W.Va. Couple Follows Passion For Woodwork By Building A Life And A Business Together

For Sue and Stan Jennings, woodworking isn’t just a way to make a living, it’s a way of life. What started out as a passion for the craft was born out of necessity. Over the last 30 years, the Jennings have developed a thriving business making wood objects called treenware — small wooden kitchen utensils. 

This story originally aired in the April 21, 2024 episode of Inside Appalachia.

For Sue and Stan Jennings, woodworking isn’t just a way to make a living, it’s a way of life. What started out as a passion for the craft was born out of necessity. Over the last 30 years, the Jennings have developed a thriving business making wood objects called treenware — small wooden kitchen utensils. 

The Jennings learned to make spoons through a lot of trial and error. But both of them can trace their passion for woodworking back to their childhoods. 

Sue grew up helping out her father who was a contractor. Stan’s father had a sawmill and his grandfather was a carpenter. “I had a little bit of woodworking in my DNA,” Stan says. 

Their mutual love of woodworking ended up being the foundation for their own relationship as a couple. 

“When I met my husband, we were both working in the coal mines underground. And when we first started getting to know each other, the question we would ask is, ‘If you had anything in the world you wanted to do, what would be first on your list?’” Sue says. “And I said I wanted to be a woodworker. And he had the same dream. So right off the bat we knew there was something pretty special there.” 

The chance to chase their dreams came sooner than expected. Not long after the couple met, Sue and Stan were laid off from the mines.

“We all walked in and got our pink slips and that was the end of our coal mining business,” Sue says. “And that’s how this evolved, because we needed a way to make a living.” 

To make ends meet, the couple started selling odds and ends at craft shows. During that time, both experimented with making spoons. 

Stan says the first set of spoons he made were less than impressive, but were created from the heart. And because he needed a cheap present for Sue. 

“I suppose I was too tight to buy a Christmas gift,” Stan says. “I made her a set of dogwood spoons. And that was actually the first set of spoons we made. I’m ashamed to even show people, it turned out so bad, but Sue hung on to them.” 

Sue also caught the spoon-making bug and tried to make a set herself. “The first spoon I made was a set of measuring spoons, and I made it out of rhododendron [wood],” Sue says. “And that’s because we had gone to a show and we met a spoon maker, and we talked and talked about him. I was fascinated from the very beginning.” 

The Jennings discovered there was a whole culture around wooden utensils when they stumbled upon the book Treen and other wooden bygones. This book ended up changing the direction of their business. But they almost didn’t buy it. 

“At the time it was like a $50 book and we stood there and agonized over spending $50 on this book because we couldn’t afford a book for $50,” Sue says. “So there was our first exposure to the word ‘treen.’”

Sue Jennings holding her copy of Treen and other wooden bygones, a book by Edward H. Pinto.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting

Treen is a Saxon word that refers to wooden items made from the tree for use in the kitchen or dairy. After buying the book, Allegheny Treenware was born. Much of the inspiration for their product design — and the name of their business — has come from the book.

Over 30 years later, the book is still on their shelves. It’s thick and well-worn, filled with photos of wooden kitchen items. There is a clear design connection between what is in the book and what the Jennings make today. The items are both functional and beautiful. 

Over the years, the couple has grown as craftspeople thanks to a combination of grit and learning from other woodworkers. Now, times are not as tight and their process is much more sophisticated. They have several employees and a workshop full of high-end equipment. Their treenware is sold online all around the world, and the spoons are coveted collector’s items. 

There’s a lot of action on the shop floor to fulfill these orders. Staff shift between workstations dedicated to a specific purpose. Each spoon starts with a pattern that is traced onto a board of wood and cut, just like a clothing pattern for fabric. 

“When we make the spoon or whatever, there’s no duplicating machines, there’s no computerized equipment. Everything is truly made by hand here at this shop,” Sue says. 

While there is now a team behind Allegheny Treenware, the Jennings reserve the most difficult part of the process for themselves: the shaping finish of the spoon. This requires very coarse sandpaper on a spinning disc which can cut your hands if you’re not careful. 

