Cryptids, Local Food, Artwork Celebrated In W.Va. Board Game

Mothman’s been sighted again in West Virginia. And he’s looking for a meal. He’s part of a new board game that features cryptids and local West Virginia food. Jared Kaplan and Chris Kincaid of Beckley, West Virginia created the game called “Hungry for Humans.”

At Kincaid’s home in Morgantown, we sat around the colorful board arranged in the center of a wooden table. His basement was a board gamer’s paradise – a giant game cupboard lined the wall and the table we were playing on was designed specifically for board games.

It was my first time playing and I was up against the two creators of the game.

“I’m gonna say ‘You look hungry’ and I’m going to make you eat that extra chunky milk,” Kaplan said. “So then you have to go back one.”

The odds were not in my favor.

“So us as the players, we’re the humans, we each have a monster friend who wants to eat humans,” Kaplan explained. “But if you feed it enough, good food, normal food, it’ll satisfy its human hunger and it won’t eat anybody.”

That good food could be a sundae from Ellen’s Ice Cream in Charleston or a burger from the Farmer’s Daughter in Capon Bridge.

“However, if you feed it too much, too fast, it [the monster] becomes too powerful and just explodes,” he continued. “If you feed it the wrong things, because there are some nasty foods in here, then it becomes hangry. And it just gets mad at you and it will eat you. And you’re also out of the game.”

“This is toothpaste with an orange juice chaser,” Kincaid read from a game card. “That’s a minus two.”

Kaplan said they wanted the game to celebrate their home state and its local restaurants.

“I love food. So I just started thinking of a game that involves food,” Kaplan said.

They decided to focus specifically on food from West Virginia restaurants, like Tudor’s Biscuit World and Pies and Pints.

Cryptids are another important part of the game. The Grafton monster, Sheep Squatch, Mothman and the Flatwoods Monster are all special power cards that give you an extra edge on your competitors. In real life, cryptids are rarely spotted. And it’s the same in the game.

“Do you hear that?” Chis asked.

“The buzzing?” I replied.

“No, that’s the sound of the Sheep Squatch coming to scare Jared out of the meal!” he said.

Kincaid and Kaplan met several years ago, in their hometown of Beckley. Kincaid said they bonded over their love for board games.

“We’ve played games with people from very different walks of life,” he said. “From very different places, with very different belief structures, and it’s great, nobody cares about any of it. We’re just there to rob the bank or rescue the princess.”

As a kid, Kincaid learned to play games with his dad and two younger brothers.

“It was always associated in my life with happiness and togetherness,” he said. “We grew up, not super well off, so a board game was about as much entertainment… we weren’t going off to take trips and vacations all the time. We played Uno till we ruined decks.”

Now Kincaid is a family doctor and professor at West Virginia University. He said board games are his escape.

“My career’s pretty taxing, especially lately, as far as time consuming and energy consuming, and it’s just how I recharge my batteries,” he said.

Kincaid has carried on the family tradition of playing games with his own kids. He said they’re budding board gamers with a game shelf that’s starting to rival his.

Kaplan works in marketing at the Resort at Glade Springs in Daniels, West Virginia and he has his own marketing business. He said he was never very good at video games, so he played board games instead.

“For someone like me, who has a ton of anxiety, I actually enjoy being around people more than you would probably think,” Kaplan said. “That’s what I love about board games as it brings people together.”

Kaplan said for him, board games aren’t just something he pulls out at the holidays. He hosts frequent game nights throughout the year.

“It’s really the anchor right now for me that brings my friends together,” he said.

At one of these game nights in Beckley several years ago, none of their other friends showed up, so it was just Kaplan and Kincaid. Instead of playing something, they started brainstorming game ideas.

That was the start of “Lonely Hero Games,” their board game company. After diving deeper into the world of board games, they quickly learned that a good game needs good artwork.

“If your art and your game is not good, you’re going to hear about it,” Kaplan said.

Morgantown artist Liz Pavlovic was the perfect fit for their second game, Hungry for Humans. She’d never illustrated a board game before, but she’s known around the state for her funky renditions of West Virginia food, like pepperoni rolls, and cryptids like Mothman.

“I just really like celebrating the weird stuff in the state and the stuff that maybe people don’t know about, especially if you’re not from here,” Pavlovic said.

It was Pavlovic’s first time playing the game, like me. Her monster friend was none other than the fictional Flerbin Gusselpot, a peculiar creature, loosely inspired by a bat. It’s her personal favorite and just one of the many monsters she illustrated for the game.

