Why An Appalachian School Board Pulled 57 Books Off Library Shelves

School boards have become the latest front in America’s culture wars — especially when it comes to books in school libraries that some people think are inappropriate for students. That situation has been playing out in Rockingham County, Virginia, which sits midway down the Shenandoah Valley.

This conversation originally aired in the April 14, 2024 episode of Inside Appalachia.

School boards have become the latest front in America’s culture wars — especially when it comes to books in school libraries that some people think are inappropriate for students. 

That situation has been playing out in Rockingham County, Virginia, which sits midway down the Shenandoah Valley. In January, the school board voted to remove 57 books from school libraries, prompting an outcry from people who see this as a book ban. 

Ashlyn Campbell has been covering the story for the Daily News-Record. Inside Appalachia Host Mason Adams reached out to Campbell to learn more about what’s happening.

Adams: We’re talking about Rockingham County, located in the Shenandoah Valley, where the school board voted 4-1 to remove 57 books from school libraries. Why did they take this vote?

Campbell: This was something that multiple members of the school board campaigned on in November. A new majority came in who were very vocally conservative. They’ve said that they’re concerned over sexual content, profanity and violence. At the meeting where they took the vote, they said, we read the books, they’re deeply disturbing to us, and we want to protect the kids and the county. So that’s kind of the gist of why they wanted to remove the 57 books.

Adams: What kinds of books were removed? Can you share some of the titles?

Campbell: It’s a broad list of books. A lot of them have to do with the LGBTQ community, racial issues, mental health, stuff like that. One of the books, Felix Ever After, is about transgender teen, which is a coming of age story. There are some books on the list that are considered classics — books like The Bluest Eye, Beloved from Toni Morrison and Slaughterhouse-Five. There are books on the list that do have sexual content, profanity, violence. Looking for Alaska is on the list.

And then there are one or two books that don’t have any sexual content, profanity, violence. One of them is The Invisible Boy, which is a picture book. And then the other one is Drama, which is a middle school theater book that has kissing but no real sexual content. With The Invisible Boy, which is a picture book that talks about not feeling alone and having empathy, one of the board members said that they think it was mistakenly included. There’s another [similar] title that has to do with race and evangelical Christianity and stuff like that. One of the school board members did say that she thinks the picture book was mistakenly included on the list.

Adams: How did students and parents respond to this decision by the school board?

Campbell: [The school board] said that this removal is temporary while they develop a new policy to review library books. The vast majority of parents and students that I’ve talked to have been very upset about the ban. Students have walked out at several of the high schools. They held a rally about all of the issues going on with the book ban. I know a lot of people have sent a lot of emails to the board sharing their concerns — they don’t think they should ban books, because they help represent students, and it’s a slippery slope, and stuff like that.

There are community members that have spoken in favor of the removal. From their point of view, they don’t want sexual content in books at school libraries. But for the most part, the vast majority of parents and students I’ve talked to or have spoken out at meetings have been against the decision. 

Adams: One of the things that comes up in your story is the board members do clarify like this, they say it’s not a book ban. It’s a “temporary removal.” So what happens next in terms of process? 

Campbell: They’ve started the process of creating the policy of how books enter libraries, and how books are reviewed if they’re challenged. The other week, they met with school librarians to talk about what policies they have in place, what they would like to see from the policy, stuff like that. I think that was the first meeting to talk through what those policies will look like.

They’ve said they want to hear from community members, parents, teachers, librarians, all those kinds of people to start developing the policy. They’ve said that they would like to get it out sooner rather than later. They had that first meeting, and then I think they’re going to have another meeting where they hear more from the community. But from there, they’re going to develop a policy and we’ll see what they decide to include.

Adams: One of your follow-up stories notes that this isn’t an isolated incident, but part of a national trend. And certainly, we’ve seen other communities in Appalachia that have done something similar. Can you tell us a little bit more about what’s happening in the bigger picture? 

Campbell: Rockingham County is not the only school division that has experienced both challenges, book bans and removals. A lot of school divisions have removed a lot of similar titles or have similar lists that they’re removing. A lot of that has to do with this website called Book Looks, which is a book review website that, while it says it’s not connected to Moms for Liberty, it has ties to the group.

