W.Va. Couple Follows Passion For Woodwork By Building A Life And A Business Together

For Sue and Stan Jennings, woodworking isn’t just a way to make a living, it’s a way of life. What started out as a passion for the craft was born out of necessity. Over the last 30 years, the Jennings have developed a thriving business making wood objects called treenware — small wooden kitchen utensils. 

This story originally aired in the April 21, 2024 episode of Inside Appalachia.

For Sue and Stan Jennings, woodworking isn’t just a way to make a living, it’s a way of life. What started out as a passion for the craft was born out of necessity. Over the last 30 years, the Jennings have developed a thriving business making wood objects called treenware — small wooden kitchen utensils. 

The Jennings learned to make spoons through a lot of trial and error. But both of them can trace their passion for woodworking back to their childhoods. 

Sue grew up helping out her father who was a contractor. Stan’s father had a sawmill and his grandfather was a carpenter. “I had a little bit of woodworking in my DNA,” Stan says. 

Their mutual love of woodworking ended up being the foundation for their own relationship as a couple. 

“When I met my husband, we were both working in the coal mines underground. And when we first started getting to know each other, the question we would ask is, ‘If you had anything in the world you wanted to do, what would be first on your list?’” Sue says. “And I said I wanted to be a woodworker. And he had the same dream. So right off the bat we knew there was something pretty special there.” 

The chance to chase their dreams came sooner than expected. Not long after the couple met, Sue and Stan were laid off from the mines.

“We all walked in and got our pink slips and that was the end of our coal mining business,” Sue says. “And that’s how this evolved, because we needed a way to make a living.” 

To make ends meet, the couple started selling odds and ends at craft shows. During that time, both experimented with making spoons. 

Stan says the first set of spoons he made were less than impressive, but were created from the heart. And because he needed a cheap present for Sue. 

“I suppose I was too tight to buy a Christmas gift,” Stan says. “I made her a set of dogwood spoons. And that was actually the first set of spoons we made. I’m ashamed to even show people, it turned out so bad, but Sue hung on to them.” 

Sue also caught the spoon-making bug and tried to make a set herself. “The first spoon I made was a set of measuring spoons, and I made it out of rhododendron [wood],” Sue says. “And that’s because we had gone to a show and we met a spoon maker, and we talked and talked about him. I was fascinated from the very beginning.” 

The Jennings discovered there was a whole culture around wooden utensils when they stumbled upon the book Treen and other wooden bygones. This book ended up changing the direction of their business. But they almost didn’t buy it. 

“At the time it was like a $50 book and we stood there and agonized over spending $50 on this book because we couldn’t afford a book for $50,” Sue says. “So there was our first exposure to the word ‘treen.’”

Sue Jennings holding her copy of Treen and other wooden bygones, a book by Edward H. Pinto.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting

Treen is a Saxon word that refers to wooden items made from the tree for use in the kitchen or dairy. After buying the book, Allegheny Treenware was born. Much of the inspiration for their product design — and the name of their business — has come from the book.

Over 30 years later, the book is still on their shelves. It’s thick and well-worn, filled with photos of wooden kitchen items. There is a clear design connection between what is in the book and what the Jennings make today. The items are both functional and beautiful. 

Over the years, the couple has grown as craftspeople thanks to a combination of grit and learning from other woodworkers. Now, times are not as tight and their process is much more sophisticated. They have several employees and a workshop full of high-end equipment. Their treenware is sold online all around the world, and the spoons are coveted collector’s items. 

There’s a lot of action on the shop floor to fulfill these orders. Staff shift between workstations dedicated to a specific purpose. Each spoon starts with a pattern that is traced onto a board of wood and cut, just like a clothing pattern for fabric. 

“When we make the spoon or whatever, there’s no duplicating machines, there’s no computerized equipment. Everything is truly made by hand here at this shop,” Sue says. 

While there is now a team behind Allegheny Treenware, the Jennings reserve the most difficult part of the process for themselves: the shaping finish of the spoon. This requires very coarse sandpaper on a spinning disc which can cut your hands if you’re not careful. 

Sue says her approach to shaping is different from Stan’s. She pre-shapes the spoon first, while Stan starts by planning things out before he sits down at a machine. “We’re different sides of the brain and we go about things differently,” Sue says. “[Stan’s] very methodical and I’m not, but we end up in the same place.” 

Patterns used to make wooden utensils at Allegheny Treenware.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting

The Jennings also have complimentary skills as business partners, especially when they were selling at craft shows. 

Sue reflects on how she and Stan would interact with customers. “I’m always at the booth selling and his job was to entertain,” she says. “He’d be hand-carving a spoon and he’d be telling stories, entertaining the men while the women went shopping. It worked perfectly.” 

Before a spoon is complete, there are some finishing touches put on it. They burn their initials “SJ” into the spoon and then soak it in food grade oil to bring out the color of the wood. 

Back of a classic wooden “granny spoon” made by Allegheny Treenware.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting
Detail of engraving on the back of a wooden spoon made by Allegheny Treenware to indicate it is made of cherry wood. Initials “SJ” indicate the product was made by Sue and Stan Jennings.

