Summer Reading Suggestions, Inside Appalachia

Inside Appalachia loves books and writers – and if you’re looking for summer book recommendations, we’ve got a bunch. This is our summer reading episode, featuring some of our favorite notable author interviews from over the past several months. 

Inside Appalachia loves books and writers – and if you’re looking for summer book recommendations, we’ve got a bunch.

This is our summer reading episode, featuring some of our favorite notable author interviews from over the past several months. 

You’ll hear these stories and more this week, Inside Appalachia.

In This Episode:


Silas House Talks Climate Calamity With “Lark Ascending”

“Lark Ascending” is a post-apocalyptic story about the ravages of climate change.

Written by Kentucky’s Silas House, the novel racked up several awards including the 2023 Southern Book Prize and the 2023 Nautilus Book Award. 

Mason Adams spoke with House following the release of “Lark Ascending,” last fall.  

Kentucky poet laureate Silas House spoke to Mason Adams about his novel “Lark Ascending.”

Courtesy

Barbara Kingsolver’s Appalachia Explored In “Demon Copperhead”

A Pulitzer Prize winning novel is typically considered “a solid read,” and even before it took the honor, Barbara Kingsolver’s “Demon Copperhead” was attracting attention.

In 2022, Kingsolver was the Appalachian Heritage Writer-in-Residence at Shepherd University in West Virginia. 

WVPB’s Liz McCormick sat down with Kingsolver to talk about Appalachia and the book. 

Author Barbara Kingsolver.

Credit: Evan Kafka

Frank X. Walker Talks Poetry and Affricachia

Thirty years ago, Kentucky poet Frank X. Walker rebelled against the definition of Appalachians as, “the white residents of the Appalachian mountains” and coined the phrase “Affrilachia.” 

Walker’s latest is “A is for Affrilachia,” a children’s book.  

It’s been called “an ode to Affrilachia.” 

WVPB’s Eric Douglas spoke with Walker. 

Cover art for Frank X. Walker’s children’s book, “A is for Affrilachia.”

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Hotdogs In the Hills With Emily Hilliard

One of our favorite recent non-fiction books has been “Making Our Future: Visionary Folklore and Everyday Culture in Appalachia,” by folklorist Emily Hilliard.

It’s chock full of quirky Appalachian culture – from indie pro wrestling to the video game “Fallout 76” and more.

Folkways Reporter and resident foodie Zack Harold talked West Virginia hotdogs with Hilliard.

Emily Hilliard’s book relishes Appalachian culture.

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Women Speak In Appalachia

For a sampling of women writers, especially poets, you might check out any of the eight volumes of “Women Speak,” an anthology series collecting the work of Appalachian women.

The books are edited by Kari Gunter-Seymour, Ohio’s poet laureate.  

Inside Appalachia Producer Bill Lynch spoke with Gunter-Seymour about poetry, getting published, and Appalachian Ohio.

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Our theme music is by Matt Jackfert. Other music this week was provided by Del Mcoury, The Appalachian Road Show, Little Sparrow, Buck Owens and Tim Bing.

Bill Lynch is our producer. Zander Aloi is our associate producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Our audio mixer is Patrick Stephens.

You can send us an email: InsideAppalachia@wvpublic.org.

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Inside Appalachia is a production of West Virginia Public Broadcasting.

An Author’s Take On Ecological Disaster And Our Song Of The Week, This West Virginia Morning

On this West Virginia Morning, Mason Adams speaks with Kentucky poet laureate Silas House about his book “Lark Ascending,” one of Inside Appalachia’s summer read picks. In the book, House explores a future that’s reeling from ecological disaster.

On this West Virginia Morning, Mason Adams speaks with Kentucky poet laureate Silas House about his book “Lark Ascending,” one of Inside Appalachia‘s summer read picks. In the book, House explores a future that’s reeling from ecological disaster.

Also in this show, Randy Yohe reports on lawsuits over a hidden camera in the West Virginia State Police women’s locker room that continue to pile up.

