How Journalists Used Comics To Explain Landslide Insurance Troubles In Kentucky

Kentucky reporter Austyn Gaffney recently covered the topic for a comics journalism piece that was illustrated by Tennessee artist Martha Park. It was co-published by Grist, Bitter Southerner and the Economic Hardship Reporting project, and is titled, “Washed Away.”

This conversation originally aired in the April 16, 2023 episode of Inside Appalachia.

Eastern Kentucky communities have learned firsthand about the intricacies of flood insurance and government relief after last year’s historic flooding.

Some families are navigating an even trickier process trying to get reimbursement for the landslides that damaged their homes during the floods. 

Kentucky reporter Austyn Gaffney recently covered the topic for a comics journalism piece that was illustrated by Tennessee artist Martha Park. It was co-published by Grist, Bitter Southerner and the Economic Hardship Reporting project, and is titled, “Washed Away.”

Gaffney recently spoke to Inside Appalachia host Mason Adams.

This interview has been edited for length and clarity.

Adams: Can you tell our listeners a little bit about “Washed Away” and what it’s about?

Gaffney: Basically, this story follows a family who live in the town of Busy, outside Hazard in Perry County, Kentucky. Your listeners, I’m sure, have heard of last summer’s flooding event that happened in central Appalachia. Around midnight on July 28, the daughter shook her mom awake and was like, “I hear a lot of rain outside. What’s going on?” The mom got up and she saw that a landslide had hit the back of their home. 

This is not the first landslide that the family had been through. There was a previous landslide with flooding in March of 2021. So they recognized what had happened. They immediately left and tried to get to Hazard, but the road was covered with water flooding off the mountain next to them. They had to turn around and go back home and just wait it out. 

The reason I wrote this story is not just because they had a harrowing experience, but also what comes next. In Kentucky, our number-one, most frequent, costliest natural disaster is flooding. But that is followed closely by landslides. While there was a lot of great reporting on the flooding, I wanted to get into what’s going on with these landslides that often accompany these major flooding events.

The Bakers, both in 2021 and in 2022, had to go through a series of mazes to try to get funding to pay for the landslide damage at their house. Unlike flooding or earthquakes, which have separate insurance policies, landslides are not covered by standard homeowners insurance or any specific landslide insurance. Getting money to pay back for their damages was a trauma on top of a trauma.

(Photos: Screenshots from “Washed Away,” by Austyn Gaffney and Martha Park, pulled from the Grist version.)

Adams: What types of problems are people encountering?

Gaffney: When a landslide occurs at someone’s home, if they own that home, they can first go to their homeowners insurance. So the Bakers, for example, had State Farm, but under State Farm’s standard homeowner insurance policy, they don’t cover landslides. They call them an “Act of God,” so they can’t go to State Farm. Typically, you would try the Federal Emergency Management Agency (FEMA) next, and they also don’t cover landslides, unless it is a mudflow, which means it falls under the same insurance policy as flooding. It’s this cryptic distinction; people wouldn’t be able to determine super easily, right, if it’s a mudflow or a landslide. So FEMA denied them. They can get money from the Small Business Administration (SBA), which is a loan that they have to pay back. 

Linda, the mom, worked for a law office as a legal secretary, so she started looking at maps of the hillside above her home and realized that there was an abandoned mine about 150 yards up the hillside. So she applied to the Abandoned Mine Lands office in Kentucky to ask for assistance. But they also denied her. Their last resort was to contact their state representative, U.S. Rep. Hal Rogers. Hal Rogers also denied assistance. 

The Bakers bought a house for $136,000 about three years ago, and they now have paid or borrowed $94,000 on that home. They’re just one example. But there are [other] families across the state and the region trying to get assistance.

Adams: One of the especially effective parts of this story is that, when you talk about the Bakers and their conundrum, we’re not just reading their name on the page but actually seeing their faces, because it’s comics journalism that you produced in collaboration with Martha Park. Can you talk about your work with Martha and how y’all put this together?

Gaffney: This is the second story that I’ve been lucky enough to work on with Martha. We first did a story near where she lives in Memphis, about water issues there. We wanted to keep following the issue of clean water and water-related, flooding-related landslide problems across the region. I knew the Bakers from their previous landslide event. We decided to try and pitch a story around: “Okay, we know that landslides are happening. But why isn’t there more coverage of people who suffer from landslides?” 

Martha and I have a giant document with many story ideas. Then we approach a publisher to see if they’re interested in working with us as well. It’s very collaborative. I do a majority of the reporting, but Martha, along with being an illustrator, is a very talented writer herself. She will also help edit the piece and figure out what works for this form, which is very different from typical reporting, because you’re trying to make it as brief and contextual with illustrations as possible. The illustrations are telling a story that the text can’t really show on its own.

