Book Brings W.Va. Mine Wars History To Young Readers

The West Virginia mine wars played an important part in U.S. history, but for decades were often left out of history classes. 

A new book aims to change that. It’s titled The Mine Wars: The Bloody Fight for Workers’ Rights in the West Virginia Coalfields, by Steve Watkins. 

The mine wars occurred in the early 1900s as the United Mine Workers tried to unionize coal mines, and coal companies fought back — literally. The conflict culminated in the Battle of Blair Mountain, which was the largest armed insurrection in the US since the American Civil War.

After running across the new book in the library, Inside Appalachia host Mason Adams spoke with Watkins to learn more.

This interview has been edited for length and clarity. 

Adams: A lot of listeners will know about the mine wars, but for folks who may not be familiar, can you give a thumbnail of what the mine wars were?

Watkins: The mine wars, plural, really began in the 1910s with the Paint Creek Cabin Creek war — basically miners fighting for the right to unionize after years, decades of brutal repression, brutal in the extreme, I should point out… beatings, murders, disappearances, lost jobs, strikes in which children suffered malnutrition, [and] many died from opportunistic disease. It was a pretty successful strike, but it took over a year for the miners to win the right to unionize. In southern West Virginia, the owners still held strong sway. The owners brutally repressed any attempts to unionize. You tried to unionize, you get blackballed. They forced people to sign “yellow dog” contracts, which, if you so much as looked at a union organizer, you could lose your job. What that meant down there was you didn’t have a job, you had nowhere you could go and work in the mines, when there are few jobs and few opportunities. You’re working in isolation in these coal mines, that’s pretty devastating stuff.

Adams: How did you first learn about the West Virginia mine wars?

Watkins: My original introduction was the movie Matewan back in the ‘80s. I remember when that came out and just being blown away, thinking naively, stupidly, that this is going to wake people up. I don’t think that movie made a million dollars total. You know, there weren’t a lot of viewers, even though the great James Earl Jones starred in it as a fictional character, Dan “Few Clothes” Chain. His character was actually transported from the earlier mine wars at Paint Creek, Cabin Creek. He was a figure who was very important then, part of the so-called “dirty eleven,” sort of a guerilla organization that did the dirty work for the miners’ union. They transported him to the Matewan Massacre and the Battle of Blair Mountain for that movie [although] he wasn’t really active during that. And a lot of people don’t know this, but James Earl Jones, when they began funding for the Mine Wars Museum in the town of Matewan, he was one of the very first donors. He has said that Matewan was the favorite movie he ever made. 

My publisher wanted me to do a deep dive into this and find a way to tell the story that made it accessible for younger readers. The story of the mine wars and the Matewan Massacre and the Battle of Blair Mountain was deliberately buried in West Virginia for decades. You talk to older people there, and they grew up going to school, never hearing a word about the United Mine Workers of America, about the Battle of Blair Mountain, about any of this. It was just buried in West Virginia history because, literally, the mine owners wrote the textbooks that they used. It really wasn’t until a generation ago that people started reclaiming this history. It’s a very gripping narrative of courageous and not always the most polite of people standing up for their rights. I think it’s the most deeply American story and the most deeply inspiring American story, frankly, that we have. 

Steve Watkins.

Adams: When you are researching and writing about the mine wars, what did you learn that surprised or really struck you?