And, our Mountain Stage Song of the Week comes to us from Los Angeles-based mini-roots orchestra Dustbowl Revival. We listen to their performance of “Let It Go.”

West Virginia Morning is a production of West Virginia Public Broadcasting which is solely responsible for its content.
Support for our news bureaus comes from Concord University and Shepherd University.

Our Appalachia Health News project is made possible with support from CAMC and Marshall Health.

West Virginia Morning is produced with help from Eric Douglas, Bill Lynch, Caroline MacGregor, Liz McCormick, Emily Rice, Chris Schulz, Curtis Tate, Delaney Wells, and Randy Yohe.

Eric Douglas is our news director. Caroline MacGregor is our assistant news director and producer.

Teresa Wills is our host.

Listen to West Virginia Morning weekdays at 7:43 a.m. on WVPB Radio or subscribe to the podcast and never miss an episode. #WVMorning

Appalachian Writer Silas House on the Double-Edged Sword of Coal

This story is part of the ‘The Future of Coal’—a collaboration of The Allegheny FrontWest Virginia Public Broadcasting, and Inside Energy.

The writer Silas House grew up in the hills of Eastern Kentucky. Through his novels and other writing, he’s described life in coal country through rich, complex characters steeped in history and tradition. He is not only an observer, but also an activist in the fight against mountaintop removal coal mining. He’s written about the practice in the New York Times and Sierra Magazine.

House grew up in a coal mining family and community. He says it was a culture unto itself—one of pride in the hard work of mining, and in providing energy to the country. But the environmental impacts weren’t hidden.

When House was 11 years old, a strip mining operation began across the road from his family’s home.

“And for the next two years, that sort of took over our lives. You know, we breathed dust, we heard the blasts, we just—it changed that community forever,” he says.

The experience left a lasting impression him. He says it made him aware of coal’s double-edged sword: the industry brought his family out of poverty, but at the same time, his family and community paid a price.

In one memorable example, at a mining site that abutted House’s father’s family graveyard, the coal company was mining so close to the graveyard that they pushed his great-aunt’s grave over the mountain, and into the creek below it. House says that’s where the seeds of his activism were sown.

In 2005, Wendell Berry contacted House and 14 other Kentucky writers to tour Eastern Kentucky and look at mountaintop removal sites.

“And I knew all about strip mining and I knew about deep mining, and I felt like I knew the coal industry pretty well,” House says. “But I really, even living amongst it, didn’t understand mountaintop removal, and how different that was, how devastating it was.”

Later, at a town meeting, dozens of people came to talk about their experiences with mining and mountaintop removal.

“And almost every one of them would end their testimony by saying, ‘Nobody will listen to us. Please, tell our story. And please get our story out there.’ And all of us sitting there felt like we had been handed this responsibility. And that we had to do something,” House says.

Some people from the region have thanked House for being outspoken on the issue. Others have called him a traitor. He says that characterization hurts, because he cares so deeply about Appalachia and has an abiding respect for miners.

“When I’m talking about being against coal, I’m talking about being against these huge corporations that, you know, don’t think about balance,” House says. “They don’t think about the communities that they’re harming. And for the most part, they don’t think about their miners, their employees, you know, it’s all a numbers game. And so, I always try to get at that complexity.”

House calls mountaintop removal a human issue, as well an an environmental one. He says many in Appalachia have been stigmatized by outsiders for their accents and cultural identity, and that coal has always been at least one point of pride for the region. He says coal companies feed into that mindset, and so anyone who questions the industry’s practices is attacked. House has even received letters threatening his children. But they’ve had the opposite effect of silencing him.

“I think that it made me realize, really, I was speaking out because of my children, more than anything else,” House says. “Because I wanted them to have clean water, I wanted them to be able to, you know, be from a place that they could be proud of—that they could bring people to and it not be utter ruin. If anything, you know, it solidified my passion for the issue.”

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