Adams: Austyn, you’ve also done a number of stories about coal ash, which is a widespread issue across Appalachia that continues to unfold. The story that sticks with me, and that really triggered some policy changes, was about the coal ash spill in Tennessee at the Kingston coal plant. Can you tell us what happened?

Gaffney: First, coal ash is a waste left over from burning coal. Coal ash concentrates a lot of the heavy metals and radioactive materials that naturally occur in coal rock — things like lead, mercury, arsenic, selenium. All of that waste is a fine powder typically called fly ash. It’s often stored wet in a holding impoundment called a pond, so that the fly ash doesn’t just take off into the air. At the Kingston Fossil Plant, is a coal burning generation station owned by the Tennessee Valley Authority, there is a giant pond that had been showing for years that it was relatively unstable. 

Three days before Christmas in 2008, that pond burst in the middle of the night. It went across 300 acres of rural Rowan County, it went into the Clinch River. Around 3 a.m. or 4 a.m., a bunch of workers with the local Teamsters union were called to come to the site to try and be first responders to figure out what to do to clean up this enormous, enormous disaster.

Austyn Gaffney. Courtesy

It is still to-date the largest industrial disaster in the U.S. For the next five years, these workers cleaned up the site, but they were in conditions where they did not wear any dust masks or any protective gear. They were ingesting all of this ash, and they started to become sick. 

In 2013 the first bulk of them filed a lawsuit against the contractor who was in charge of the cleanup. To make a long story short, that lawsuit is ongoing. In 2018, a jury decided that the contractor in charge of the cleanup basically broke their contract with TVA by not ensuring site-wide safety. This lawsuit has ballooned and it now has over 220 worker claims, and over 100 claims by spouses and families of those workers. While it’s ongoing, people have also died — over 60 workers, according to Knox News’ count.

Adams: It seems like a growing number of communities realized that these coal ash ponds are right there. In some cases, there’s concern about groundwater. Can you kind of sum up the bigger picture?

Gaffney: A big thing that happened since the spill is that, in 2015, two years after these workers filed their lawsuit, the federal government came out with its first coal ash rule. That’s a rule that, for the first time ever, monitored coal ash waste and created regulations for coal ash, which we had just been dumping into essentially large unlined pits with less regulation than a solid waste landfill where you put your kitchen waste. Because we have that rule, coal plants now have to report their groundwater monitoring data. So now we know that of the 292 coal plants in the U.S., over 90 percent are leaking contaminants into groundwater. Since the coal ash rule has come out, all of these coal sites have to create a cleanup plan. More than half of U.S. plants have not committed to a cleanup plan yet. 

Adams: And even that cleanup effort has seemed to kind of spur spin off problems where I know some communities are worried now as utilities relocate piles of coal ash, they’re being trucked through neighborhoods at times.

Gaffney: Yeah, the story that Martha and I did together in Memphis was about that issue exactly. There’s a plant called the Allen plant, which is also owned by the Tennessee Valley Authority. They were sued to clean up their coal ash site, and their solution for cleanup was to truck the coal ash through a low-income, predominantly Black community in South Memphis to a landfill. There was a lot of pushback from that community about the fact that it existed on top of an aquifer that provided clean drinking water to all of Memphis, and so there was a lot of fear that there was going to be pollution into that aquifer.

——

Since her story ran, Gaffney says the Kentucky Geological Society has been using LIDAR technology to give residents and developers a better idea of landslide susceptibility in their region.

In 2022, just after the July floods, it released five initial free maps of Floyd, Johnson, Martin, Magoffin and Pike counties.

A January 2023 report found 1,000 new landslides in the areas most affected by the July floods.

New Report Shows Coal Utility Challenges During Christmas Holiday, This West Virginia Morning

On this West Virginia Morning, coal’s supporters have bragged about the performance of the fossil fuel during the deep freeze over Christmas weekend. But as Curtis Tate reports, not all coal units were available to help, even in West Virginia. That’s according to a new report from Standard & Poor’s.

On this West Virginia Morning, coal’s supporters have bragged about the performance of the fossil fuel during the deep freeze over Christmas weekend. But as Curtis Tate reports, not all coal units were available to help, even in West Virginia. That’s according to a new report from Standard & Poor’s.

Also, in this show, WMMT reporter Katie Myers covered last year’s floods in eastern Kentucky. Then she helped guide British reporter Philip Reevell as he worked on a documentary for the BBC. Inside Appalachia host Mason Adams talked with both about covering the floods and being part of the story.

