Home is Where the Rock Is: A #WVmusic Chat with Jeff Ellis

Since the show began almost two years ago, A Change of Tune has highlighted some of the best up-and-coming artists out of these West Virginia hills with podcast-y chats ranging from Tyler Childers to Ona, Bud Carroll to Coyotes in Boxes and beyond.

But those interviews have been a bit infrequent, and since West Virginia Day was this month (and with A Change of Tune’s second birthday on the horizon), we thought we’d do something special: 30 days, 30 brand new #WVmusic interviews that range from Morgantown alt-rockers and Parkersburg singer-songwriters to West Virginia music venues and regional artist management and beyond, all of which contribute to this state’s wild and wonderful music scene.

And for our final #WVmusic chat, we are chatting with Kanawha-by-way-of-Logan County multi-instrumentalist Jeff Ellis. After playing in a number of local bands over the years (including Harvest and Guinness Clarke’s Wine) and releasing more than a few solo records, Jeff is ready to show the world his new band and his new sound, but not before giving us an idea of the number of #WVmusic people who have helped him along the way.

Jeff Ellis and 40 Days’ new release is Modern Time Blues. Hear more #WVmusic on A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic.

Credit Melissa Stilwell Photography
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Jeff Ellis and 40 Days perform at The V Club in 2016.

Interview Highlights

On his love for music:

I always wanted to be a musician, since I was probably 11- or 12-years-old. I’ve played music, I’ve written songs, and I’ve always strived to be better. Ultimately, I would love to do that for a living and make enough to support a family on that. But as Ian Thornton and Todd Burge have said in earlier interviews, if music is the only thing you’re doing, you’re going to have a hard life. You’ll have a good time, but it might be short-lived and very stressful.

I made a decision early on, at 17 as a matter of fact, that I was going to have a dual career. It’s actually the only reason why I joined the Army Reserve instead of Active Duty. Army Reserve, I can do my one weekend enough, go do some Active Duty time, make enough money to where I could still make music, and still work a part-time job. And that worked out for a while. Time went by and, 18 years later, here I am.

On balancing his life with the Army and his career in music:

I’ve got to spend a year in Austin, Texas. I’ve got to spend a year in Fayetteville, North Carolina. I’ve spent too many years in Iraq and Kuwait and places like that. But each time I go do this, I’m able to save up a fairly good amount of money so when I come back, all the songs I’ve written during that time period, I’m able to go into a studio, I can fund it myself, and I can hire and pay the musicians. And it gives me a chance to play in those areas that I normally wouldn’t get to. So in that regard, it’s worked well. But there have been a lot of sacrifices.

In 2002, for example, I had a chance to go out and do a demo with Raine Maida from the band Our Lady Peace. I was stationed at Fort Bragg at the time, and I met him in Columbus, Ohio, and slipped him a demo a couple weeks before. The stars aligned, the dude calls me, and he was supportive of the songwriting. Then he shoots me an email and asks if I would want to go to California for a weekend and record a demo. So I go to my command at Fort Bragg and they’re like, “Our Lady who? No, we’re not going to give you a four-day pass to go out and make a demo with a rock star.” That sucked real bad [laughing].

On Active Duty, it was almost impossible to have a dual career. I would book these shows, but then at the last minute, they would tell me I couldn’t go.

Credit Melissa Stilwell Photography
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Bud Carroll and Jeff Ellis have known each other for quite some time.

On Jeff Ellis and 40 Days’ band name:

I didn’t want it to be The Jeff Ellis Band because we had done that before with different people, so I wanted this to be distinct. I told the band to come up with a band, and everyone started putting names in the hat. Someone threw in 40 Days, which is actually a song I had written years before. I was raised in a Baptist Church, and 40 Days is significant for times of trial and temptation throughout the Bible. That was always the one I tried to shoot down just because it had been the song title, and I didn’t want it to be the band name. I was thinking about The Heartbreakers, but that was already taken [laughing]. But everyone voted on their favorite band name, and I was outvoted.

Credit Jimbo Valentine
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Huntington-based artist Jimbo Valentine designed Jeff Ellis and 40 Days’ new album artwork.

On his new release Modern Time Blues:

A lot of the songs were written in a police cruiser, I’ll start with that [laughing]. I try to write songs that I think are interesting, and usually those come from real people who I’ve met that get turned into characters and real events that get somewhat fictionalized. A lot of the stuff on this record are real events, real people that I’ve come into contact through police work or military work that I just had to write about. Writing time is hard to find, by the way, when you have two kids, which is why I do most of it in a police cruiser [laughing]. I had a bunch of songs and took them to Bud Carroll. Thematically and sonically, this is probably the strongest record we have done.  