For Rockingham County, the board member who compiled the list said, I pulled these from parent complaints, but then went and researched through Book Looks. She has this document that the vast majority of the books that she researched, which was about half of the list, she said is from Book Looks. There’s at least one screenshot for one of the books that she pulled directly for Moms for Liberty, too, which is a similar theme across a lot of school divisions where they’re using Book Looks or sources like Moms for Liberty to either pull directly from those lists of books, or, like in Rockingham County, the board member used to research it.

PEN America has said that book challenges [and] book bans are on the rise. A lot of this has to do with those groups that are now pushing removal of books, like Moms for Liberty, who in a lot of school divisions are directly going in and advocating for removing a lot of the books that are also on the Rockingham County list.

Adams: So this decision was made back in January, and it’s got a lot of attention. There was a Washington Post op-ed, I see there’s a thread on Reddit, and a lot of other outlets have picked up the general story. Do you think that bigger attention has made a difference in Rockingham County at all?

Campbell: For the school board, no. Now, the National Coalition Against Censorship sent a letter to the school board, advocating for them to put the books back and to have certain things in their process to review books. PEN America also worked with a number of authors to again advocate for them to return the books, to not have a book ban.

When I’ve talked to the chair of the board about this, he said that he’s not interested in national groups’ opinions about what’s going on because he’s listening to his constituents in Rockingham County. I think he sent a one sentence email back to PEN America that was like, “My constituents are in Rockingham County.” When I talked to him about the National Coalition against Censorship letter, he said something similar. He’s not taking anything that they’re saying into account, because he’s listening to people in Rockingham County.

Adams: Have there been any changes since this happened in January? It’s been a couple of months.

Campbell: The biggest thing that’s happened is that meeting with librarians where they shared their thoughts. A lot of them said that the decision really hurt them because the board didn’t consult them beforehand. But for the most part, I think the board is going ahead with the new policy to review challenged books, and then also to determine how books end up in school and classroom libraries. There’s been a lot of backlash. There’s been a lot of discussion about what’s going on.

But from what I’ve seen from the school board, I think they’re just going to go forward with their plan of how they’re going to develop the policy. In one of the work sessions, they did pull from a lot of other school divisions that have examples of policies for libraries. And they’ve said, not everything that are on those policies they want to include, but they want to pick and choose.

Adams: From reading your story, it looks like there are existing procedures already set up for the libraries. Can you tell us more about what those look like?

Campbell: They have collection development policies for each school. So they use things that compile reviews. There’s a number of websites that they use to look at books and determine what’s going to be included in their libraries. The division has also had a policy that was used to review challenged material for library books or instructional material. Now, the board has said that’s only for instructional material. It’s been a practice to use it for library material, but really, the policy is only written for instructional material. The policy has been used for library material for a number of years.

For the school division, libraries have collection development policies. Parents can go in and research what books are in their school libraries. And parents also have the option to be notified when their child checks out books, so they can see what their kid is checking out and, from my understanding, it’s in the single digits for the number of people that have actually utilized that option. So there are school-specific collection development policies. They use a lot of similar resources. There also was a county policy that they said is used for instructional material, but has been used for library material in the past. 

Six Years Living Next To The Mountain Valley Pipeline

Coles and Theresa “Red” Terry have been fighting over the Mountain Valley Pipeline nearly since it was first proposed in 2014. The project connects natural gas terminals in Virginia and West Virginia with a 303-mile pipeline that stretches across some of Appalachia’s most rugged terrain. Almost immediately after construction began, protestors tried to block it by setting up and living in platforms in trees along the route.

This story originally aired in the March 24, 2024 episode of Inside Appalachia.

Coles and Theresa “Red” Terry have been fighting over the Mountain Valley Pipeline nearly since it was first proposed in 2014.

The project connects natural gas terminals in Virginia and West Virginia with a 303-mile pipeline that stretches across some of Appalachia’s most rugged terrain. Almost immediately after construction began, protesters tried to block it by setting up and living in platforms in trees along the route. 

Theresa Terry, better known as “Red,” was one of those tree sitters, and she stood out. She was in her 60s — and she wasn’t just an activist. She was tree-sitting on her own land. Back in 2018, Inside Appalachia Host Mason Adams interviewed her from on the ground, outside a police barrier that had been set up to prevent her from receiving supplies from her supporters. 

Red Terry looks down from her tree sit against the Mountain Valley Pipeline in 2018.