West Virginia Morning is a production of West Virginia Public Broadcasting which is solely responsible for its content.

Support for our news bureaus comes from West Virginia University, Concord University, and Shepherd University.

Listen to West Virginia Morning weekdays at 7:43 a.m. on WVPB Radio or subscribe to the podcast and never miss an episode. #WVMorning

How The BBC Tapped A Local Reporter To Cover Kentucky’s Flood Recovery

Inside Appalachia host Mason Adams spoke with Katie Myers and Philip Reevell about the process of making a documentary in this way, with one reporter from the area and another from an overseas outlet. 

This conversation originally aired in the March 5, 2023 episode of Inside Appalachia.

Katie Myers was working her first journalism job at WMMT/Appalshop when last summer’s floods struck eastern Kentucky.

Myers plunged into her work as a reporter, while also living through the flood and recovery alongside neighbors in her community. Her knowledge and rapport with local residents is evident in “Kentucky Flooding,” a 38-minute audio documentary that aired on the BBC Documentary show and podcast. It was produced by reporter Philip Reevell, who flew in from the UK to report on the flood’s aftermath. 

Reevell worked closely with Myers. Since she was a local reporter, with knowledge of the area, she was able to help guide him and introduce him to people. And to powerful effect. 

Inside Appalachia host Mason Adams spoke with Myers and Reevell about the process of making a documentary in this way, with one reporter from the area and another from an overseas outlet. 

This interview has been edited for length and clarity.

Adams: When the Kentucky assignment came up, was it a story that came from you, Philip?

Reevell: It came from me. I’d been reading about the floods. It’s a pretty devastating story. I pitched the idea to the BBC World Service editor. And then I reached out to Katie to help us do it. And that’s how it came about.

Adams: As I understand it, Katie, WMMT/Appalshop was among those places affected by the flooding. Can you talk about what happened with the flooding in your employer?

Myers: The Kentucky River had gotten high enough to do something like that since ‘57. There was no expectation that this could happen, even in a heavy rain. We figured it would just lap at the bottom of the building, and we’d have to deal with some water damage. That day, though, I forget exactly how many feet, but it was something like six feet into the first floor. So the theater, the radio station, all of our equipment, this beautiful art we had hanging downstairs in the gallery, and all this stuff got destroyed. Our archive has decades of precious recordings and film and photographs, documenting life in Eastern Kentucky. That was very severely damaged.

Reevell: That was how I came across the story. That really resonated with me. A photo was tweeted out looking down on Appalshop and showing how high the water had risen. It was like a building within a lake of water. As time went on, we were able to connect with Katie to help us understand how the floods had affected this cultural center that had been there for over 50 years.

Adams: So you’d seen the photos, Philip, you’d corresponded with Katie and other folks. What did you see when you landed on the ground at Whitesburg?

Reevell: I arrived a few weeks after the floods. When I got there, the cleanup was still going on. Katie showed me around different areas in the town and around in the hollers, which were devastated. It was pretty shocking to see houses that had been washed away from the road. Then to see people living in tents beside the road where their home had been washed away. Or to meet people who were still clearing out a home that had been ruined, pulling up the floor or pulling down the wall. That was really pretty shocking, frankly, and upsetting to see how people’s lives have been totally turned upside down.

Adams: What strikes me when I listen to this documentary, is it’s immediately apparent that Katie has been living through the recovery. And not just that, but actively participating in the recovery efforts. Katie, can you tell us what life was like in those weeks between the flooding leading up to some of this reporting with Reevell?

A photo of a camp where people were living as they cleaned up their flooded homes. Credit: Philip Reevell

Myers: I want to, first off, say that I wasn’t directly affected by this flood. I was pretty lucky. I didn’t lose anything, I didn’t lose anyone. I still had a job and still had an income, so I was much luckier than a lot of other folks. This is my first journalism job, and I still am navigating the ways it changes your relationship to people. Sometimes, like, you end up seeing everything through a lens or through the microphone instead of just as a person. There’s this fragmenting of identities that you can have as a journalist. And I was just one person. In this situation, it’s like, of course you help people. What else are you going to do? There’s nothing else to do. Everybody is trying to dig themselves out of a hole, and what kind of a person are you if you don’t try to help them out? That was what everyone was doing. And it seemed very natural to do. 

Adams: What kind of response did you all see once this documentary aired?

Myers: There’s always this constant worry that eastern Kentucky will be forgotten. And just the fact that people from so far away were so interested in the place’s story, I think that really meant a lot to folks. One thing a 3:30-minute radio feature also can’t do is really let people talk. I think this piece allowed people to just just talk in it. People wanted to express and understand what had happened to them. All you had to do is ask one question, and people would just start going off because, like, nobody was going to see their therapist. You know what I mean?A lot of folks don’t have an outlet to talk through like these traumas that have just happened to them. I think being able to hear that was really powerful.