Photo Credit: Capri Cafaro/West Virginia Public Broadcasting

These spoons are much more than wooden utensils. They represent the sweat equity of one couple who has stayed true to their dreams, and each other, for over three decades.

——

This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia.

The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts and culture.

Bluegrass And Old-Time Hopefuls Find A Tune In Spoons

In a classroom in Fairmont, West Virginia, a diverse group of students has gathered to learn how to play an unlikely instrument: the spoons.

This story originally aired in the Nov. 26, 2023 episode of Inside Appalachia.

In a classroom in Fairmont, West Virginia, a diverse group of students has gathered to learn how to play an unlikely instrument: the spoons.

Looking relaxed in a Hawaiian shirt at the center of the circle is their teacher Jeff Fedan. The seniors, kids and young adults who showed up for Fedan’s lesson are playing along to a dulcimer-version of Golden Slippers with spoons of different shapes and styles. As they clack along, Fedan encourages them to try out new rhythmic patterns. 

Jeff Fedan has been teaching aspiring spoons players how to play for years. He is also one of the co-founders and organizers of the yearly Pattyfest.

Credit: Lauren Griffin/West Virginia Public Broadcasting

As a recent retiree, Fedan now has more time to dedicate to his musical passion. He’s primarily a drummer, but he also plays the dulcimer. 

When Fedan moved to West Virginia decades ago, he started attending music festivals. As a percussionist, he was intrigued when he came across the spoons at a festival once. He picked up the skill and has been teaching other folks how to play for about 10 years. Over that time, he’s noticed increasing interest in the spoons. 

Fedan is teaching this free spoons workshops at Pattyfest. It’s a yearly festival held in honor of Patty Loomen. Loomen was a mountain dulcimer player who taught Fedan, along with many others. 

Throughout Appalachia, old-time and bluegrass jams are a beloved pastime. For those who want to join, the spoons are an accessible way to dip your toe in. For Fedan, spoons are both affordable and approachable. 

“Not everybody can afford an instrument like a guitar, which is several hundred dollars. But if they are inspired by the sound of spoons, for just a few bucks, you can get something that you can use to participate in a jam session,” says Fedan.

Spoons have been played for centuries in Europe, Asia and the Americas. In ancient history, people used bones to play. You can still find bones players today, but more often people use a wooden set. 

The spoons became popular in American folk music, particularly in African American jug bands. You might find the spoons accompanied by a washboard or a jug. Simple, household items that can easily be picked up to carry a tune.  

The Bone Player, William Sidney Mount (American, 1807–1868)1856

Credit: Bequest of Martha C. Karolik for the M. and M. Karolik Collection of American Paintings, 1815–1865

Aspiring spoons players have a couple different options. You could play with metal spoons. Or you could opt for a pair of carved wooden ones. 

Like their players, each set of spoons has its own personality. Bob Snyder, an old-time musician from Clarksburg, West Virginia, is also a woodworker. After seeing spoons around at festivals, he tried making them himself, creating his own design in the process. He makes his spoons from sassafras, walnut, oak and other hardwoods. 

Bob Snyder sells all kinds of different spoons at the festivals he attends. There are metal ones with wooden handles and carved wooden sets of different woods and styles.

Credit: Lauren Griffin/West Virginia Public Broadcasting

“Even two of the same woods, they’re gonna sound different because of the grain in them. I like the walnuts. Everybody’s different,” says Snyder. 

Snyder starts out with a square block of wood. He carves out his shapes and glues the two halves together. The final step of his process is lots and lots of sanding. 

I want them to last for people and be comfortable. If it’s uncomfortable, they’re not gonna play it,” says Snyder. 

Wooden spoons mimic the shape of kitchen spoons. Cups of different sizes are carved out of the wood. The two halves can then be glued together, creating one singular instrument, rather than two metal spoons that have to be held together in a particular way. 

Wooden spoons might be more comfortable, but some players still prefer metal spoons. Emily Kaniecki in Wheeling, West Virginia, is one. 

Kaniecki grew up in a family of bluegrass musicians but never picked up an instrument herself. She knew she had rhythm though. So one day, she looked up how to play the spoons online and taught herself how to play. 

Kaniecki’s twin brother played in an old-time group, the Marsh Wheeling String Band. After teaching herself how to play, she joined the band on stage at Oglebayfest, an annual fall festival. 

Emily Kaniecki (right) performing with her friend Tim Ullom at the 19th Hole in Wheeling, West Virginia.

Credit: Emily Kaniecki

“It was always kind of a joke at first. People just thought it was funny. But after a while, I wanted it to be more of a serious thing,” says Kaniecki. 

Playing the spoons isn’t always easy. Your body is part of the instrument. 

“I’ve taken my jeans off and my whole entire thigh is covered in bruises from just hitting,” says Kaniecki. 