On his music career goals:

Two of my goals in life were to play Mountain Stage and to meet Bruce Springsteen, and I’ve knocked those two out. He has no idea that he met me, but he shook my hand at a concert, and I was like, “I’m not washing this hand for a week.” But I was fortunate enough to do Mountain Stage, and then I got to do it again, which was phenomenal. If I got to meet Tom Petty now, the trifecta would be complete.

Music featured in this #WVmusic chat:

Jeff Ellis and 40 Days- “On the Right Road Now”

Jeff Ellis and 40 Days- “Poor Penny”

Jeff Ellis and 40 Days- “Never Enough”

Jeff Ellis and 40 Days- “So. Charleston City Beat Blues”

Logan County's Tim Browning: 'Sometimes, You are All You've Got'

Since the show began almost two years ago, A Change of Tune has highlighted some of the best up-and-coming artists out of these West Virginia hills with podcast-y chats ranging from Tyler Childers to Ona, Bud Carroll to Coyotes in Boxes and beyond.

But those interviews have been a bit infrequent, and since West Virginia Day was this month (and with A Change of Tune’s second birthday on the horizon), we thought we’d do something special: 30 days, 30 brand new #WVmusic interviews that range from Morgantown alt-rockers and Parkersburg singer-songwriters to West Virginia music venues and regional artist management and beyond, all of which contribute to this state’s wild and wonderful music scene.

And today, we are chatting with Tim Browning, a Logan County singer-songwriter who’s been playing music 20 years and a has a number of stories to tell.

Tim Browning & the Widowmakers’ newest release Bad Intentions will be out later this fall. Hear more #WVmusic on A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic and subscribe to our RSS / podcast feeds!

Credit Most Exalted
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Tim Browning is a resilient singer-songwriter out of Logan County, West Virginia.

Interview Highlights

On getting into music at a young age:

When I was a kid, my parents both played Southern gospel music in church. That’s how they met. So music has always had a strong influence in life. When I was about 8, I got my first bass guitar, and I sat on a stool behind them and plucked away at the bass while they were singing. It’s kind of funny to call it touring, but we went all over the region playing music. So that’s where I got my start.

And then my cousin gave me an old electric Harmony guitar. And I had no amplifier. So I had to wait until it was late at night when everyone was asleep to start learning how to play guitar.

You know, you watch a lot of acts and a lot of bands and a lot of places do cover tunes. But I was just never good at that. I was uncomfortable, maybe a little intimidated, playing other people’s song. So I thought, “Maybe I should write my own.” And that was that.

On his relationship with country music:

[Despite moving to Nashville,] I don’t really sing country music. But it has a lot of the same ingredients [as what I play]: a lot of rough-neck, back alley thoughts and ideas, being in those hills and hollers, taking life as it comes, and trying to get up out of that hole you feel like you were born in.

With the current string of tunes that I’ve been doing with The Widowmakers, I always describe our music as “crimes of passion.”

Credit Most Exalted
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Catch Tim Browning & the Widowmakers on tour throughout West Virginia.

On moving to Nashville at a young age to make music: 

With Nashville, it seemed just as mystical and just as far away as Hollywood. So at 18, I loaded up my little piece of crap car, and I drove to Nashville. At that point [in your life], you have these grandiose ideas of what you can be. And I think that’s where my love and local and independent music comes from: you walk in [to a local bar], and you may open up for a local group, and they’re amazing. And everything they do is just as quality and felt just as important as what you heard on the radio. And a lot of times, the acts that you saw were bits and pieces of what you heard on the radio, but were still doing local acts and shows because that’s where their hearts were. The guy that’s parking your car or the girl getting your coffee is the most amazing songwriter or most brilliant singer that you may never ever hear. I was captured by that. I don’t think I ever fell out of love with it.

On gaining musical inspiration from enlisting in the Army:

It was hard finding a chance to perform, but it was not hard to write. That experience provided me with the most time for reflection. The further I got away from home, the more I fell in love with home. That’s when I came to terms as a young man about where I was from and to be ok about where I was from. That’s been my hardest lot in life: accepting things as they come.