Watkins: The coal mine owners and operators, especially in southern West Virginia, wanted to make sure that they did not have employees or their families that would cause them any trouble. They wanted a docile population of workers that they could control. They owned the houses. The stores they paid in script, not in cash. They basically worked in these isolated places where people had few options. This mixture was an idea by a mine operator and owner named Justice Collins. Justice Collins’ idea was this: hire a third West Virginia mountain folks, white people; hire a third Blacks from the deeper south, many of them former slaves or the descendants of slaves; hire a third from Eastern Europe, where there was a lot of coal mining, and recruit a lot of people from Slavic nations, from Southern Italy and so forth. Populate your coal towns or your coal camps with these segregated sections of Eastern Europeans who didn’t speak the language of the others, Blacks and whites. The assumption was, they would work underground, but they wouldn’t organize together. That was his idea, and he sold it to the mine owners’ organizations. This caught on, and so mines all over embraced this practice, and it totally backfired on them. Because, for one thing, when you’re underground, you’re covered with coal dust. Everybody looks the same. But also, the common cause these people had, the things that united them, was so much greater than the things that might have divided them. They came together in the United Mine Workers of America, which was the first of the unions that said we will not discriminate on the basis of anything. You had African Americans, white hillbilly Americans, Eastern Europeans, coming together, not divided in the ways that certain politicians are trying to divide us today. They were coming together for common cause, to support their families, to stand up for their rights as workers, their rights as Americans, for free association, freedom of speech. They combined to unionize. I mentioned Dan “Few Clothes” Chain earlier. The three leaders of the dirty eleven were Dan Chain, who’s African American, a guy named Rocco Spinelli, who’s from Italy, and a guy with the greatest name ever, Newt Gump, who was just a hillbilly West Virginian. The three of these guys, they went to federal prison together. They organized together. They literally fought together, and they fought for one another. To me, you know, that is as American a story as there is, people coming together to stand up for their rights. And these people were proud of themselves as Americans, not as some dissident faction. They saw themselves as proud Americans and proud West Virginians.

Adams: How have people responded to your book? What are you hearing from them, and especially from young people?

Watkins: What I’m hearing directly has actually been from the parents of kids who are picking up the book going, “You know, I had heard these stories. I hadn’t read them pulled together in this sustained narrative.” What I’m hearing is that people are drawn into the narrative just because it’s a hell of a story. The characters in this story and the drama, frankly, are just gripping. It’s kind of unbelievable. Things happen — a lot of pretty intense violence, assassinations, and they sent biplanes to bomb the miners, for God’s sake. People are recognizing the need to recognize and celebrate what I had hoped that they would, which are the contributions of these these union leaders who literally put their lives on the line and lost their lives in many cases.

Adams: Why should young adults or people generally learn about the West Virginia mine wars?

Watkins: I think America has turned its back on labor. The labor movement has always been fighting uphill. In a way, the Battle of Blair Mountain is a metaphor. These guys are literally fighting their way up a mountain, seeking justice, seeking to roll back martial law that had been declared. Many of their companions over there in Mingo County were arrested just for talking to a member of the mine union, just for having a copy of a mine union newspaper. That’s it. I think we take the labor movement and those who have labored [for granted] at our own peril. I don’t think we want corporate America running the show here, even though they kind of are. The labor movement is still very active today. You look at what labor unions have done for us in terms of ensuring fair wage, safe working conditions, all of the progress that we’ve made in terms of protecting young people in the workplace. That didn’t come because of the largess of owners; that came because of activism from the bottom up, reclaiming your past, your history, your story, and taking pride in it. I think too often we’re an economy that kind of divorces ourselves from people that pick up a shovel and get down there in the mines and put their lives on the line to make a living, but also to serve the country. We do ourselves a disservice by taking all that for granted. This is a story, one of many, that helps reclaim that history and tell that story, I think.
The Mine Wars: The Bloody Fight for Workers’ Rights in the West Virginia Coalfields is now available from Bloomsbury Children’s Books.

Marshall Students Launch Digital Archive For Forgotten Appalachian Writer

Students studying Digital Humanities at Marshall University build archive for historical documents relating to forgotten writer, Tom Kromer.

Tom Kromer was a prolific writer best known for his semi-autobiographical 1935 novel, “Waiting for Nothing.” Kromer’s work is heavily inspired from his experience with homelessness during the Great Depression.

Now, students studying digital humanities at Marshall University have developed an online archive of the forgotten work.

Kromer was born in 1906 in Huntington, where he studied journalism at what was then Marshall College.

“You didn’t know that an author, that papers at the time compared to Hemingway, lived here,” said Stefan Schöberlein, director of digital humanities at Marshall University, “There’s no marker to Kromer at his birthplace, no statue or sign for him anywhere in town, and no street bearing his name.”

Students designed the Tom Kromer Digital Archive in an effort to restore his visibility. Students put four variations of Waiting for Nothing in the archive, including a German translation, an annotated edition, and an audiobook.

kromerarchive.org
Annotated Edition of, “Waiting for Nothing.”

Kristen Clark helped produce the Waiting for Nothing audiobook.