Sue says her approach to shaping is different from Stan’s. She pre-shapes the spoon first, while Stan starts by planning things out before he sits down at a machine. “We’re different sides of the brain and we go about things differently,” Sue says. “[Stan’s] very methodical and I’m not, but we end up in the same place.” 

Patterns used to make wooden utensils at Allegheny Treenware.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting

The Jennings also have complimentary skills as business partners, especially when they were selling at craft shows. 

Sue reflects on how she and Stan would interact with customers. “I’m always at the booth selling and his job was to entertain,” she says. “He’d be hand-carving a spoon and he’d be telling stories, entertaining the men while the women went shopping. It worked perfectly.” 

Before a spoon is complete, there are some finishing touches put on it. They burn their initials “SJ” into the spoon and then soak it in food grade oil to bring out the color of the wood. 

Back of a classic wooden “granny spoon” made by Allegheny Treenware.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting
Detail of engraving on the back of a wooden spoon made by Allegheny Treenware to indicate it is made of cherry wood. Initials “SJ” indicate the product was made by Sue and Stan Jennings.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting

These spoons are much more than wooden utensils. They represent the sweat equity of one couple who has stayed true to their dreams, and each other, for over three decades.

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This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia.

The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts and culture.

A Tale Of Treenware And A NASCAR Legend, Inside Appalachia

This week on Inside Appalachia, a pair of former miners found love shoveling coal and shaped a life making wooden spoons. We learn about treenware. Also, NASCAR Hall of Famer Leonard Wood shares stories, and a bit of advice. And, group bike rides are a way to socialize and get outside. But here in Appalachia, newcomers are met with steep hills.

This week, a pair of former miners found love shoveling coal and shaped a life making wooden spoons. We learn about treenware.

Also, NASCAR Hall of Famer Leonard Wood shares stories, and a bit of advice.

And, group bike rides are a way to socialize and get outside. But here in Appalachia, newcomers are met with steep hills.

In This Episode:


Two For Treenware

Stan and Sue Jennings turned a conversation about a passion into a business.

Photo Credit: Zack Gray/Allegheny Treenware

For 30 years, Sue and Stan Jennings have run Allegheny Treenware, a West Virginia company that makes wooden kitchen utensils. But they started off as a couple of coal miners. And when they weren’t underground, they talked about what else they could be doing.

Folkways Reporter Capri Cafaro visited the Jennings. 

Hanging Out With NASCAR Legend Leonard Wood

Straight from the source at The Wood Brothers Racing Museum.

Photo Credit: Mason Adams/West Virginia Public Broadcasting

Stock car racing’s roots run deep in Appalachia. Some of NASCAR’s early stars came straight from the lawless moonshine runners of the 1920s and 1930s, but NASCAR’s oldest continuous racing team had nothing to do with moonshine. 

Mason Adams visited with Leonard Wood at The Wood Brothers Racing Museum in Virginia for stories and wisdom.

Exploring Morgantown On The Back Of A Bicycle

The ad-hoc Morgantown Social Rides aim to get cyclists onto the streets to explore the city in a new way.

Photo Credit: Chris Schulz/West Virginia Public Broadcasting

With spring, lots of folks are heading out to the woods or the rivers, but one group in Morgantown, West Virginia is taking to the streets – on their bicycles.

WVPB’s Chris Schulz grabbed his helmet and tagged along to explore his city in a new way.

Sovereignty At The Museum Of The Cherokee People

BPR’s Lilly Knoepp (left) spoke with Museum of the Cherokee People Director of Education Dakota Brown and Director of Collections Evan Mathis at the Appalachian Studies Conference on Friday March 8, 2024 at Western Carolina University.

Photo Credit: BPR

In western North Carolina, a new exhibit called “Sovereignty” recently opened at the Museum of the Cherokee People. The exhibit focuses on the autonomy of the Eastern Band of Cherokee Indians. Director of Education Dakota Brown is co-curator of the exhibit.

BPR Senior Regional Reporter Lilly Knoepp spoke with Brown as part of a panel at the Appalachian Studies Association conference in March and sent us an excerpt.

