WVPB’s First Eastern Panhandle Reporter Reflects On Decades In Public Radio

Cecelia Mason spent 23 years as a reporter for West Virginia Public Radio. Mason retired from a different job at Shepherd University this month, but returned to the Eastern Panhandle Bureau to talk about her time in public radio.

Cecelia Mason spent 23 years as a reporter for West Virginia Public Radio, even helping establish the Eastern Panhandle Bureau in Shepherdstown.

She moved onto a role with Shepherd University’s Office of Communications in 2014 but said her time in journalism shaped the course of her career and her life.

Mason retired from Shepherd earlier this month. But she returned to campus and sat down with our current Eastern Panhandle Reporter, Jack Walker, to reflect on her time in public radio and how the industry has changed since she left.

This interview has been edited for length and clarity.

Walker: To begin, could you tell me how you got started in public radio, and the origins of our Eastern Panhandle Bureau?

Mason: Well, [in the] late 1980s, there was a president here named Dr. Michael Riccards, and he wanted to have an association with West Virginia Public Radio at the time. There was someone else here named Bill Lucht who I think ran the counseling center at the time. He was a psychologist. It seems to me they maybe approached West Virginia Public Radio about airing some kind of panel discussion or something like that.

I was not working for West Virginia Public Radio at the time, however I was freelancing for them. So Beth Vorhees was the news director and Chuck Anziulewicz was in news at the time, and they would hire me or have me cover things and pay me to do stories because I worked for a local radio station. So basically, talks were underway to have a bureau here.

Walker: Do you have a sense of why they wanted to have an office in the Eastern Panhandle?

Mason: They really wanted to make sure the Eastern Panhandle, which seems — I mean, you work here — there’s a sort of sense that we’re really far away from Charleston. The coverage wasn’t great up here, except for what freelance [stories] could be done. So basically, it was embedded into the university.

Walker: Obviously 23 years is a long time to work anywhere, but I’m wondering if there are any particular moments from your time in public radio that stick out to you as especially meaningful or salient today?

Mason: Well, one of the things that happened when the bureau opened is I was able to join the Senate radio TV gallery in Washington and, in essence, become the person who could go into D.C. and cover Congress for West Virginia Public Broadcasting because I could hop on a train, right?

Walker: What did covering Congress look like back then?

Mason: During the State of the Union, you would go in and stand in Statuary Hall and then all the members would be in the House chamber and they would come out after the speech. But first you got to watch the Supreme Court walk through and all members of Congress, people you recognized. And then you afterwards they would come out.

Walker: Aside from the type of reporting you did, does anything stand out to you as especially different about radio journalism back then?

Mason: I mean technologically it’s taken great leaps. When I first started the job, they gave me a reel-to-reel recorder, and I had a Marantz cassette tape recorder that probably weighed 20 pounds. Basically, I was cutting tape with a razor blade, and I had a cart machine, which, for people not in the business, [is] an eight-track machine, only it stopped.

Walker: That does sound very different from the type of technology I now use as a reporter.

Mason: And now you’re recording on this tiny machine Zoom recorder, and you’re going to bring it up into Adobe Audition and cut it up and edit it and fix it if it has background noise. So it went from cutting things with razor blades to me being able to do this with that kind of recorder. So I think things have changed technologically in radio.

Walker: Back in 2014, you moved to a position with Shepherd in University Communications, but even before that, you began teaching courses on journalism for the university. What has your time with Shepherd been like?

Mason: About 20 years ago — a little more than 20 years ago — the Communication Department asked me to teach a class. Initially, it was sort of a broad radio class. In fact, the person who just became executive director of University Communications was one of the first students in that class, which is why I know it was about 20 years or more ago. Basically, I started teaching the class, and then they redid the curriculum in the [Communications] Department and they turned it into a class called “News Practicum.” Basically, it was teaching what I did all those years for a living. So that has been one of the most enjoyable things here at Shepherd, being on campus and working with students.

Walker: And now that you’re moving on from Shepherd and even seeing some of your past students take senior positions on campus — what does it feel like to pass that on?

Mason: So that’s been really a great thing that I’ve enjoyed. And that goes back to my years as a journalism student at Western Kentucky University. When I went to Western Kentucky University, I had teachers who had worked for the Lexington Herald-Leader, the Courier Journal in Louisville, the Associated Press — they were working journalists who wanted to teach and pass their craft along to younger people. So I feel like I’ve gotten to do that by teaching this class and carrying on what my professors gave me. So that’s been very fulfilling.

March 25, 1992: West Virginia Public Broadcasting Pioneer Harry Brawley Dies at 82

Broadcaster Harry Brawley died on March 25, 1992, at age 82. The Charleston native was a polio survivor. He eventually learned to walk but struggled with it his entire life. After earning two degrees from West Virginia University, Brawley became a teacher. At Charleston High School, he had the novel idea of incorporating the radio into the classroom. In 1945, he became the director of public affairs for Charleston’s WCHS radio station and won an award for his “School of the Air,” a pioneering program for high schoolers.

