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"Philip likes the fact that music doesn't just exist on paper now and that these early pieces can be realized in different ways." ~Michael Riesman
Philip Glass’ Music For Eight Parts journey from missing or lost, to the current recording, feels like an elaborate plot by a master novelist.
Michael Riesman, Musical Director for the Philip Glass Ensemble, tells the story.
Philip Glass always knew that teaching and the groves of academia were not for him. After his studies with Nadia Boulanger and Ravi Shankar in Paris, he returned to New York in March of 1967, so focused on composing that he realized that he needed his own ensemble to learn and perform his rigourous compositions.
Glass also knew that, in order to sustain his making a living through composing, that he had to work to support the ensemble. Cab driver, plumber and mover, Glass wore many hats and paid his dues – and then some.
Music In Eight Parts, referring to the number of musical lines, was written in 1969, dated January of 1970 on the score and performed, according to then intern Alex Gray “twice at the Guggenheim and twice at the Walker Art Center in Minneapolis.” Ultimately, Glass had to sell the autograph score to make ends meet and did not remember to whom it was sold.
Fast forward to 2017 when the score resurfaced and went on auction at Christie’s. It sold for $43,750 and now is with Dunvagen Music, Glass’s publisher.
The Philip Glass Ensemble has changed over the years and this piece needed some updating if it was to be added to the current repertoire. Step in Michael Riesman, director of the PGE.
Ecletopia host Jim Lange interviewed Michael Riesman on June 2, 2020, about the tale of Glass’s lost piece and other topics.
Listen to a more in depth version of the interview:
Here are some additional excerpts from the interview.
Sources:
https://www.michaelriesman.com/about_michaelriesman.html
The Fresh Air archives are open! Here’s a link. The Ira -Philip Glass interview is so inspiring.
The best documentary for learning more about Philip Galss:
This week on Inside Appalachia, during a pandemic, where do you give birth? Also, we’ll have the story of a family that cultivated an heirloom tomato in West Virginia. It took a lot of work. And, a musical tradition brought people together — even when they couldn’t gather in person.
Continue Reading Take Me to More NewsAlmost everyone has heard of the Mothman — West Virginia’s best known cryptid. But have you heard of Veggie Man? That’s another West Virginia cryptid. And it helped inspire a zine project from the Frank and Jane Gabor West Virginia Folklife Center at Fairmont State University. Producer Bill Lynch spoke with the center’s director, Lydia Warren, about the forthcoming publication, which is taking submissions.
Continue Reading Take Me to More NewsOur spring broadcast season continues this week with a premiere episode of Mountain Stage, recorded at the Culture Center Theater in Charleston, WV. Host Kathy Mattea welcomes Oliver Wood, Stephen Wilson Jr., Dar Williams, TopHouse, and Cloud Cult.
Continue Reading Take Me to More NewsFive years ago, the COVID-19 lockdowns kept a lot of people out of public spaces — and a lot of artists used that time to create. Like the Cornelius Eady Trio. The group is organized around Cornelius Eady, a poet and professor at the University of Tennessee at Knoxville, whose writing has been nominated for the Pulitzer Prize and the National Book Award. With the help of musicians Lisa Liu and Charlie Rauh, Eady puts his words to music.
Continue Reading Take Me to More News