——

Our theme music is by Matt Jackfert. Other music this week was provided by The Dirty River Boys, Charlie McCoy, John Blissard, Sierra Ferrell, and John Inghram.

Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens. We had help this week from folkways editors Nicole Musgrave and Mallory Noe Payne.

You can send us an email: InsideAppalachia@wvpublic.org.

You can find us on Instagram, Threads and Twitter @InAppalachia. Or here on Facebook.

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Inside Appalachia is a production of West Virginia Public Broadcasting.

Food, Fandom And ‘Porch Beers,’ An Appalachia Zine

Elliott Stewart has been making zines since he was 13 years old. His ongoing zine “Porch Beers” is an incisive look at Appalachian culture, through the eyes of a queer trans man.

This conversation originally aired in the March 3, 2024 episode of Inside Appalachia.

Elliott Stewart has been making zines since he was 13 years old. 

His ongoing zine “Porch Beers” is an incisive look at Appalachian culture, through the eyes of a queer trans man. “Porch Beers” dives into pop culture fandom, West Virginia food and the life of a 20-something navigating moves from Huntington, West Virginia, to Chattanooga, Tennessee and back again.

Inside Appalachia Host Mason Adams contacted Stewart to talk about the newest issues of his zine, and what Appalachia in 2022 looked like through the eyes of a zine writer.

Adams: So I first found “Porch Beers” kind of randomly online using a different search engine than I tried before. I ordered a couple of copies on Etsy and was just blown away. I’ve read zines for a long time, and I’ve read Appalachian zines. These grabbed my attention as a reader.

The writing is fun and short and funny, but also serious and thoughtful. And the stuff you write about is all stuff that I’m interested in. So tell us a little bit about yourself. Who is this person that makes “Porch Beers?”

Stewart: I guess born-and-bred West Virginian, moved around a lot as a kid. We lived with my grandparents, who are ministers and moved out every three to four years to different parts of the state. So I feel like that wanderlust has always kind of been in me. One of my ways getting in and out and recording memories is writing. My grandma has little booklets I made when I was five or six that were maybe my first zines. It’s a good way to be front and center about a lot of intersecting identities that I have. I feel a lot of people come up to me and say that I’m the first person from X group that they’ve ever met. And I don’t know, that’s kind of cool. It has a lot of responsibility to it, but it’s kind of cool.

Adams: Everybody that comes in my house, when they see these zines, they always wonder about the name. Tell us about the name “Porch Beers.”

Stewart: Sure. That was a tradition in Huntington and I’m sure elsewhere where you have a porch. Huntington is a small knit community, to where everybody knows everybody pretty much. You can go by somebody’s house or on their porch, [and they ask,] “Hey, do you want a porch beer?” “Yeah.” So you sit down, you have a talk that could be about nothing. It could be about very important heart-to-heart stuff. But that’s just a hallmark of Huntington summers, and I wanted to reflect that.

Adams: The first issue was about fandom, and you have a few different essays about different arenas of fandom per se. The second issue is about West Virginia and its food. Three was about music. And then you came back to food in issues four and four-and-a-half. What pulled you back to food after you had already written about the different kinds of foods unique to West Virginia?

Stewart: When I go to make an issue of “Porch Beers,” sometimes I will set out and it will be, “I want X theme,” and write around that theme. But more often than not, it’s just, I write a couple of articles as to what I feel, and a theme loosely takes shape. That’s what was happening with this one, to the point where I had a couple of other runner-up themes that I was going with, and my partner was like, “You might as well write about food, because that seems like where this one is drawing you to.” I was like, yeah, he’s right. That was what was on my mind. I don’t know if there was any particular reason for it. But that’s just where the writing led me.

Adams: So I read through these five issues there on specific topics — whether it’s pro wrestling, or the Ben Folds Five or West Virginia Food. But there’s a larger story arc here, too. I mean, I can read growth in these zines. You moved from Huntington to Chattanooga, and back. When you read back the zines, what is the story of “Porch Beers” so far?