I got away from the grunge-y abstract ideas that were happening in a lot of the music that you would have listened to as a teenager. I really became comfortable with being very blunt, matter-of-fact, and honest with who I was and what I was writing about. I got away from writing what I thought people wanted to hear.

Credit Most Exalted
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Tim Browning describes his band’s music as “a completely different brand of rock’n’roll.”

Music featured in this #WVmusic chat:

Tim Browning & the Widowmakers- “Gasoline”

Tim Browning & the Widowmakers- “One Horse Town”

Tim Browning & the Widowmakers- “Without You”

Preview New Music, Win Prizes & Hang Out with WVPB at #WhyListen Party

Have you ever wondered what makes a new song into a good song? Or why we like the songs we like? West Virginia Public Broadcasting invites you to the #WhyListen: First Listen Music Party on February 4 from 6 to 8 p.m at Black Sheep Burrito & Brews in Charleston.

“The response to last October’s #WhyListen party in Huntington was phenomenal,” says West Virginia Public Broadcasting host and #WhyListen event coordinator Joni Deutsch. “Getting folks in the same room to listen to new, local tunes and have an open music discussion is a special thing to witness. We can’t wait to bring the party to Charleston this February.”

The #WhyListen event will include a first listen of music from West Virginia and beyond, including the premiere of new music from regional acts Qiet, Jeff Ellis, Time and Distance and William Matheny. Guests can take advantage of Black Sheep Burrito & Brews drink specials and free appetizers for the night as they “talk tunes” with Mountain Stage host and artistic director Larry Groce, West Virginia Public Broadcasting host Joni Deutsch and Charleston bassist/producer/songwriter John Inghram.

The event marks West Virginia Public Broadcasting’s third project with NPR Generation Listen, an initiative to bring young, intellectually curious minds into the public broadcasting community. The event will also act as the official winner announcement for the Charleston WV Convention and Visitor Bureau’s “Charleston Wilco Valentine” giveaway, which ends February 3.

“The Charleston CVB is really excited to be a part of WVPB’s #WhyListen event. It’s the perfect place to announce the winner of our Wilco/Mountain Stage ticket giveaway,” said Charleston WV CVB Vice President Tim Brady, “Mountain Stage brings diverse music to the area, and this event on February 4 will be another fun way to make new discoveries too.”

The February 4 #WhyListen event is free and open to the public, but space is limited. For more information on the #WhyListen first listen music party and to reserve a seat, visit whylistencwv.splashthat.com. To enter the CVB’s Wilco/Mountain Stage giveaway, go to http://bit.ly/1Rv9HkY.

About West Virginia Public Broadcasting: West Virginia Public Broadcasting tells West Virginia’s story through high-quality programming and services including radio, television, Mountain Stage®, wvpublic.org, WV LearningMedia and Ready To Learn®. West Virginia Public Broadcasting is a trusted resource for education, news, emergency services and community development.

Mountain Stage After Midnight- January 17 & 18

You know that ol’ Wendy’s slogan, “Eat Great, Even Late?” Well the same holds true for “Mountain Stage After Midnight,” a delicious public radio program that feeds music lovers into the wee hours of morning. Broadcast from 1am-5am Saturday and Sunday mornings here on West Virginia Public Radio, “Mountain Stage After Midnight” takes the best episodes from the show’s 31 year history and shares their memories and songs with our late-night listeners. Each week we’ll hand-pick two of our favorite episodes that’ll alternate order each night.
 
Tune in this Saturday January 17 and Sunday January 18 for rock, pop, folk and everything in-between on “Mountain Stage After Midnight.”

First up is an October 2008 show featuring psychedelic folk-popper Sonya Kitchell, Welsh crooner Judith Owen, Connecticut rock band The Alternate Routes, captivating singer-songwriter Joe Pug, folk singer Matthew Ryan and Nashville-based alt-pop songwriter Katie Herzig.

Credit Brian Blauser / Mountain Stage
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Dr. Dog on Mountain Stage in 2009.

You’ll also a a February 2009 show that includes oddball rockers Dr. Dog, American jam band Derek Trucks Band, Australian pop singer Lenka, blues duo Scrapomatic and Huntington, West Virginia-based songwriter Jeff Ellis.

For more Mountain Stage news and music, make sure to follow the show on FacebookTwitterTumblr and Instagram and subscribe to The Mountain Stage Podcast on iTunes. Still haven’t seen Mountain Stage in person? Whatcha waiting for! Head to our new website for our live show schedule.

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