——

Listen to the full interview by clicking or tapping the “Listen” button at the top of this story, or check it out on Inside Appalachia.

The BBC Documentary, “Kentucky Flooding,” also is available to hear on the BBC. 

Campus Carry And Appalachian Writers Workshop To Return, This West Virginia Morning

On this West Virginia Morning, Senate Bill 10 is expected to pass the House of Delegates this week. The bill would allow people with concealed carry permits to have guns on college campuses. Government Reporter Randy Yohe spoke with Del. Evan Hansen, D-Monongalia, and Sen. Mike Stuart, R-Kanawha, to get a better understanding on the bill.

On this West Virginia Morning, Senate Bill 10 is expected to pass the House of Delegates this week. The bill would allow people with concealed carry permits to have guns on college campuses. Government Reporter Randy Yohe spoke with Del. Evan Hansen, D-Monongalia, and Sen. Mike Stuart, R-Kanawha, to get a better understanding on the bill.

Also, in this show, last summer’s flooding in eastern Kentucky caught the Hindman Settlement School in the middle of its annual Appalachian Writers Workshop. Everyone at the workshop made it home safely, but the school was hit hard.

Recently, the school announced plans for this year’s Appalachian Writers Workshop. Inside Appalachia Producer Bill Lynch spoke with workshop organizer Josh Mullins about the flood and this year’s workshop.

West Virginia Morning is a production of West Virginia Public Broadcasting which is solely responsible for its content.

Support for our news bureaus comes from West Virginia University, Concord University, and Shepherd University.

Listen to West Virginia Morning weekdays at 7:43 a.m. on WVPB Radio or subscribe to the podcast and never miss an episode. #WVMorning

Federal Regulators Block Sale Of Kentucky Power To Algonquin

Kentucky Power and Wheeling Power each own half of the Mitchell power plant in the Northern Panhandle.

The Federal Energy Regulatory Commission on Thursday denied the sale of Kentucky Power to Algonquin Power. The five-member commission said the companies had not demonstrated the deal would not have an adverse impact on rates.

Kentucky Power and Wheeling Power each own half of the Mitchell power plant in the Northern Panhandle.

Last year, West Virginia regulators approved a wastewater treatment upgrade that would keep the plant in operation past 2028. Kentucky regulators, however, did not.

Following those conflicting decisions, parent company American Electric Power announced the sale of Kentucky Power to Algonquin.

Commissioner Willie Phillips, in a concurring statement, said he would have preferred that FERC conditionally approve the sale. He noted that FERC rarely denies such applications.

He also noted that the Kentucky Public Service Commission, in approving the deal in May, had required a $30 million payment to ratepayers.

Phillips was appointed to FERC by President Joe Biden.

Kentucky Power, headquartered in Ashland, has 165,000 customers in 20 eastern Kentucky counties.

In a statement, Tammy Ridout, an AEP spokeswoman, said the company was “disappointed.”

“We are thoroughly reviewing the order and are working,” she said, “to determine the best path forward to securing FERC’s approval of the transaction.”

Gospel Musician In Millstone, Kentucky Tries To Salvage Family’s Flood-Ravaged Music Equipment

On July 28, communities all over southeast Kentucky were hit with unprecedented flooding. People lost homes, cars, family photos. Many musicians lost instruments, and that meant they couldn’t participate in cultural traditions that define their lives. But through the generosity of community members, some musicians have been able to reconnect with their music practice, finding comfort and even joy.

This story originally aired in the Nov. 18, 2022 episode of Inside Appalachia.

On July 28, communities all over southeast Kentucky were hit with unprecedented flooding. People lost homes, cars, family photos. Many musicians lost instruments, and that meant they couldn’t participate in cultural traditions that define their lives. But through the generosity of community members, some musicians have been able to reconnect with their music practice, finding comfort and even joy.

Dean McBee was one musician who was hit hard by the flood. McBee lives in Millstone, an old coal camp that sits along the Kentucky river. As he stood in his yard, McBee counted up all the homes in this community that were lost. “Five, six, seven, eight, nine,” Dean said. “Ten, eleven, twelve, thirteen in Millstone.” In a community of less than 100, thirteen is a staggering number.

McBee grew up in Millstone. When he moved back to Millstone from South Carolina 25 years ago to be closer to his aging parents, he bought the house right next to theirs. After his parents passed, McBee’s sister moved into the family home. Her house was one of the one’s lost to the flood. Looking at where the home once stood, McBee reflected on its current state. “Just an empty lot now,” McBee said. “This is where we grew up, right here.”