Brawley played a key role in forming West Virginia educational television and later public radio—the forerunners of today’s West Virginia Public Broadcasting. He worked closely with his friend Congressman Harley O. Staggers to craft federal legislation that helped public broadcasting stations throughout the nation acquire the necessary equipment to get on the air.

After retiring, Brawley volunteered his time to teach Charleston history to school kids through a series of popular slide shows. In addition, he served on the Charleston City Council for 14 years. A walkway in downtown Charleston is now named in honor of this broadcasting pioneer.

Radio Announces Program Changes for the New Year

West Virginia Public Broadcasting is proud to announce a new program from America’s Test Kitchen (ATK) founder Christopher Kimball, Milk Street Radio. With ATK ceasing production of its radio show (television will continue) at year-end, the timing of Kimball’s new adventure couldn’t be more perfect.

The wide world of food is coming to Christopher Kimball’s Milk Street Radio and in turn, to foodies everywhere. From street food in Thailand to a bakery in a Syrian refugee camp to how one scientist uses state of the art pollen analysis to track the origins of honey (and also to solve crimes), Milk Street Radio goes anywhere and everywhere to ask questions and get answers about cooking, food, culture, wine, farming, restaurants, literature, and the lives and cultures of the people who grow, produce, and create the food we eat.

With a four-star cast of contributors, the long-time public TV and radio host brings Christopher Kimball’s Milk Street Radio to West Virginia Public Broadcasting beginning January 1, 2017. The program will air Sundays at 3pm.

Former West Virginian Bridget Lancaster and other ATK personalities will join Lynne Rossetto Kasper to share practical, hands-on culinary expertise on The Splendid Table, which airs Sundays at 2pm.

On Monday nights, due to its unfortunate mid-season cessation of production and distribution, another program change has occurred with World of Opera.

Director of Programming Kristi George explained, “After we got over the surprise, we learned that the source of live opera performances, the European Broadcasting Union, was no longer able to provide them.”

George added, “We were assured that numerous options for continuing the program were explored, but none had been fruitful.”

WVPB will air holiday specials with the Pittsburgh Symphony Orchestra to round out the remaining Mondays in December. Then beginning in January, the BBC World Service will air from 9pm throughout the night.

Be sure to check out our other holiday specials too.

As we move forward, we are heartened by other opportunities for opera fans and invite you to join West Virginia Public Broadcasting in supporting them.

A variety of music options – including opera and classical music – is available to our television audience. Among these are Great Performances and Live from Lincoln Center. Program schedules for the West Virginia Public Broadcasting Television Network and the WV Channel can be found here.

Live statewide events for the Met are being held through May. The Met’s 11th season of Live in HD is transmitted live in high-definition cinema simulcasts at three area locations: Huntington Mall – Barboursville, Nitro Stadium 12, and Morgantown Stadium 12. The 2016-2017 schedule includes the following:

  • January 7, 2017 – NABUCCO (Verdi) — Live in HD start time: 12:55 p.m. ET (Encore: January 11 at 6:30 p.m. local time) Approx. runtime: 3:04
  • January 21 – ROMÉO ET JULIETTE (Gounod) – New Production — Live in HD start time: 12:55 p.m. ET (Encore: January 25 at 6:30 p.m. local time) Approx. runtime: 3:29
  • February 25 – RUSALKA (Dvořák) – New Production — Live in HD start time: 12:55 p.m. ET (Encore: March 1 at 6:30 p.m. local time) Approx. runtime: 4:05
  • March 11 – LA TRAVIATA (Verdi) — Live in HD start time: 12:55 p.m. ET (Encore: March 15 at 6:30 p.m. local time) Approx. runtime: 2:54
  • March 25 – IDOMENEO (Mozart) — Live in HD start time: 12:55 p.m. ET (Encore: March 29 at 6:30 p.m. local time) Approx. runtime: 4:18
  • April 22 – EUGENE ONEGIN (Tchaikovsky) — Live in HD start time: 12:55 p.m. ET (Encore: April 26 at 6:30 p.m. local time) Approx. runtime: 3:57
  • May 13 – DER ROSENKAVALIER (R. Strauss) – New Production — Live in HD start time: 12:30 p.m. ET (Encore: May 17 at 6:30 p.m. local time) Approx. runtime: 4:47

Marilyn DiVita, Director of Development and Marketing, states, “Between the quality of the Met’s award-winning HD broadcasts at local cinemas and the playbills provided by the Friends of West Virginia Public Broadcasting at each event, it’s almost like being at the Met in New York City. 
“Thanks to the volunteer efforts of the Friends, we are pleased to again offer a limited number of complimentary movie theater passes to the Met event.”