Photo Credit: Mason Adams/West Virginia Public Broadcasting

Not long after the interview, Red was forced out of the trees by a judge who threatened her with a $1,000 per day fine. But Red and her husband Coles have continued to fight the pipeline in court. 

Since Congress approved a law that included a provision to force completion of the Mountain Valley Pipeline, they’ve been seeing construction crews again. Adams wanted to learn more about what’s happened in the six years since Red came down from her tree sit. So he ventured out to Bent Mountain, Virginia, to talk to Red and Coles on their family land.  

This interview has been lightly edited for clarity and length.

Adams: How long have y’all lived on this land here in Roanoke County? Did you grow up here?

Coles: I didn’t grow up up here. I grew up in town. My dad, he was an insurance agent. He had his own business. I grew up in Roanoke, but this property’s been in my family for, you know, several generations. We’ve lived up here since we got married. We were married in the front yard, and pretty much came back from our honeymoon into this house.

Red and Cole Terry embrace after she came down from more than a month in her tree sit in 2018.

Photo Credit: Mason Adams/West Virginia Public Broadcasting

Adams: So I remember the kind of pipeline being announced. When did y’all learn that the Mountain Valley Pipeline was supposed to come through this property?

Coles: March 28, 2015. We got a letter from the county telling us that our property was one of their proposed routes. Two-hundred and two landowners were served at one time, because it was just quicker and easier to take us all to court. I think we got one offer from them. It was a ridiculously low offer. [We] just said no, and the next thing I know, I’m being sued for eminent domain. There was no negotiating, there was no coming by and talking, “Hey, this is what we can do,” sitting down and talking to you about anything. It’s just, “Hey, no, we’re taking it. This National Gas Act allows us to do that. It put it in the national interest.” Unfortunately, the national interest doesn’t include also protecting people’s personal property, the water or people’s well-beings. It’s just, “It’s in the natural interest to get this pipeline in the ground and pumping gas.

Adams: That was 2018. Here we are now in 2024. I drove in and there are still visible pipeline crews. 

Coles: Oh yeah. Everywhere.

Adams: What’s it like to live next to that for six years? How do you come to terms with that?

Coles: For a while, you still had the hopes that, because they were still working on getting all their permits and we were still commenting, and we were still meeting with people in these organizations who were supposedly there to prevent anything going wrong, [they’d] step up and say, “Hey!” But they just kept getting, “Well, this, this looks good to us. This looks fine. There’s nothing to see here. Go ahead. You can do what you need to do.” It just gets more and more disheartening every day. We’re still fighting. They’re still ongoing. We’re taking pictures. We’re trying to show where the sediment’s coming in, and, they’re basically not even getting a slap on the wrist anymore.

I don’t even want to be outside. I don’t want to hear them. Just the fact that I know they’re there is hard enough on me. It’s tough sometimes. Right now, I can hear them when I go outside. I can’t see them because they have finished burying the pipe behind my house for the most part. They still have to test it and then restore it and everything. But that could still take years.

Red Terry crosses a creek near her home just after coming down from a tree sit in 2018.

Photo Credit: Mason Adams/West Virginia Public Broadcasting

Adams: Red, you showed me your photo roll, and a lot of photos with the sedimentation and the slime. I remember you scrolled down a good way, and I was overwhelmed in a way, because you had other photos of family and things like that. But so much of your photo roll was just documenting this damage. Like every day when you drive out, you’re just surrounded by it. And you’re dealing with a bureaucracy that seems unresponsive. So I’m wondering, what keeps you going? What gives you hope? What helps you get up and keep fighting this battle day after day, after day? 

Coles: For me? I guess it’s the hope that maybe somebody somewhere will will say, “Yeah, we need to stop this or slow this down.” A lot of it, too, is tried to stop it from happening to somebody else. They’re now proposing another pipeline that’s going to be just as big as this one and just as bad as this one. I admire President Biden for halting any new LNG [liquefied natural gas] buildout. We’re already one of the biggest exporters of LNG in the world. The UK and European nations are trying to get away from LNG, and so the market for that is going to collapse. But we’re going to force the country to build more infrastructure to support it. We don’t know where it’s even gonna go.

