Time Music
Earl White (right) with wife and bandmate, Adrienne Davis, in their home in Floyd County, Virginia. White and Davis are both old-time musicians, and they host a music camp on their farm called Big Indian Music Camp.
Photo Credit: Nicole Musgrave/West Virginia Public Broadcasting
Appalachian old-time music brings together traditions from man cultures: African and African American, Native American and Scots-Irish. And yet, the contributions of Black and Indigenous musicians have often been erased or overlooked. In Floyd County, Virginia, one man has spent years working to make old-time music more available to Black musicians.
Folkways Reporter Nicole Musgrave has this story.
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Our theme music is by Matt Jackfert. Other music this week was provided by Jeff Ellis, June Carter Cash, Joe Dobbs and the 1937 Flood, Earl White, Amethyst Kiah, Tyler Childers and Dinosaur Burps.
Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens.
You can send us an email: InsideAppalachia@wvpublic.org.
This week, we’re revisiting our episode “What Is Appalachia?” from December 2021. Appalachia connects mountainous parts of the South, the Midwest, the Rust belt and even the Northeast. The Appalachian Regional Commission defined the boundaries for Appalachia in 1965 with the creation of the Appalachian Regional Commision, a part of Lyndon B. Johnson’s War on Poverty. It was legislation that sought to expand social welfare, and some localities were eager for the money, while others resisted the designation. The boundaries and definition of Appalachia can now only be changed by an act of Congress.
This week, we’re revisiting our episode “What Is Appalachia?” from December 2021. Appalachia connects mountainous parts of the South, the Midwest, the Rust belt and even the Northeast. The Appalachian Regional Commission defined the boundaries for Appalachia in 1965 with the creation of the Appalachian Regional Commission, a part of Lyndon B. Johnson’s War on Poverty. It was legislation that sought to expand social welfare, and some localities were eager for the money, while others resisted the designation. The boundaries and definition of Appalachia can now only be changed by an act of Congress.
Politically, Appalachia encompasses 423 counties across 13 states — and West Virginia’s the only state entirely inside the region.
That leaves so much room for geographic and cultural variation, as well as many different views on what Appalachia really is.
For Inside Appalachia, we turned our entire episode over to the question, “What is Appalachia?” With stories from Mississippi to Pittsburgh, we asked people across our region whether they consider themselves to be Appalachian.
A 1996 map that shows the southern part of Appalachia, as defined by John Alexander Williams.
Mississippi
Bob Owens — locally known as ‘Pop Owens,’ stands in front of his watermelon stand outside New Houlka, Mississippi. Pop says he was aware that Mississippi is part of Appalachia, but that no one in the state would consider themselves Appalachian.
Credit: Caitlin Tan/West Virginia Public Broadcasting
Bob Owens is a watermelon farmer outside New Houlka, in the northeastern part of Mississippi. Owens said he was aware that Mississippi is part of Appalachia, but that no one in the state would consider themselves Appalachian. “I consider myself the worst redneck you’ve ever seen,” Owens said. “I live in the area of the Appalachian mountain range — not part of it, but close to it. So I guess you call me a redneck Appalachian.” This is the general consensus among the people in Mississippi we spoke to.
Geographically, the foothills of the Appalachian mountain range are located in northern Mississippi. The state’s tallest point is Woodall Mountain, 806 feet in elevation. For reference, the highest point in North Carolina, Mount Mitchell, is more than 6,600 feet in elevation, eight times higher than Woodall Mountain.
Co-host Caitlin Tan spoke with Texas State University History professor Justin Randolph, who wrote an essay for “Southern Cultures” called “The Making of Appalachian Mississippi.” Randolph argues in his essay that Mississippi became part of Appalachia for political and racial reasons, as well as economic advantages the designation brought to the 24 counties in Mississippi that were included in the ARC’s boundaries.
Shenandoah Valley
In the 1960s, while some localities were clamoring to get into Appalachia, on the eastern edge of the region, some lawmakers fought to keep their counties outside the boundaries, including politicians in Roanoke, Virginia and the Shenandoah Valley. Appalachian Studies associate professor Emily Satterwhite said explaining to her students why some counties in Virginia are included in Appalachia, but others aren’t, is confusing. “
The students in front of me are wondering why they’re not included,” White said.
Pittsburgh
The Pittsburgh, Pennsylvania skyline.
Courtesy
Appalachia’s largest city is Pittsburgh, Pennsylvania. When we asked people from that city to tell us if they consider it a part of Appalachia, about half said no. “I definitely do not feel that I am Appalachian culturally,” said Mark Jovanovich, who grew up just outside Pittsburgh’s city limits in the Woodland Hills area. “Personally, I would consider the city of Pittsburgh is sort of like a mini New York City. I guess we’d probably be lumped in as like a Rust Belt city, which makes enough sense, but definitely not Appalachian culturally.”