For more information about the operas, including casts, synopses, and videos, visit The Met.

For more details on these changes, please see our FAQs.

Enjoy these Holiday Radio Specials from WVPB

Discover our holiday line-up of radio specials. 

With a combination of local and national programs, pianist Bob Thompson’s “Joy to the World” once again takes center stage. The producers of “Mountain Stage with Larry Groce” celebrate this 23-year tradition with jazz arrangements of holiday favorites new and old, featuring special guest vocalist Lena Seikaly. This year’s episode premieres Monday, December 19th at 9pm, with several repeats scheduled. A Joy to the World mini-marathon is also planned for overnights during the Christmas weekend.

Local productions during the season include specials with The West Virginia Symphony Orchestra and The Appalachian Children’s Chorus, as well as the unveiling of 2016’s Inspiring West Virginians. 

A Letter to 'Prairie Home' Fans From Its New Host

Fellow Public Radio Lovers,

First of all, thanks for reading this. Starting a conversation with you is one of the most exciting parts of what I’m finding to be a roundly exciting endeavor.

Here’s a little too much about me: I grew up in Southern California and Western Kentucky (we moved when I was 14), the eldest of three boys. My folks were and are devoted public radio fans, who started listening to A Prairie Home Companion in the 1980s; Garrison and Co. were the permanent headliners of their weekends. Many of my earliest memories feature my little brothers and me frolicking (quietly, by request of Mom and Dad from the couch) to performances from the likes of Chet Atkins and Jethro Burns, listening to the News From Lake Wobegon, and singing along to the Powdermilk Biscuit jingle.

Those Saturday evenings were topped off with a drive to a nearby pizza place for a couple more hours of live entertainment, provided by a locally beloved bluegrass band. Suffice it to say, anyone who spends the first 200 or so Saturdays of his life thusly is bound to become utterly obsessed with music.

I’ve picked up a few other obsessions over the years: Tolkien, baseball, Wodehouse, coffee, Federer, cocktails, and perhaps obsession itself. (I figure the more completely one is preoccupied with weird, wonderful things, the better one’s chances of making new weird, wonderful things!)

Prairie Home’s new host, Chris Thile

And speaking of weird, wonderful things, there was that voice mail I received two years ago from one Mr. Keillor: “Hi, Chris. It’s Garrison Keillor. I’d like to discuss something with you that I think you may find interesting. Or maybe you won’t. Either way, call me back.” I nervously obliged and listened dumbstruck as Garrison began laying out his plan.

So here we are, smack dab in the middle of that plan. And frankly, I’m chuffed as all get out.

A Prairie Home Companion is such a profound, transcendent variation on the grand theme of the variety show. My job is to compose/improvise variations on that theme, and a good variation never strays so far that the listener loses sight of the source. With that in mind, we’ll be changing the actual format of the show very little. (If it ain’t broke …) But I also look forward to expanding our reach. Not that the show will suddenly be geared specifically toward millennials, mind you! It will be for anyone who loves good music and good fun.

There will still be musical guests, drawn from the width and breadth of music new and old. We’ll add a spoken-word guest to every show — maybe a comedian or actor, novelist or poet. And look for all involved to weave those talents together.

For now, please let your local public radio station know your hopes for A Prairie Home Companion as it moves forward. It is indeed a conversation, and we want to hear what you’re thinking. Here’s what I’m thinking: Garrison Keillor has given us a truly extraordinary, immortal radio show that is for and about all of us. LET’S GET PSYCHED!

– Chris Thile

New NPR Chief Visits West Virginia Public Broadcasting, Talks Future of Public Radio

NPR has a new president and CEO.  Jarl Mohn was once a music DJ, but he says he has a passion for  public radio. That’s why he chaired Southern California Public Radio after making his career in cable TV as President and CEO of E-Entertainment Television.

Mohn and friend (and pilot and Los Angeles County Museum of Art director) Michael Govan finished their “Low and Slow” tour with a visit to West Virginia Public Broadcasting on Wednesday. The two traveled by small aircraft from Los Angeles to Washington, D.C., making stops at public radio stations and art museums across the country.  

Mohn met with Public Broadcasting employees and board members to discuss his vision for public radio and some of the challenges he faces.

"The other things we can do on the fundraising front to get away from the pledge drives which most people dread, inside the radio stations and outside the radio stations is to do a nationwide capital campaign.  It's never been done at NPR with the stations to raise a lot of money, so that there can be less of a focus on pledge drives."  – Jarl Mohn, President and CEO, NPR

And, of course, Mohn took the time to pose with some West Virginia Public Broadcasting staff for #selfieswithjarl.

Exit mobile version