Red: From day one, it has been nothing but lies. When your daughter — who is just as mean and ornery and, in my eyes, perfect — looks at you and says, “I won’t be alive in two years,” because this bomb’s gonna go off. And we are in the blast zone. I’m 600 yards from that bomb. Everybody up here on this mountain right now, including myself, have pipes floating in water. That one out there floated in over four feet of water for a month. They came in and took two pumps to pump it dry, heat it up, welded it, threw it in there and covered it with mud. You’re not supposed to cover it with mud. But hey, okay, they’re in a hurry. They don’t have to really do anything that they’re supposed to do.

What gets me up in the morning? I don’t want to get up in the morning. I don’t want to do anything. I have so much **** to do, and I’m paralyzed.

Adams: So now MVP is telling investors and the press that they expect to be completed this spring. What do you all foresee in the future? What do you expect will happen?

Coles: Do I think they’ll be done by the end of March? I see pictures of pipe still above ground. I don’t know how long it’s going to take them to bore under [Interstate] 81. I know there’s some really hard rock there. I know that they might have finished one of the bores at my sister’s, but it took them a lot longer than they thought it was going to. They’re still blasting over there.

So, either they’ve given up boring or they’re just digging through, I’m not sure. I find it hard to believe this pipeline will be in service by the end of the first quarter of this year. “In-service” means a lot of different things to me. Even if the whole pipe’s in the ground, it still has to be tested. The right-of-way has to be restored. FERC [Federal Energy Regulatory Commission] still has to approve it. I was told that it could take ‘til 2026 or 2027 to get everything restored.

Adams: That thing you said about Minor [their daughter] saying she doesn’t expect to be alive in three years? 

Coles: Yes. Because she thinks once they start putting gas in this thing, it’s going to rupture and explode. 

Red: This is one of the steepest, unbelievable, someone sitting in an office drawing a line. And I understand what they did because they have tried to go to the largest landowners so that they don’t have that many fights, so they don’t have that much opposition.

Coles and Theresa “Red” Terry at their home in Bent Mountain, Virginia.

Photo Credit: Mason Adams/West Virginia Public Broadcasting

Adams: When I was a cub reporter at the Roanoke Times and somebody gets shot and killed, you’d have to go to talk to their family — like that level of grief. That’s what this feels like.

Red: When Coles and I got married, and when we moved up here, this wall was falling in. This was screens that had been ripped and torn. These boards under here were this wide and they were spaced to have plenty of room between them. And my dearest husband hooked a come-along to a tree out here and pulled the house back out, put in the drop ceiling, put in the staircase here, put in the windows. We laid some floor, put some carpet down, opened the door. And every morning, every ******* morning. I would get up — my kids got me blinds to close for the MVP, I’ve never had blinds up — but every morning I would go out here and look, and just stand there and look, and think to myself, “I must be the luckiest person alive to have this view.”

Now, every time I look, I see the flags. I see the damage. I see the destruction. And I mean, my view, my hike through there, my apple orchard on the top where I went mushroom hunting, and all the critters in the world up here went up to that top orchard. Because the trees were so big. I had one up there that just produced so much. And all of that is now part of their LOD. And it just … it’s heartbreaking. It’s heartbreaking what they’ve done. I mean, I still love this mountain, but it’s heartbreaking what they’ve done to so many parts that were so beautiful. And then the other day, when my son was here, and I stopped at the mailboxes, and I parked on our road, our driveway, and I walked over to the mailboxes and all the MVP guys were leaving. So I “waved” to ‘em. And one guy went by me in a big blue truck, and he slammed on his brakes.

Now, you got a whole crew leaving, and he slammed on his brakes, and I’m standing at my mailbox waiting on them to pass. And he comes over and goes, “You don’t know me. You don’t know me. Don’t be shooting the finger at me.” And I looked at him. I said, “Are you a pipeliner?” He said, “Yes, I am.” I said, “Well, I don’t have to know you to know what you’re doing to my land, and yeah, I’d like you to go the **** home.” And he said, “I’m not going anywhere,” and he gets … he’s a little taller than I am. And he’s like, “If you don’t like it, why don’t you move?” And I’m like, “My husband’s family has been here for seven generations.” He goes, “I’ve been a pipeliner. We’ve got pipeliners for six generations.” But he gets up over me.

