Preserving Black Churches’ Cultural, Architectural History In W.Va.

Black churches span the Mountain State, from Harpers Ferry to Charleston. But maintaining these sites is a matter of preserving both architecture and culture.

On May 14, residents of Harpers Ferry and Bolivar in Jefferson County poured into a community forum in town. Attendees greeted neighbors and stuffed paper plates with cookies and pepperoni rolls before settling into their seats.

The forum was an opportunity for residents to provide feedback on the restoration of First Zion Baptist Church, which was built by members of Harpers Ferry’s Black community in 1894.

For decades, First Zion hummed with sermon and song. But it shuttered in 1991, just shy of its hundredth anniversary. Then the building slowly fell into disrepair until a local preservationist society purchased it in 2016.

“We’ve been working slowly ever since then, trying to raise money and making improvements and protecting the church where we can,” said Lynn Pechuekonis, chair of the Harpers Ferry-Bolivar Historic Town Foundation.

Pechuekonis said the group wants to preserve a fixture of 20th century Black history, when Harpers Ferry was a meeting ground for civil rights leaders and home to the historically Black Storer College.

This year, the group received a $100,000 grant from the National Trust for Historic Preservation to do just that. The grant comes from the Trust’s African American Cultural Heritage Action Fund.

This fund aims to “help historic Black churches and congregations reimagine, redesign and redeploy historic preservation” to address the contemporary needs of Black churches nationally, according to Renee Ingram, founder of the African American Heritage Preservation Foundation.

The restoration of First Zion is part of a broader move toward “adaptive reuse” for Black cultural sites no longer in use for religious purposes, Ingram wrote in a message to West Virginia Public Broadcasting.

With the new grant, Pechuekonis said her organization hopes to transform the broken-down building into a community center or religious institution that pays homage to local Black history.

“We would like to have some kind of display honoring the Black community that lived here, and especially the history of that church,” she said.

Lynn Pechuekonis, chair of the Harpers Ferry-Bolivar Historic Town Foundation, leads a community forum in Bolivar on May 15.

Photo Credit: Jack Walker/West Virginia Public Broadcasting

While Pechuekonis estimated that the First Zion restoration is still three to five years away from completion, similar restoration projects are underway across the country, according to k. kennedy Whiters, AIA.

Whiters is a preservationist based in New York who founded Black in Historic Preservation — an organization that provides professional support to Black preservationists in the United States and beyond.

She said efforts to restore or preserve churches like First Zion are not uncommon. But the process can be tricky because of the politics of preservation as a field.

To access grants or protective statuses, preservationists have to prove a site has historical significance. And Black churches are rich with history.

When Black parishioners have been excluded or outright barred from white churches during slavery, segregation and even today, Black churches offered community building, financial support and political organizing.

In West Virginia, Booker T. Washington attended services in Malden, and Martin Luther King Jr. addressed a Black congregation in Charleston. But Whiters said racial biases have led many institutions to overlook or even dismiss the importance of this history.

“Oftentimes, with what’s considered to be the significant history of the United States, that does not include the history of Black people, Black and Brown people, LGBTQIA people,” she said.

Buildings typically must also meet a threshold of structural integrity to be preserved in their original forms.

Again, Whiters said this puts Black historical sites at a disadvantage, because Black communities are historically under-resourced. In the 20th century, white-owned banks seldom offered loans for projects in Black neighborhoods, denying their communities robust building materials.

“Allowing the infrastructure and the integrity of a building to erode” because Black Americans “cannot gain access to capital” means, decades later, “we will have a building that does not have integrity,” she said.

To address this, Whiters and other preservationists have partnered with local governments and institutions to reexamine conservation criteria.

Other workarounds include repurposing pieces of a historic site — like its bricks, doors or foundation — while reconstructing portions of the building that don’t meet current standards.

Located in Charleston, First Baptist Church is a site of religious and cultural importance to Black residents of Kanawha County and beyond.

Photo Credit: Curtis Tate/West Virginia Public Broadcasting

Efforts like these help preserve the architectural history of Black churches. But equally important is preserving Black religious institutions themselves, according to Reverend Paul Dunn with First Baptist Church in Charleston.

Dunn said dwindling church turnout from younger generations, plus years of population decline in West Virginia, bring challenges to the congregation. He said part of the solution is expanding the church’s digital footprint.