Stewart: I do go back and read them at times. It is a little painful to read some of the early stuff, just because I have changed so much as a person. But I’m glad I have a record of it, that these things happened. And honestly, it’s valuable to get stories of growth out there because not a lot of people record the minutiae of life in Appalachia or in the various sub-communities I’m in

Adams: “Porch Beers” tracks this geographic shift, but it also documents a different kind of transition. Can you share a little bit more about that?

Stewart: I am an out transgender man, I have been out in one form or another as trans since about 2018. Just slowly began socially transitioning and then medically transitioning, and considered myself queer as my orientation. It’s been an interesting experience with that, a lot of learning curves. Sometimes people, when they find out, will have … I like to assume that most people are in good faith when they ask questions, but sometimes they can be very awkward or a little hurtful. But I try to take it in stride. Like specific medical questions or things, and if I don’t feel comfortable, I’m at least to the point now, where I’m like, “Hey, that’s kind of a weird thing to be asking me.” A lot of times I’m the first trans person that someone has knowingly met. And that is wild to me.

Find Elliott Stewart on Instagram.

Health Care Leaders Look Back On Four Years Of COVID-19

On March 17, 2020, West Virginia became the last state in the U.S. to test positive for COVID-19.

Time passes differently from each person’s perspective. The COVID-19 pandemic may seem like decades ago to some, and just like yesterday to others. In actuality, it has been four years since the world as we knew it came to a grinding halt.

The current Secretary of the West Virginia Department of Health, Dr. Sherri Young, was working as the health officer and executive director for the Kanawha-Charleston Health Department when the virus arrived in the state.

“We were the 50th state to have, or announce, our first case,” Young said. “And so it seems like from those waiting points, things accelerated very quickly to having more and more cases, and kind of evolving from all the responses that we had to do.”

Dr. Clay Marsh was eventually appointed by Gov. Jim Justice as West Virginia’s COVID-19 czar, the person who coordinated the federal, state and local agencies, health officials, researchers and other agencies aiding in the state’s response to the virus.

However, at the beginning of the pandemic, Marsh was making decisions for West Virginia University (WVU), as its executive dean for health sciences. He said he watched news reports of how the virus was spreading around the world and made decisions based on the most up-to-date information.

“Seeing that coming toward us in the U.S., we decided, you know, right before spring break, that instead of bringing the students back after spring break, we would actually close the university to classes, of course, taking care of the students that were at the university, international students, people, who didn’t have other places to go,” Marsh said. “But otherwise, then we took a big step and went online after that.”

Marsh said West Virginia’s rural demographics protected it from the virus for so long, with no large urban areas for COVID-19 to spread.

“We had the benefit of waiting until COVID came through the rest of the world and part of the rest of the country, and the urban centers to be able to respond,” Marsh said. “And so I think that was a tremendous advantage for us.”

Young said the first year of the pandemic was spent making hard decisions to limit the spread of COVID-19 and casualties from it. 

“We knew that there was very limited testing, we were using repurposed PCR testing that we changed the calibration for what we’d use for a flu test or other types of coronaviruses that we had to develop testing,” Young said. “So I remember sitting at the Kanawha-Charleston Health Department with 10 swabs, knowing that there were more people exposed in one patient than I could possibly test at that time.”

Young said one of the defining steps in mitigating the risk was the development of testing and distribution.

“One of the things that Gov. Justice did that was so great for us at the local health level, was making that testing available to everyone, once we had that capability,” Young said.

Marsh said a big milestone in the COVID-19 pandemic was understanding how it was communicated.

“I think that going from not understanding how COVID was transmitted, to understanding that COVID was really transmitted by respiratory exchange, and breathing, exchange, cough and exchange, sneezing exchange, and it was airborne, is really, really a huge advantage,” Marsh said.

Of course, both Young and Marsh agree, the invention of the COVID-19 vaccine was a turning point in fighting the virus.

“The next big evolution within the COVID pandemic, when we finally got that vaccine, that was life-altering, life-changing, I will forever remember the minute that I got to get the first dose from the health department,” Young said.

Marsh said not only was the invention of the vaccine a turning point, but a revolutionary moment in medicine.