I said, “Bring in on, ***********. You don’t have anything that scares me. I’m old. I’m tired. And I used to be a redhead before you ************* showed up. So do your worst. I’m not afraid.” And the guy about 10 trucks back jumped out and came up and grabbed him. “Get in your truck and leave.” He goes, “I’m not finished.” He says, “Yes you are. Get in your truck and leave.” And I’ve never had such evil thoughts in my life. I have never wanted to hurt anyone. And things are changing. Things are changing. I would like to hurt somebody really bad.

——

After this interview, Inside Appalachia reached out to pipeline officials about the Terrys’ claims. 

Pipeline spokeswoman Natalie Cox sent a statement: 

“MVP project opponents continue to promote factual inaccuracies in support of their agenda, which includes a primary objective to stop MVP and other linear infrastructure. The MVP project has been subject to an unprecedented level of scrutiny, and the fact is the VADEQ, WVDEP, and other agencies continue to conduct daily project inspections, and the inspection process is working as designed. If and when any compliance issues are identified, Mountain Valley takes immediate responsibility to remediate the identified issue or concern. As has always been the case, completing construction and fully restoring the project’s right-of-way remains the best method of permanent environmental protection.

“Mountain Valley will continue to coordinate with all appropriate state and federal agencies, including FERC, USACE, VADEQ, VDCR, and WVDEP, to ensure the safe, responsible completion of the project, which includes building and operating the project in accordance with all applicable regulations, incorporating best management practices, and meeting or exceeding applicable industry standards for linear infrastructure.”

Construction continues on the Mountain Valley Pipeline. Company officials project it will be completed by June 2024.

Virginia Doctor Who Prescribed More Than 500k Doses Of Opioids Granted New Trial

Authorities said Joel Smithers headed a drug distribution ring that contributed to the opioid abuse crisis in Kentucky, Ohio, Tennessee, Virginia and West Virginia.

A Virginia doctor who was sentenced to 40 years in prison after prescribing more than half a million doses of highly addictive opioids in two years has been granted a new trial by a federal appeals court that found the instructions given to jurors at his trial misstated the law.

Joel Smithers was convicted in 2019 of more than 800 counts of illegally prescribing drugs.

During his trial, prosecutors said patients from five states drove hundreds of miles to see him to get prescriptions for oxycodone, fentanyl and other powerful painkillers. Authorities said Smithers headed a drug distribution ring that contributed to the opioid abuse crisis in Kentucky, Ohio, Tennessee, Virginia and West Virginia.

In a ruling issued Friday, a three-judge panel of the Richmond-based 4th U.S. Circuit Court of Appeals vacated Smithers’ convictions and ordered a new trial.

Jurors at Smithers’ trial were instructed that in order to find Smithers guilty of illegally prescribing drugs, they must find that he did so “without a legitimate medical purpose or beyond the bounds of medical practice.”

But the appeals court found that that jury instruction was improper, citing a 2022 U.S. Supreme Court ruling that said a defendant must “knowingly or intentionally” act in an unauthorized manner to be guilty of that charge. Even though the jury convicted Smithers in 2019, his case was subject to the 2022 Supreme Court decision because his appeal was still pending when that ruling was issued.

Justice Roger Gregory, who wrote the 3-0 opinion for the 4th Circuit panel, cited Smithers’ testimony at his trial, when he said almost all of his patients had had significant car or workplace accidents and that he believed there was a legitimate medical purpose for each of the prescriptions he wrote. Gregory wrote that even though “a jury might very well not have believed Smithers’ testimony that he acted with a legitimate medical purpose,” the defense provided evidence that could have led to a finding of not guilty on each of the unlawful distribution charges against Smithers.

“In sum, because there was evidence upon which a jury could have reached a contrary finding, the instructional errors were not harmless,” Gregory wrote.

During Smithers’ trial, a receptionist testified that patients would wait up to 12 hours to see Smithers, who sometimes kept his office open past midnight. Smithers did not accept insurance and took in close to $700,000 in cash and credit card payments over two years, prosecutors said.

“We understand the 4th circuit decision following a recent change in the law and look forward to retrying the defendant, ” U.S. Attorney Christopher Kavanaugh said in a statement Monday.

Beau Brindley, an attorney for Smithers, said that since the 2022 Supreme Court decision, “only one thing decides a doctor’s guilt or innocence: his own subjective beliefs about his prescriptions.”

“Under this new legal standard, with the focus now solely on his intent, Dr. Smithers looks forward to being fully exonerated at trial,” Brindley said in a statement.