“Our services are broadcast on BoxCast, Facebook Live and TikTok as well as YouTube,” he said. “So we have navigated some of the trials of declining membership by having the FBC virtual community.”

Dunn said hundreds of people across the country, and a couple of parishoners abroad, tune in for the weekly service. Keeping this network alive helps secure offerings for the church.

While First Baptist has changed location since its founding, Dunn said these virtual gifts help fund the current building’s upkeep, ensuring its continued use in the years ahead.

For Whiters, the preservation of Black churches across West Virginia and the United States speaks to the presence of Black culture nationwide.

Protecting these spaces can deepen public understanding that Black Americans hold roots across the country, even in areas that are predominantly white today, Whiters said.

Plus, they remind residents of the cultural circumstances that demanded the creation of many Black cultural spaces — like segregation and anti-Black violence.

“It’s important because it helps to say that we were here and that we’re still here,” she said. “Just to connect us … as Black people to our roots across the country.”

Harpers Ferry, Bolivar Residents Unite To Restore Black Baptist Church

A local history preservation group is working to rehabilitate the battered First Zion Baptist Church, a historic Black church in Harpers Ferry, West Virginia.

Harpers Ferry is a hotspot for Black history in West Virginia. The town was home to an 1859 abolitionist uprising, a 1905 conference on Black civil rights and a historically Black college that operated for nearly a century.

For many residents, a first step toward preserving Harpers Ferry’s Black history is rehabilitating and preserving sites of historic significance.

When community members noticed a traditionally Black Baptist church in town fall into disrepair, they rallied behind an effort to restore the building to its former glory.

Now, a local preservation nonprofit called the Harpers Ferry-Bolivar Historic Town Foundation has secured a $100,000 grant to rehabilitate the church.

Reporter Jack Walker spoke with the organization’s incoming chair Lynn Pechuekonis about where the project is today, and the future of First Zion Baptist Church.

This interview has been edited for length and clarity.

First Zion Baptist Church has been worn down by the elements and pests, according to Lynn Pechuekonis, incoming chair of the Harpers Ferry-Bolivar Historic Town Foundation.

Photo Credit: Jack Walker/West Virginia Public Broadcasting

Walker: To begin, could you tell me what First Zion Baptist Church is, and why it’s important to Harpers Ferry history?

Pechuekonis: Harpers Ferry harbored a very vibrant Black community between 1870 and 1970, partially because of Storer College. That brought education to Black families here. It also helped with job training. It also engendered a summer resort industry, which ended up nurturing the Hill Top Hotel, which was a Black-run hotel from 1890 to 1926. It was Black-owned. So there was a large population, comparatively, of Black people in Harpers Ferry — Black families who could own homes. They were encouraged to own homes here. And so they wanted to worship here as well. There were actually altogether four African American churches in Harpers Ferry at one time. Two of those were on West Ridge Street, and First Zion Church was built in 1894 by some of the very early Black families who came to live in our town.

Walker: I know that you and some other local community members have rallied around First Zion Baptist Church and preserving the historic building for future generations. How did that project come to be?

Pechuekonis: So, several years ago, some folks in town, both in Bolivar and Harpers Ferry, were concerned about the fact that we had two former African American churches actually on the same street, just about within three lots of each other, that had been abandoned, and were just really deteriorating quickly. And so it was part of the foundation’s mission to preserve and beautify our communities. So they chose the building that was in better shape between the two, and also one that was on the market to be sold. We were able to buy First Zion Baptist Church, and we’ve been working slowly ever since then, trying to raise money and making improvements and protecting the church where we can ever since.

The Harpers Ferry-Bolivar Historic Town Foundation is currently soliciting community feedback on what type of establishment to convert the battered First Zion Baptist Church into.

Photo Credit: Jack Walker/West Virginia Public Broadcasting

Walker: As this project progresses, what vision do you have for the future of the church? What function will it serve for the local community?

Pechuekonis: We’re actually holding a community charrette on May 15 to get some ideas from the community about what they feel they need, because we want this to truly be a Harpers Ferry and Bolivar community center. We have some ideas, but we want to hear what the community has to say. We would like to have some kind of display honoring the Black community that lived here, and especially the history of that church. We also see it as a community or cultural center, to provide programming, to provide community space for events that the community wants to have. We are limited by the town of Harpers Ferry because it’s in a residential neighborhood to having it as a community center or religious institution. So we don’t have a lot of freedom to do other things with it. So that’s kind of why we’re going down that avenue, but we want to shape it in a way that the community most feels the need.