Kaniecki has honed her skills and can turn a clamor into a tune. She explains that playing the spoons is not just about the sound you make, but also about the performance. When she gets on stage, she becomes the star of the show. 

Kaniecki delights her audience with spoons tricks like the drag. A drag is a technique where you sweep the spoons across your fingers. Instead of hitting the spoons on your leg, you can also play off your elbow or even your head. 

Along with her performance at Oglebayfest, Kaniecki has brought out her spoons at open mic nights, on stage at festivals, even at her own wedding. These days, her work as a nurse and a mother keeps her busy. But she says she’ll never retire from the spoons. 

“I love it. It’s so easy if you can just have rhythm, practice. It’d be a really cool instrument to play that doesn’t really require formal musical training. And also, it’s different. It’s not something you see everyday,” says Kaniecki. 

So, next time you’re putting away your silverware, give it a try. Play along with the rhythm to a song, find a local bluegrass jam, or take a free workshop next year at Pattyfest.

——

This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia and the Folklife Program of the West Virginia Humanities Council.

The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts and culture.

Inclusive Square Dancing, Zine Fest And Playing The Spoons, Inside Appalachia

This week on Inside Appalachia, we pick up a little light reading at the Johnson City Zine Fest. And… Grab your dancing shoes and learn about a movement to make square dance calling more inclusive. Also, the perils of playing the spoons.

This week, we pick up a little light reading at the Johnson City Zine Fest.

And… Grab your dancing shoes and learn about a movement to make square dance calling more inclusive.

Also, the perils of playing the spoons.

You’ll hear these stories and more this week, Inside Appalachia.

In This Episode:


Making Square Dancing More Inclusive

Calling a square dance is tricky business. It’s a skill that’s been handed down for generations, but a growing number of callers are updating the language to be more inclusive to keep the tradition alive.

Folkways Reporter Lydia Warren brought us the story.

A Visit To Zine Fest

Credit: Mason Adams/West Virginia Public Broadcasting

A zine, as in magazine, is a self-published pamphlet or brochure, or even a booklet. Some are very low-tech and rudimentary, and others are elaborately designed works of art. They’re all unique, and reflect the people who make them. Mason Adams went to Johnson City Zine Fest, met zine makers and talked with them.

All About The Spoons

Jeff Fedan has been teaching aspiring spoons players how to play for years. He is also one of the co-founders and organizers of the yearly Pattyfest.

Credit: Lauren Griffin/West Virginia Public Broadcasting

If you love string-band music, you don’t have to go too far to find a bluegrass or old-time jam here in the Appalachian mountains. Musicians get together, try out new licks and teach each other songs. But, you don’t have to play fiddle or guitar to get in on the music. Playing along might be as easy as just grabbing something out of a kitchen drawer.

Folkways reporter Lauren Griffin has the story.

The Life And Legacy of Woody Williams

The front of the Gold Star Families Memorial Monument in Charleston, West Virginia.

Credit: Janet Kunicki/West Virginia Public Broadcasting

“Woody Williams: An Extraordinary Life of Service” is a new documentary exploring the life of Hershel “Woody” Williams, the last living World War II recipient of the Congressional Medal of Honor. Williams, who died last year at the age of 98, spent decades working for veterans and their families.

Bill Lynch spoke with WVPB’s Randy Yohe and Janet Kunicki. They spent more than a year exploring Williams’ life and legacy for the documentary. 

——-

Our theme music is by Matt Jackfert. Other music this week was provided by the Carpenter Ants, Harvey and Copeland, Rev. Payton’s Big Damn Band, Le Tigre, John Blissard, The Sycomores, Hazel Dickens and Frank George.

Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens.

You can send us an email: InsideAppalachia@wvpublic.org.

You can find us on Instagram, Threads and Twitter @InAppalachia. Or here on Facebook.

Sign-up for the Inside Appalachia Newsletter!

Inside Appalachia is a production of West Virginia Public Broadcasting.

Keeping State Agency Emails And Playing Bluegrass With Spoons On This West Virginia Morning

On this West Virginia Morning, ongoing court cases involving West Virginia corrections and foster care agencies have raised concerns on retaining state agency emails as lawsuit evidence. Lawmakers are now getting responses in making sure that needed emails are not lost.

On this West Virginia Morning, ongoing court cases involving West Virginia corrections and foster care agencies have raised concerns on retaining state agency emails as lawsuit evidence. Lawmakers are now getting responses in making sure that needed emails are not lost. Randy Yohe has our story.

Also, in this show, you don’t have to go far to find bluegrass or old-time music in the Appalachian Mountains, but even if you don’t play a guitar or the fiddle, you can still get in on the music. Folkways Reporter Lauren Griffin brings us this story about how playing along might be as easy as grabbing something out of your kitchen.

West Virginia Morning is a production of West Virginia Public Broadcasting which is solely responsible for its content.

Support for our news bureaus comes from Shepherd University.

Caroline MacGregor produced this episode.

Listen to West Virginia Morning weekdays at 7:43 a.m. on WVPB Radio or subscribe to the podcast and never miss an episode. #WVMorning

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