“He has a really weird nose. And otherwise, sort of a reptile body with a horse tail. And some fangs and like a really long tongue and really long fingers. He’s purple with spots, orange spots,” she said.

When Hungry for Humans launched on Kickstarter last fall, Kaplan and Kincaid received an unexpected amount of support for the game, specifically from West Virginians.

“I reflect on that and feel extremely lucky to be from West Virginia and have our community,” Kaplan said. “If you’re creating a game in somewhere like New York, everywhere you look, people are doing that. In West Virginia, though, people take a lot of pride in people who are doing things that are different and unique, and they want to support each other and lift each other up.”

Kincaid said he enjoys playing Hungry for Humans, but he rarely wins. And indeed, Kincaid’s monster – Porgis Bean-hammer – was the first one to explode.

“Don’t blow me up! Blow him up!” Kincaid pleaded.

That left me, Kaplan and Pavlovic. When we totaled up the meal, it was a seven – meaning that all of our monsters were about to explode. I had to think quick. Without hesitating, I played a “Yuck” card – landing me right at the finish.

They may have let me win, but I’d like to think otherwise.

Hungry for Humans will be available this summer. And even though their game isn’t even on the shelves yet, Kaplan said he already has at least 15 new game ideas.

“There’s a skeleton of a game under this table right now that I’ve been working on,” Kincaid said.

This story is part of the Inside Appalachia Folkways Reporting Project, which is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to Inside Appalachia to hear more stories of Appalachian folklife, arts, and culture.

Mothman Legacy Has Ties to Ancient Folklore

The world first heard of the Mothman in 1966 and 1967, leading up to the Silver Bridge collapse in Point Pleasant, West Virginia. The disaster claimed the lives of 46 people on Dec. 15, 1967.

Many thought the Mothman sightings in the small town were a warning that something terrible was about to happen. The winged cryptid has gone on to appear in books, films and on television.

In a new documentary, filmmaker Seth Breedlove explores the ancient historical roots of the Mothman and looks at the legend today. He spoke with Eric Douglas by Zoom to discuss the documentary “The Mothman Legacy.”

This interview has been lightly edited for clarity.

Douglas: What prompted you to, to do this film?

Courtesy Mothman Legacy
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The DVD cover of the documentary Mothman Legacy.

Breedlove: I was having a conversation with someone about the Mothman story and they pointed out some similarities between Mothman and other winged creatures throughout mythology. They made an interesting connection between the Mothman and banshees from Irish and Scottish folklore that involves this creature that heralds some sort of oncoming death or disaster and typically has glowing red eyes.

The interesting thing about that is, obviously, Appalachia, and West Virginia, especially, was settled largely by Scotch-Irish immigrants. Did those immigrants bring that folklore with them and then it just gained a foothold and took on a life of its own over time? What really interested me was being able to look at not just a spooky creature story, but a bigger look at mythology and legends and folklore in general.

Douglas: What did you learn when you started digging into that?

Breedlove: I think what we learned is that there’s a history of these similar creatures, not just Irish and Scottish, but kind of all around the world. I mean, in Hindu mythology, there’s the Garuda, which is a winged creature that would proceed or portend disaster. And interestingly enough, John Keel, who wrote “The Mothman Prophecies,” was originally going to title the book “The Year of the Garuda.”

Douglas: What do stories like the Mothman tell us about ourselves? Why do we enjoy these kinds of stories?

Breedlove: I’ve always said there’s a correlation between when subjects like this become popular, and the current state of the world. I’ve always felt that there’s an escapism, as weird as that sounds. They definitely can directly tell us things about human beings and ourselves and how we pass along stories. I think, if there’s anything the Mothman legacy is actually about, is it’s about the legacy of storytelling.

Douglas: Do you believe in the Mothman?

Breedlove: Not to cop out with this answer, but I think it kind of depends on what your version of the Mothman is. There’s eight different interviews in the film with people that claim to be witnesses, and none of them describe the exact same thing. So, I think there was something going on. And I think there still is something going on that maybe we don’t understand. As to whether or not that something is a giant humanoid, creature with wings and glowing red eyes, I’m not positive. I do think there’s a lot to the Mothman story, though, that you can’t simply write off every every sighting,

Douglas: What does moving a horror story or mythology story into pop culture mean for the Mothman moving forward?