Walker: Obviously this is a long-term project, but do you have a sense of how long it will take to complete the church’s rehabilitation?

Pechuekonis: I think it’s a few years out, just because it’s going to involve so much — so many resources financially. The $100,000 that’s going to help us work on the exterior is just a drop in the bucket compared to what will need to be done to the interior to make it safe and also fit modern standards for a facility that the community can best use. So I think it’s maybe at least three to five years out. That’s just a wild guess.

First Zion Baptist Church, a historic Black church in Harpers Ferry, has become run down over the years. Community members hope to change that.

Photo Credit: Jack Walker/West Virginia Public Broadcasting

Walker: And now that the project is underway, what are your hopes for what it can bring to the local community?

Pechuekonis: One of the things that we’re hoping is that, as a secular community center, the foundation can bring together residents from both the towns of Harpers Ferry and Bolivar to help build a more cohesive community from the fellowship and shared experiences people have in this space.

On May 15, the Harpers Ferry-Bolivar Historic Town Foundation will host a community charette to receive public input on the First Zion Baptist Church rehabilitation project. For more information on the event, visit the foundation’s website.

Residents interested in providing feedback on the project can do so through an online survey operated by the Harpers Ferry-Bolivar Historic Town Foundation.

HBCU Greek Organizations Carry On The Tradition Of Stepping During WVSU’s Annual Homecoming Step Show

Inside the Appalachian mountains of Institute, West Virginia lies one of the nation’s leading public institutions of higher education for African Americans. In 1891, West Virginia State University (WVSU) was founded, and it is full of rich history and cultural traditions. One of the school’s biggest traditions each year is Homecoming. The annual week-long celebration is filled with on- and off-campus activities. The step show is always a crowd favorite.

This story originally aired in the Feb. 25, 2024 episode of Inside Appalachia.

Inside the Appalachian mountains of Institute, West Virginia lies one of the nation’s leading public institutions of higher education for African Americans. In 1891, West Virginia State University (WVSU) was founded, and it is full of rich history and cultural traditions. One of the school’s biggest traditions each year is Homecoming. The annual week-long celebration is filled with on- and off-campus activities. The step show is always a crowd favorite.  

Folkways Reporter Traci Phillips recently attended the 2023 West Virginia State University Homecoming step show with her 11-year-old daughter, Jayli, and has this story of a tradition that is common at most Homecomings at Historically Black Colleges and Universities (HBCU).


Inside the old WVSU gymnasium, the space is filled with sounds of clapping, stomping, chanting, music and audience enthusiasm. Members of the public are in the bleachers surrounding the basketball court where the stage is set up. 

College students representing each Greek organization on campus take turns entering the gym to a selected song or chant. Along with the undergrads are alumni from the 1960s through present day. After their grand entrance, the students take to the stage and perform a three- to five-minute routine. Everyone wears Greek paraphernalia — hats, boots, pins and sweatshirts — in their organization’s colors.

“You got Delta Sigma Theta walking out right now,” Jayli announces.

Delta Sigma Theta, a sorority that was founded in 1913, is just one of the sororities that is stepping today. As an HBCU graduate and Delta member myself, I thought it was important for my daughter, Jayli, to know this history and to experience this culture. Her being here is a rite of passage. Both of Jayli’s grandmothers are WVSU graduates. I am hoping she will one day attend an HBCU and be a Delta, too.

“Let’s see, I think they are about to stomp and clap again,” Jayli says. “I think they’re all helping each other out. That’s what I see.”

This is all part of a long tradition at HBCUs. The Homecoming step show is a way for African American fraternities and sororities to express love and pride for their respective organizations to a broader community. It is also a way for alumni and community members to reunite.

Kenny Hale of Charleston, West Virginia is at the step show today. He is a member of Omega Psi Phi Fraternity and was initiated during the 1970s at Marshall University in Huntington, West Virginia.

“Homecoming is when you see all this crowd come in and you get to see the people you knew and went to school with,” Hale says. “And just the enthusiasm that an HBCU brings with the power and the fellowship of scholarly people.”