“The way the work is written it’s kind of like Kromer speaking to you about his experience,” she said. “Having somebody read it to you embodies that affect really well.“

The archive also features transcribed book reviews from the time the book was published, a student developed podcast, and virtual tour using the external history website, Clio.

Michael Martin said the Kromer Clio tour focuses on locations of personal significance to Kromer in New Mexico, Virginia, and West Virginia. Students chose locations like the Keith-Albee Theatre (now known as the Keith Albee Performing Arts Center) in Huntington, which relates to his time at Marshall. Martin said, “He had a small experiment for the journalism major that he wrote about, where he panhandled in that little area.”

kromerarchive.org
“Waiting For Nothing,” Newspaper Reviews

During the early 20th century, Kromer was part of a growing American socialist movement. He spent time writing for socialist newspapers in Appalachia and around the rest of the United States.

“It was a great piece of culture to read about to really give the other side of the sentiments at the time, because of course, when you’re learning about the Cold War, you learn about America as being super anti communist, when in reality there was a huge movement,” Krys Smith explained.

Students working on the archive interviewed one of Kromer’s nephews, Steve Barnhill. Although Barnhill was young when he knew his uncle, he recalls that his family suspected Kromer of being a Russian spy.

Stephen Schöberlein
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Marshall University
Marshall University Students Interviewing Steve Barnhill Over Video Call

Although Kromer’s work has a wider scope than Appalachia, Michael Martin says the influence is present.

“Kromer very specifically writes from a proletariat perspective,” Martin said. “It’s something that you wouldn’t get in a lot of other places that didn’t have the specific economic conditions Huntington had and still has.”

Despite students archiving a great deal of documents, many of Kromer’s writings are lost forever as a consequence of the Red Scare.

As an example, Schöberlein said, “his literary agent was Maxim Lieber, who was then accused of being a Soviet spy, so he fled the country and burned most of his correspondence.”

Despite the loss of historical documents, students are still optimistic about what they can find, as many documents are left to be discovered in the physical archives of newspapers and libraries, and private storage; what scholars refer to as The Great Unread. The students are looking to expand the Tom Kromer Digital Archive with more podcasts and more documents.

“Living history through this single man and his writings throughout the country was probably my favorite part about this whole experience,” Smith said.

Kromer is buried in Springhill Cemetery in Huntington, West Virginia.

You can find the Tom Kromer Digital Archive at kromerarchive.org.

Events Across the State To Commemorate the 100th Anniversary of Mine Wars, Battle of Blair Mountain

This year marks the 100th anniversary of the Battle of Blair Mountain. While the anniversary is still weeks away, organizations and communities in southern West Virginia are already commemorating the centennial.

The Battle of Blair Mountain is one of West Virginia’s largest moments in American history.

As part of the Mine Wars, coal miners marched near the Boone-Logan County line from late August to Sept. 3. The march was the largest labor uprising in U.S. history.

It happened in the early 1900’s after coal miners in West Virginia endured years of dangerous conditions underground and brutal political and cultural treatment above ground.

By 1921, the miners decided to fight for their fellow miners in the Mingo County town of Williamson, who were locked up without trial. They were charged with violating martial law, an act that gives absolute power to the federal military during times of “war, rebellion, or natural disaster.” The battle ended when martial law was declared again, and U.S. Army troops disarmed the miners.

The uprising has been largely underreported but organizations and communities are hoping the events this year will provide more opportunities for people to visit and learn about America’s labor history.

Dozens of events are taking place online and in communities that played an important part in the Battle of Blair Mountain and the Mine Wars. Some of those towns include Matewan and Williamson in Mingo County, Madison, in Boone County and Welch in McDowell County.

Some of the groups working to organize the events include the Mine Wars Museum in Matewan, the West Virginia Humanities Council, and the National Coal Heritage Area Authority.

The next event is a performance of the play “Terror of the Tug” in Summers County at Pipestem Resort State Park amphitheatre on Saturday, Aug. 7 at 8 p.m. The main events are happening Sept. 3 and Labor Day, the first Monday of the month, Sept. 6. Some of the events include outdoor plays, reenactments, tours, virtual roundtable discussions and retracing the march to Blair Mountain.

The anniversary is Sept. 3, so Labor Day Weekend marks the 100th anniversary of the centennial. You can find a list of events commemorating the 100th anniversary at this site.

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