Photographer Documents Roanoke, Virginia’s Burgeoning DIY Punk Scene

Roanoke photographer Chelse Warren is documenting Roanoke’s thriving hardcore scene under the name “Openhead Takes Photos.” The Virginia city’s burgeoning DIY music scene is growing, based around Flying Panther, a venue that doubles as a skate shop.

This story originally aired in the Dec. 10, 2023 episode of Inside Appalachia.

Roanoke photographer Chelse Warren is documenting Roanoke’s thriving hardcore scene under the name “Openhead Takes Photos.”

The Virginia city’s burgeoning DIY music scene is growing, based around Flying Panther, a venue that doubles as a skate shop. Its two-day festival called The Floor is Gone featured music, a local zine, an underground book distro, skateboarders and a local punk podcast. Warren was in the middle of it all, shooting photographs and dodging flying bodies in the mosh pit.

Inside Appalachia Host Mason Adams reached out to learn more.

Photographer Chelse Warren, a.k.a. Openhead Takes Photos.

Photo by LaJoy Visuals 

The transcript below has been lightly edited for clarity.

Adams: Chelse Warren, thank you so much for coming on Inside Appalachia today.

Warren: Thank you for having me. I’m happy to be here. 

Adams: For people who’ve never been, can you set the scene and describe a Flying Panther show?

Warren: Flying Panther is a warehouse and skate shop in northwest Roanoke. The owners, who are fantastic, decided to turn the warehouse area into a mini-ramp and a venue. It’s all ages, they allow anyone to come. I’ve never felt so safe before at a venue. You go there, [and] everyone’s there for the right reasons. It’s a sense of camaraderie, and it’s always a fun time.

It’s mostly punk and hardcore music, but they’ve had country artists, they’ve had bluegrass artists, they have a goth night every month. So you can pretty much guarantee a full spectrum of music at some point.

During the month at Flying Panther, there are a ton of different people from all walks of life that come to shows. They’re there every show. You have your alternative and your punk kids, but you also have what I would describe as normal people that you wouldn’t expect to see at these shows. It’s nice to all inhabit the same space for music.

Adams: When I first went to that show, there’s people jumping around, the singers jumping around and you’re right there in the middle of it shooting photos. What’s that like?

Warren: I’ve seen a trashcan thrown, I’ve seen chairs, I’ve seen a couch pushed in the pit, rolling chairs, pillows thrown — you name it, I’ve seen it. That’s something that I always have to take into account, is I’m constantly aware of my surroundings. I’m looking at my peripherals.

That is hard, because I have to focus a manual lens and plan my routes. I’m very, very lucky to have the vast majority of those people always looking out for me, and I find comfort in that. I’ve had a lot of close calls. On day two of The Floor Is Gone. I got tackled. I saw it, and it was just so fast happening that I couldn’t move. I came like an inch away from banging my head on the floor. But my camera went up, it’s fine, I’m fine. And I just got up and laughed it off. Because that’s just part of hardcore and punk. It’s just something to expect.

Dimension Six plays at Flying Panther.

Photo by Openhead Takes Photos

Adams: So what’s your strategy when you go into these shows, when you walk in and see the stage and crowd there? How do you approach that as a photographer? It seemed like you had a system.

Warren: Yes. I try my best to get there early, which doesn’t always work, because I’m usually late. I plan my route as best as I possibly can. Within reason, I try my best to do one side and then the other side. I’ve had to perfect taking a photo as I’m walking right across the stage. I’ve gotten some of my best photos just from doing that.

I mentioned the focusing thing — like, okay, I want to go there. Next I need to focus my lens to that point. So when I get there, it’s in focus, and I can get the photos. But because it is like punk and hardcore, you never know when someone’s going to jump or do something else bizarre that you want to document. I try really, really hard to always get jumps, because those are what the people in the band want. I try to listen to the music and try to map out, do I think they’re going to jump? I may be right once out of every five times that they might jump, but I still try my best to get it no matter what.

Gaol, playing at Flying Panther.

Photo by Openhead Takes Photos

Adams: How did you get into this culture?

Warren: My friend in probably sixth grade showed me a band on Napster, if that tells you my age. Which spiraled to another band, and then another band, and just kind of snowballed after that. I would say I was around like 15 when I started going to DIY shows that really helped broaden my spectrum and idea of heavy music. And it all just branched into like hardcore punk.