Addison Hall of Cincinnati, Ohio is an alumni of WVSU and is also a member of Kappa Alpha Psi Fraternity. He says the Homecoming step show is a reunion.

“It’s a lot of people that you haven’t seen in a while showing back up, being in the same space that y’all shared and created all these memories at,” Hall says.

Members of Omega Psi Phi Fraternity performing during the 2023 WVSU Homecoming step show.

Photo Credit: Traci Phillips/West Virginia Public Broadcasting

Shanequa Smith is from New York. She went to WVSU and now lives in Charleston, West Virginia. She is a member of Delta Sigma Theta Sorority. 

“I’m Greek, and so it’s just a joyous time, and stepping is part of our history. It goes way back. And so this is a part of that, where we get to stay connected,” Smith says. “And it’s always good to see different people actually taking up that throne of stepping.”

The origin and roots of stepping stems from African cultural traditions. Stepping can be described as a synchronized movement using stomping and clapping. During the 20th century, America’s Black fraternities and sororities played a unique part in the reemergence of stepping on college campuses. Almost three million members strong, America’s nine Black sororities and fraternities are part of the National Pan-Hellenic Council, also known as the Divine Nine. 

Up next to perform is Alpha Kappa Alpha, a sorority that was founded in 1908.

“They are walking out with little kids and everybody’s holding up their pinky for the AKAs,” Jayli says. “They are rockin’ this … They have a brown outfit with their state facts on it.”

One of today’s performers is Ashlyn Bell, a Delta Sigma Theta Sorority member from Charleston, West Virginia. Bell is a junior majoring in elementary education. She says part of why she joined a sorority was her memories of going to step shows.

“Growing up in West Virginia, I came to Homecoming all the time and I just always seen the community. Actually, my mom is a Delta, so I’m a legacy. And we would come down and watch the step shows and I just remember really enjoying it,” Bell says. “It was lit, it was just over-the-top loud. I just thought it was so fun and so cool. Just couldn’t keep my eyes off what they were doing, how they’re moving with their hands, and jumping and screaming. I just thought it was amazing.”

This year, Bell performed by herself, representing her sorority, Delta Sigma Theta. She came out to the 1970s hit song, “Got To Be Real” by Cheryl Lynn, and early 2000s hit song “Knuck If You Buck” by Crime Mobb, doing a move called “the duck.” To do the duck, Bell says you have to, “bend your knees, hands out, head turned slightly up just a little bit. You know, you just lean into it.”

Bell wears black shorts, a red vest with Delta designs on it, sunglasses and spray-painted red boots. “The boots are actually traditional, something that past Alpha Delta chapter members have done for the step show,” Bell says. “So I’m gonna continue the tradition.” 

Ashlyn Bell poses before her performance at the WVSU Homecoming step show. Her hand signal represents the shape of the letter “D” for Delta in the Greek alphabet.

Photo courtesy of Kristy Lyles-Bell

Clothing and Greek paraphernalia are a big part of the step show. Debra Hart is the director of Equity Programs at Marshall University in Huntington, West Virginia. She is also a member of Delta Sigma Theta Sorority, and was initiated during the 1970s on the campus of West Virginia State University.

“When we crossed line in 1976, we all had to get a white suit made with a red shirt. And we got gloves and we got boots to match,” Hart says. “All 12 of us had a cane, and we were going to tap the canes and cross them back and forth.”

Kids are also a part of the community at Homecoming. Hart says she remembers going to a step show as young as eight years old.

“My grandmother would dress us in black and gold, because we’re all going to State’s Homecoming. When I was ten years old, I remember aggravating my family to stay for the step show,” Hart says.

Folkways Reporter Traci Phillips (back middle), poses with her family during the West Virginia State University step show. Family members include (from left to right): Brother, Danny Adkins — member of Omega Psi Phi Fraternity — and his daughter, Ellie Adkins; son, True Phillips; and daughter, Jayli Phillips.

Photo courtesy of LaQwanza Jackson

After the step show, I asked my daughter, Jayli, what she thought of her experience.

“I thought the step show was really empowering and motivating. The people out there stepping looked really good,” Jayli says. “I loved it, it looked like a fun thing to do. I can’t wait to get there and do it myself one day.”

——

This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia and the Folklife Program of the West Virginia Humanities Council.

The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts and culture.

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