An editor advised him to change the title of his book to a phrase that he said is sometimes used to refer to Pittsburgh derisively. “I couldn’t figure out why that should be a putdown, because Paris is nice. And Appalachia is a beautiful part of the world. And if we were called the Paris of the Rockies, we wouldn’t run from that. So why would we run from this? Why don’t we embrace it? So that became the title of my book.”
He said that geographically, Pittsburgh is clearly in the Appalachian Mountains. “I mean, this is one mountain range that stretches from Georgia to Maine. And the idea that it belongs only to the southern part of the mountain range defies logic to me,” O’Neill said.
What Do You Think?
How about you? Do you call yourself an Appalachian? Why or why not? Send us an email to InsideAppalachia@wvpublic.org.
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Our theme music is by Matt Jackfert. Other music this week was provided by John Wyatt, John R Miller, Alan Cathead Johnston, and Dinosaur Burps. Roxy Todd originally produced this episode. Bill Lynch is our current producer. Our executive producer is Eric Douglas. Alex Runyon was our associate producer on this original episode. Kelley Libby is our editor. Our audio mixer is Patrick Stephens. Zander Aloi also helped produce this episode.
This week on Inside Appalachia, we remember Travis Stimeling. The author, musician and educator left a deep mark on Appalachian culture, and the people who practice and document it. And, grab your dancing shoes and learn about a movement to make square dance calling more inclusive. Plus, it’s not just you. There are more deer than ever these days. A writer explores the long, complicated entwinement of people and our wild kin.
Inside Appalachia remembers Travis Stimeling. The author, musician and educator left a deep mark on Appalachian culture, and the people who practice and document it.
And, grab your dancing shoes and learn about a movement to make square dance calling more inclusive.
Plus, it’s not just you. There are more deer than ever these days. A writer explores the long, complicated entwinement of people and our wild kin.
You’ll hear these stories and more this week, Inside Appalachia.
Remembering Travis Stimeling, A Musician, Scholar And Mentor
Travis Stimeling, a WVU professor and noted scholar of traditional Appalachian music, died in their home on Nov. 14, 2023.
Photo Credit: Ellen Linscheid
Travis Stimeling carried the torch for bluegrass and traditional music in Appalachia.
It was a shock when the author, musician and West Virginia University (WVU) professor died abruptly in November at the age of 43. News of their passing prompted an outpouring of remembrances from colleagues, former students and friends.
Some shared their stories with Folkways Reporter Zack Harold, who brought us this remembrance.
Traditional Dance Callers Updating For Inclusivity
A multi-generational group of dancers follows Becky Hill’s calling at the Augusta Heritage Center in July 2023.
Photo Credit: Lydia Warren/West Virginia Public Broadcasting
The use of they/them pronouns signals more than a change in language; it’s also a cultural change that allows for people to be identified as they see themselves. And, it’s happening even in the region’s dance halls.
Folkways Reporter Lydia Warren brought us the story.
The Age Of Deer
Erika Howsare explores our relationship to deer, which has been long and complicated.
Courtesy Photo
Few animals are as polarizing as the white tail deer. They’re graceful and majestic — and kind of cool to see up close. But they can also ravage gardens, and drivers hit countless deer every year.
Yet, there seem to be more deer than ever.
Erika Howsare is the author of The Age of Deer: Trouble and Kinship with Our Wild Neighbors.
Producer Bill Lynch spoke with Howsare.
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Our theme music is by Matt Jackfert. Other music this week was provided by Amythyst Kiah, Watchhouse, John Blissard, Yonder Mountain String Band and Larry Rader.
Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens.
This week on Inside Appalachia, for nearly a century, some of the best wood carvers in Appalachia have trained at a folk school in North Carolina. The Brasstown Carvers still welcome newcomers to come learn the craft. Also, in 2021, Willie Carver was named Kentucky’s Teacher of the Year. Then he left his job over homophobia and became an activist and celebrated poet.
For nearly a century, some of the best wood carvers in Appalachia have trained at a folk school in North Carolina. The Brasstown Carvers still welcome newcomers to come learn the craft.
In 2021, Willie Carver was named Kentucky’s Teacher of the Year. Then he left his job over homophobia and became an activist and celebrated poet.
And, the zine Porch Beers chronicles the author’s life in Appalachia — including a move from Huntington to Chattanooga, and back again.
You’re hear these stories and more this week, Inside Appalachia.
Angela Wynn and Richard Carter carve tiny beavers out of basswood at the John C. Campbell Folk School in Brasstown, North Carolina. The Brasstown Carvers continue on through new generations of woodworkers.
Credit: Stefani Priskos/West Virginia Public Broadcasting
The Brasstown Carvers have been a part of the John C. Campbell Folk School in North Carolina almost since its founding in the 1920s. The group’s woodwork has been celebrated, sought after and collected. Today, only a handful of Brasstown Carvers remain, but they’re still attracting new students and trying to shape a new future.
Folkways Reporter Stefani Priskos has the story.
Gay Poems For Red States And Appalachia’s Love Language
Willie Carver, Kentucky educator, poet and proud Appalachian.