The flood filled McBee’s house with about six feet of water, but he and his wife plan to rebuild. McBee has done a lot of work gutting the first floor and treating for mold. McBee cautioned me as we walked up the wobbly stairs into the house to check out his progress. “Just be careful on these steps, they’re just leaning here,” McBee said.

Then he opened the door and showed the inside. “Tore it all out. And I’ll put all the joists back, put the plywood on it, sheetrock and insulation.” McBee said. The inside of the house was down to the studs. All of the flooring had been ripped out so that the house had just a dirt floor.

But while McBee had made some progress on his house, he hadn’t been able to give much time to the wooden shed out back. That was his music room. The outside of the shed was decorated with cast iron skillets, old license plates, and carved wooden animals. “My dad’s brother carved the bear. Then my dad did the fish and the birds,” McBee said.

Nicole Musgrave
/
West Virginia Public Broadcasting
McBee’s music shed that sits behind his house. The shed was filled with McBee’s music equipment and instruments, some of which had been his late father’s. The door of the shed sits off the hinges, allowing increased air flow to help cut down on mold growth.

Then McBee showed the inside of the shed. “This is my music stuff right here,” McBee said. “Mixer boards. My mic, my studio microphone — I don’t know where it’s at in here. I’m slowly getting stuff out of it here.”

Amplifiers and speakers were tossed around on their sides. Dried mud was caked over everything. Metal components were rusted and black mold had started growing on the walls. The license plates that hung above the door showed how high the water rose. “It got up to the license plates, the water did. It was to the ceiling because see here, the light?” McBee said as he pointed to the light on the drooping ceiling fan. “It had water in it, see there?”

In the small camper that McBee and his wife are living in now, McBee told me how he got into playing guitar.

“My dad played music. And I started when I was an early age, he started me out,” McBee said. “I started when I was probably about 8 years old, teaching me the basics of a flat top. Then when I was probably about 12, he brought a bass guitar home and introduced me to a bass guitar. And I really liked it and that’s what I stuck with.”

McBee’s dad was a well-known flat top guitar player in the community. He played country music in the bars and nightclubs around town. But then he got saved, trading in late nights at the bar for early mornings at church. After that, he made one request to McBee.

“He asked me one thing. He said, ‘Son, promise me that you will not take your talent into the bars, into the nightclubs.’ And I promised him that. And I play gospel, strictly gospel,” McBee said.

As a young boy, McBee traveled with his dad to different churches to play. “Evangelists would come in and they would say, ‘Well, come and help us with the music.’ And we would go. For that week we’d be in revival with them and we’d help them with the music,” McBee said. “And that’s what we did, we just went to different churches…and just have a good time with the Lord.”

As an adult, McBee continued to perform gospel music with his dad. For 20 years, they were part of a group that traveled to neighboring counties, with McBee on bass and his dad on flat top guitar. When McBee’s dad passed away several years ago, his guitars and amplifiers went to McBee. McBee had been keeping them in the music shed. It was filled with his family’s history of making music. The day of the flood, everything floated in the water for about 13 hours. McBee said it has been painful to see his dad’s guitars and amplifiers in such rough shape.

“I packed those guitars and amplifiers for him when I started about 11 or 12 years old,” McBee said, choking back tears. “And there are other guitars out there like them. But it’s not that guitar. Money could not buy them back.”

Nicole Musgrave
/
West Virginia Public Broadcasting
Dean McBee cleans a mixer board in his garage. The mixer board was damaged in the July 28 flood. McBee has been trying to save the board, using a spray cleaning solution and a small paint brush to clear away mud and dirt.

All of McBee’s guitars, including his dad’s, have been drying out at his other sister’s house. He has hope that some of them can be saved. McBee said his dad’s amplifiers are too far gone to fix. But he planned to keep them anyway.

“And people say, ‘What are you gonna do with them?’ I say, ‘They’ll sit right there. I will look at them everyday. Because as long as I got them, I got my dad,’” McBee said.

There have been some bright spots for McBee since the flood. A friend bought him a new bass and amplifier to replace ones he lost. Now, he’s been able to play every Sunday at church again. And McBee’s sister cleaned up his flat top guitar. He had recently gotten it back from her, and already he felt relief being able to play again.

“I’m not down and out no more,” McBee said. “When I’m feeling down, I can go get my guitar. And it just makes me feel better when I can play my guitar.”

——

This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia and the Folklife Program of the West Virginia Humanities Council.

The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts, and culture.

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