I suppose what really fed the fire and started it all in the early 2000s was my friends playing music. Watching them play music and doing what they love inspired me, who already loved taking photos, to start documenting shows. DIY is so, so important, and it’s important to document it so that it lasts longer than us, and people can look back and see a history on how things were.

Adams: What keeps you in this? You talked about getting tackled at a show, and that’s a deal breaker for a lot of people. What keeps you coming back? What keeps you so engaged? 

Warren: It’s just exciting. It’s exhilarating. It pushes me and my art to new levels every time, because no situation, even if it’s at the same venue, is the same. Even if I’ve shot the same band five times. It’s been different every single time, and I just love the music, and I love our scene here, and it’s important to me to make sure that it’s documented. 

Roanoke hardcore band Collective Action.

Photo by Openhead Takes Photos

Adams: You’ve been doing this for awhile and you’ve shot all these bands. What have you learned from all this? 

Warren: It’s definitely pushed me past my limits of what I thought was possible. Several years ago, my goal was, I want to shoot bigger bands, bigger venues. I just took pictures of [bassist] Victor Wooten at the Jefferson Center this past weekend. That was amazing and incredible that I got the opportunity to do that, but it’s nothing like DIY music. I really think DIY seems like a critical part to communities. It offers a safe space for people who feel like they don’t fit in elsewhere, or feel like they have no friends like them, a space where they can feel loved, welcomed and accepted, and witness music that they love. It’s really important.

Roanoke’s Hardcore Music Scene And Our Song Of The Week, This West Virginia Morning

On this West Virginia Morning, we take a deep dive into the mosh pit and the hardcore music scene of Roanoke, Virginia with music photographer Chelse Warren. Inside Appalachia Host Mason Adams has more.

On this West Virginia Morning, we take a deep dive into the mosh pit and the hardcore music scene of Roanoke, Virginia with music photographer Chelse Warren. Inside Appalachia Host Mason Adams has more.

Also, in this show, this week’s episode of Mountain Stage is a special featuring the 70 plus member West Virginia Symphony Orchestra, under the musical direction of Maurice Cohn. Our Song of the Week is “Michael from Mountains” sung by folk music icon Judy Collins. The song was written by Joni Mitchell and released on Collins’ 1967 landmark album Wildflowers.

West Virginia Morning is a production of West Virginia Public Broadcasting which is solely responsible for its content.

Support for our news bureaus comes from Shepherd University.

Our Appalachia Health News project is made possible with support from CAMC and Marshall Health.

West Virginia Morning is produced with help from Bill Lynch, Briana Heaney, Caroline MacGregor, Chris Schulz, Curtis Tate, Emily Rice, Eric Douglas, Liz McCormick, and Randy Yohe.

Eric Douglas is our news director. Caroline MacGregor is our assistant news director and producer.

Listen to West Virginia Morning weekdays at 7:43 a.m. on WVPB Radio or subscribe to the podcast and never miss an episode. #WVMorning

Medication Guidance And A Visit To Virginia Farm Foggy Ridge, This West Virginia Morning

n this West Virginia Morning, Virginia’s first modern apple cidery Foggy Ridge helped launch a craft cider industry in Virginia, but while the cider business closed in 2018, the farm stayed open. Owner and orchardist Diane Flynt now sells apples to other cider makers and has a new book out. Radio IQ’s Roxy Todd visited Flynt’s farm in Southwest Virginia and has this story.

On this West Virginia Morning, Virginia’s first modern apple cidery Foggy Ridge helped launch a craft cider industry in Virginia, but while the cider business closed in 2018, the farm stayed open. Owner and orchardist Diane Flynt now sells apples to other cider makers and has a new book out. Radio IQ’s Roxy Todd visited Flynt’s farm in Southwest Virginia and has this story.

Also, in this show, with the closing and consolidation of pharmacy chains and independent retailers, patients are left wondering where to go for guidance and their medications. Emily Rice has more.

West Virginia Morning is a production of West Virginia Public Broadcasting which is solely responsible for its content.

Support for our news bureaus comes from Shepherd University.

Caroline MacGregor is our assistant news director and produced this episode.

Listen to West Virginia Morning weekdays at 7:43 a.m. on WVPB Radio or subscribe to the podcast and never miss an episode. #WVMorning

Exit mobile version