As 2025 begins, some states are poised to pass tighter abortion restrictions, building on more than 40 bans enacted since Roe v. Wade was overturned. On the next episode of “Us & Them,” host Trey Kay revisits the fight for reproductive care, talking with a retired Episcopal priest who recalls how liberal clergy helped women navigate the barriers of the pre-Roe era. Now, some of those same clergy are pulling that playbook off the shelf as anti-abortion supporters push for new federal limits.
Listen: Dawes Has The Mountain Stage Song Of The Week
Dawes, shown here in 2011, appear on this week's listeners' choice episode of Mountain Stage.Brian Blauser/ Mountain Stage
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Our Listeners’ Choice episodes of Mountain Stage continue this week with a classic show from 2011 featuring Dawes, Jason Isbell & 400 Unit, Blitzen Trapper, James McMurtry and Matthew Sweet.
In October 2011 California quartet Dawes were touring in support of their acclaimed album Nothing is Wrong. Our Song of the Week is a performance of the final track on that album, a creative and emotional high watermark for the band, “A Little Bit of Everything.”
In March the band released “I Will Run,” a previously unreleased song from the recording sessions for their 2018 album Passwords. All proceeds will benefit the North Shore Animal League America and the MusiCares Covid-19 Relief Fund.
Credit Brian Blauser/ Mountain Stage
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James McMurtry, performing on Mountain Stage in October, 2011. Catch an encore broadcast of this show starting May 15 on Mountain Stage affiliate stations.
Hear the entire set from Dawes, plus performances by Jason Isbell & 400 Unit, James McMurtry, Matthew Sweet and Blitzen Trapper, on this week’s encore broadcast of Mountain Stage. We hope you can find comfort in the sound of the applause that we hear in these classic episodes.
Be sure to follow Mountain Stage on Facebook, Instagram and Twitter. We’re not sure when we’ll be back to producing new episodes, but you can sign up for our email newsletter to be among the first to hear about it when we do.
In this album, Soltis performs works all by American female composers, highlighting a group of underrepresented musicians in the Classical realm. Soltis says this album shows how “American women in classical music are not isolated novelties … but rather they represent an unbroken tradition of compositional excellence.” Some highlights from the album include Amy Beach’s “Berceuse” and Florence Price’s "Adoration."
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