“Coming up with the new vaccines, particularly the messenger RNA vaccines, were really a turning point in the pandemic and allowed us to protect the most vulnerable first, the aged, the older you are, the more likely COVID will have severe consequences, people that are immunocompromised, and then of course, eventually, you know, people who are first responders who are medical caregivers, and then everyone,” Marsh said.

Young agreed, remembering how exciting it was for the elderly to be allowed to visit with their loved ones again, without fear or worry.

“For some of the older adults, especially those 65 and older, and one of the most gratifying things getting to stand in those clinics, or even doing house calls, which we had done from the Kanawha-Charleston perspective, with the gratitude and being able to be open to being back around folks,” Young said. “So at the initiation of the vaccine, the uptake was good, and the response was good.”

Marsh said the world is not done with COVID-19, as it continues to mutate and with some patients still suffering from Long COVID.

“We still are not done with COVID, particularly related to the impact of Long COVID, the extended problems that people can suffer including brain fog and a variety of other problems,” Marsh said. “And we’re learning more and more about Long COVID. But that’s certainly still something that is impacting people in the U.S. and across the globe every day.”

Young encouraged people to speak with their physicians about what vaccination is appropriate.

“Well, fortunately, people, I think, were very well attuned at the beginning, but we don’t talk about COVID a lot,” Young said. “I think where we need to have that conversation is just realizing that it is something that we have to live with. It’s now endemic in our society, we will forever be dealing with it just like we deal with the flu, just like we deal with RSV and other diseases.”

According to the Centers for Disease Control and Prevention, Americans 65 and older should receive an additional dose of the latest COVID-19 vaccine this spring.

According to West Virginia’s Pan Respiratory Dashboard, just 36 percent of West Virginians over the age of 61 are up-to-date on COVID-19 vaccines. The dashboard shows that of the more than 100 West Virginians who died from COVID-19 in the past year, the average age was 73.

“As the data consistently shows, those who are older and immunocompromised are the most vulnerable to the severe effects of COVID-19,” said Young in a press release. “It is for this reason we encourage those individuals to strongly consider getting an additional dose.”

Under current recommendations, those 65 and older can receive an additional dose of the vaccine at least four months after the previous shot. The updated vaccine targets both the original strain of the virus and newer variants, offering broader protection. 

To find updated COVID-19 information and the nearest vaccination location, visit COVID-19 Vaccine.

Appalachia Health News is a project of West Virginia Public Broadcasting with support from Marshall Health.

Inmate Dies After He Was Found Unresponsive At Scrutinized West Virginia Jail

Correctional officers at Southern Regional Jail found the 24-year-old man unresponsive in his cell and attempted life-saving measures, according to a Division of Corrections and Rehabilitation statement. He was then taken to a local hospital where he was pronounced dead, WCHS reported.

An inmate at a West Virginia jail scrutinized in lawsuits citing inmate deaths and alleging poor living conditions was pronounced dead Friday morning, officials said.

Correctional officers at Southern Regional Jail found the 24-year-old man unresponsive in his cell and attempted life-saving measures, according to a Division of Corrections and Rehabilitation statement. He was then taken to a local hospital where he was pronounced dead, WCHS reported.

Authorities did not immediately provide further details or reveal the deceased inmate’s identity. The state Department of Corrections and Rehabilitation Criminal Investigation Division and the West Virginia State Police have opened an investigation into the death.

Several former correctional officers with Southern Regional Jail were indicted last month by a federal grand jury in connection with the 2022 death of an incarcerated man who was beaten while handcuffed and restrained in an interview room and later a jail cell. They were also charged with trying to cover up their actions, according to the U.S. Department of Justice.

The indictments came weeks after two West Virginia corrections officers pleaded guilty to a felony conspiracy charge stemming from the fatal beating of the same inmate, 37-year-old Quantez Burks. Burks was a pretrial detainee who died less than a day after he was booked into the Southern Regional Jail.

The state of West Virginia also agreed this year to pay $4 million to settle a class-action lawsuit filed by inmates who described conditions at the jail as inhumane. The lawsuit filed last year on behalf of current and former inmates described a lack of access to water and food at the facility, as well as overcrowding and fights that were allowed to continue until someone was injured.

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