Breedlove: We see these stories springing up all around the country, and probably all around the world, but especially America seems to really respond to its monsters. So you’ve got creatures like Bigfoot, or the Dover Demon, or the Jersey Devil.

You don’t see the transition, in those cases, in quite the same way you do with the Mothman, where you go from what is really a regional media frenzy during the 1960s that dies off and then comes back to life in the early 2000s, and then morphs into what it is today. And if you can, if you can track it all the way back to something like the Garuda or banshees, it’s even more fascinating because then you’re dealing with centuries of stories changing and not just a few decades.

“The Mothman Legacy” is now available to stream online through most major streaming platforms.

West Virginia Mothman Festival Postponed Due To Virus Outbreak

An annual festival that commemorates a local legend about a “Mothman” in West Virginia has been postponed due to the coronavirus pandemic.

If the festival honoring the legend of the red-eyed creature’s sightings in Point Pleasant was held this September as previously scheduled, it would “be subpar and lackluster to what has been built over the last 18 years,” organizers for the event said on Facebook while announcing the change Thursday. The festival has now been moved to September 2021.

Admission to the event held in downtown Point Pleasant is free to the public and features live music and cosplay. Visitors have to pay a fee to see the Mothman Museum and for some attractions, according to the festival.

Monster Movie Camp Comes to Pocahontas County

For many, summer is often associated with camp and quintessential camp activities like swimming, making s’mores and telling ghost stories.

Last week, a group of nine students in Pocahontas County took telling ghost stories a step further, by learning how to make short, animated films at Monster Movie Camp.

On the last day of Monster Movie Camp, the students were standing at their workstations, hurriedly putting the final touches on the illustrations for their film. Molly Cook was drawing the shape of a funny looking monster with a magic marker.

“I just like drawing. I’m only 10. I’m the youngest person in this class,” she said. She made a short, animated film, about a legendary cryptid from Braxton County, known as the Flatwoods Monster. 

After drawing the images, or creating a set with sculpture, the students used iPads to film their movies. They spent days working on their small sets and filming their stop-action animation. 

Many of the students said they signed up partly because they like to draw. Jesse Kelly said he likes theatre, and performing, and he wanted to learn to make movies as another creative outlet. 

One of the students’ sketches from Monster Movie Camp.

“I think I surprised myself on some of the things that I did because I didn’t think I could do it that good,” Kelly said. “Like, once I watched it, it was better than I thought it would be.”

The Pocahontas County Opera House hosted the five-day Monster Movie Camp. Artist Bryan Richards and writer Howard Parsons also helped teach the students how to animate stories. 

On the final day of camp, the students showed their parents their films, which were projected on a big screen inside the Pocahontas Opera House.

In the interest of full disclosure, Roxy Todd, who reported this story, is friends with Brooke Shuman, who organized the camp.

May 2, 1925: Flying Saucer Investigator Gray Barker Born

Flying saucer investigator Gray Barker was born at Riffle in Braxton County on May 2, 1925. He spent most of his life in central West Virginia, earning a degree from Glenville State College, teaching school, and booking acts for local theaters.

Barker’s interest in unidentified flying objects was sparked by mysterious sightings of the Flatwoods Monster in 1952. Based on Albert Bender’s “Men in Black” theory, Barker published his best-known book, They Knew Too Much About Flying Saucers.

Following the 1967 collapse of the Silver Bridge in Point Pleasant, Barker published his next book, The Silver Bridge, which popularized the Mothman legend. In 1983, he wrote MIB, The Terror Among Us, about the Men in Black

Gray Barker’s fame spread after his death in 1984 at age 59. A 1995 video by Ralph Coon recognized Barker as one of the 20th century’s leading UFO theorists. Barker’s personal collection is now part of the Clarksburg-Harrison Public Library. When asked once if he believed in flying saucers, Barker replied, “I am not sure, but anything that generates that volume of interest is worth collecting.”

West Virginia Creating Trail of Haunted Sights to See

West Virginia tourism officials are creating a trail that will highlight the state’s haunted history.

The state Division of Tourism is taking suggestions for places to include on its list of paranormal attractions, events and destinations.

The inventory could highlight legends like Mothman or the Greenbrier Ghost, and include places like the Lake Shawnee Amusement Park or the Trans-Allegheny Lunatic Asylum.

To be considered for the trail, locations must be open or accessible to the public. It also must be promoted as being haunted by the property owners or, if on public land, by local officials.

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