Courtesy
Willie Carver was Kentucky’s teacher of the year in 2021. He taught English and French for 10 years at Montgomery County High School, where he also oversaw several student clubs.
He’s also gay and not everyone accepted a gay high school teacher. Carver said he and his LGBTQ students were harassed.
In 2022, he resigned from the high school.
Last summer, Carver released the bookGay Poems for Red States, which attracted a lot of praise and helped turn him into a much-followed, outspoken voice on social media.
Bill Lynch spoke with Carver.
Cracking Open Porch Beers
Elliott Stewart, the publisher of the zine Porch Beers takes a look at life as an Appalachian trans man.
Courtesy
Elliott Stewart has been making zines since he was 13. His ongoing zine “Porch Beers” is an incisive look at Appalachian culture, through the eyes of a queer trans man. “Porch Beers” dives into pop culture fandom, West Virginia food and Stewart’s complicated relationship with his hometown of Huntington, West Virginia.
Mason Adams spoke with Elliott Stewart about his zine and about what a “porch beer” is anyway.
A Trip To Cabbagetown
Cabbagetown was added to the National Register of Historic Places in 1976.
Archival Image
After the Civil War, droves of Appalachian workers migrated to a mill town in the middle of Atlanta, eventually known as Cabbagetown. Many went to work at the Fulton Bag and Cotton Mill and raised families in Atlanta, but the area is still home to urban Appalachian culture and traditions.
Jess Mador has the story.
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Our theme music is by Matt Jackfert. Other music this week was provided by Dinosaur Burps, John Inghram, Tyler Childers, Mary Hott, Joyce Brookshire and John Blissard.
Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens.
This week on Inside Appalachia, step shows are a tradition at many historically Black universities, including schools in Appalachia. We hear about one that’s part of West Virginia State University’s annual homecoming celebration. And, abandoned industrial sites have long been a magnet for people to explore and turn into not-at-all-legal hangout spots, but some come with hidden dangers. We learn about the danger at Fairmont Brine, a site in West Virginia that processed liquid used in hydraulic fracking.
Step shows are a tradition at many historically Black universities, including schools in Appalachia. We hear about one that’s part of West Virginia State University’s annual homecoming celebration.
Abandoned industrial sites have long been a magnet for people to explore and turn into not-at-all-legal hangout spots, but some come with hidden dangers. We learn about the danger at Fairmont Brine, a site in West Virginia that processed liquid used in hydraulic fracking.
You’ll hear these stories and more this week, Inside Appalachia.
Members of Delta Sigma Theta at WVSU’s homecoming. The sorority was part of the annual step show at the university.
Photo Credit: WVSU’s Alpha Delta Chapter of Delta Sigma Theta Sorority, Inc.
Fraternities and sororities at West Virginia State University (WVSU), one of the state’s two historically Black universities, introduced step dancing at the school decades ago. They made it part of the school’s annual homecoming celebration.
Folkways Reporter Traci Phillips has been attending step shows since she was a kid. Last fall, she brought along her 11-year-old daughter Jayli. They brought us the story.
Teaching Soul Food
Xavier Oglesby cuts onions for a macaroni salad he is cooking inside Manna House Ministries’ kitchen. A pot of boiling water is behind him, cooking the pasta for the dish.
Photo Credit: Vanessa Peña/West Virginia Public Broadcasting
The Appalachian table is complex and varied. Along with biscuits and gravy, it includes things like collard greens, extra cheesy mac and cheese and fried chicken feet — soul food.
Soul food is associated with southern Black communities, but it’s also traditional to Appalachia, too.
Folkways Fellow Vanessa Peña visited with Xavier Oglesby, a master artist in soul food cooking from Beckley, West Virginia.
Radioactive And Dangerous
Fairmont Brine has fallen into disrepair since it was abandoned.
Photo Credit: Justin Nobel
Starting in the late 2000s, parts of Appalachia saw a natural gas boom from hydraulic fracturing, also known as fracking. But, some of that faded and in some places, the oil and gas industry has left behind dangerous industrial sites — like Fairmont Brine in Marion County, West Virginia.
Left alone, the abandoned site became a popular hangout spot for unsuspecting young folks.
Mason Adams spoke with Nobel about his investigation.
Sugar Syrup Season In Central Appalachia
Valerie Lowry offers samples to visitors at the Highland County Maple Syrup Festival.
Photo Credit: Clara Haizlett/West Virginia Public Broadcasting
Highland County, Virginia and its neighbors in West Virginia are some of the southernmost places in the U.S. to make maple syrup.
Generations of people in these communities have turned tapping trees for syrup into a longstanding tradition — but modern producers are experimenting with new syrups while adapting to changing demands, and a changing climate.
Folkways Reporter Clara Haizlett brought us the story.
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Our theme music is by Matt Jackfert. Other music this week was provided by Jeff Ellis, Tyler Childers, Amethyst Kiah, Joe Dobbs and the 1937 Flood and Frank George.
Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens.
