Sounds Of The Mountains Part 2: Ukrainian Folk Musician Reflects On A Year Of Change 

Last year, Folkways Reporter Clara Haizlett met with Ukrainian tsymbalist Vsevolod Sadovyj over Zoom to understand the connection between the Appalachian hammer dulcimer and a Ukrainian folk instrument called the tsymbaly. At the time they met, it was just a few months after the war in Ukraine started. Haizlett caught up with him again this year to see how he and his family are doing.

This story originally aired in the July 23, 2023 episode of Inside Appalachia.

In a story from Inside Appalachia that aired last year, Folkways Reporter Clara Haizlett explored the connection between the Appalachian hammer dulcimer and a Ukrainian folk instrument called the tsymbaly. Over the course of her research, she met Ukrainian tsymbalist Vsevolod Sadovyj over Zoom. 

When Haizlett spoke with Sadovyj in May of last year, it was just a few months after the war in Ukraine started. At the time, Sadovyj was living in his hometown of Lviv. Now, Sadovyj is in Ireland. 

Sadovyj and his family are among the millions of Ukrainians who have left their homes since the start of the war. It’s caused Europe’s largest refugee crisis since World War II, displacing people within Ukraine, across Europe and around the world. 

Just days after the Russian invasion of Ukraine, Sadovyj’s wife and children crossed the border into Poland, eventually making their way to Ireland. Sadovyj helped them with the move, but then returned to Lviv, alone.

Ukrainian Tsymbalist Vsevolod Sadovyj (left) and his family.

Courtesy of Vsevolod Sadovyj

“Then I had to go back to Ukraine, because we had still some concerts and touring and recordings to do,” he said. 

Sadovyj was separated from his family for almost a year.

“So all the year, we were speaking in the messengers and video calls, and mostly I’ve been living alone,” he said. 

During that time, his work as a professional musician and music teacher was actually thriving. With the onset of the war, COVID-19 took a backseat. People began gathering again, organizing benefit concerts to support troops on the front lines — some of whom were musicians prior to joining the armed forces. 

“So we gathered a lot of funds to support them in the special needs, which are not covered by the government,” he said. 

Things like night vision scopes and drones.

“The concerts were even more soulful,” he said. “Because it’s not about only the entertainment, but the point was to support our friends and our relatives.” 

Sadovyj says it was a critical moment to be a part of his community — but at the same time, he was separated from his family.  

“I was at a crossroads of some sort…should I stay or should I go?” he said. “I missed all the year of my little son growing up, which is like something which will never turn back.” 

He decided to go, leaving behind students and bandmates and a thriving career. He joined his family in Galway, Ireland. It’s a colorful coastal city known for folk music. 

Ukrainian Tsymbalist Vsevolod Sadovyj now lives in Galway, Ireland.

Courtesy of Vsevolod Sadovyj

“Galway is a really good place to play on the streets and I saw a lot of musicians,” he said. “A lot of guys with guitars are singing songs. A lot of guys are playing traditional [music].” 

Sadovyj says he’s always felt a strong connection to Irish folk music. It was actually one of the reasons he and his wife decided on Ireland instead of another European country. 

“In Ukraine, we were really fond of Western European folklore, and especially northern folklore,” he said. “Irish was this special one from the favorite lists.”

Since moving there, Sadovyj has started playing the mandolin.

“My wife’s mandolin, which I never touched before, it’s so well fit to Irish music,” he said. 

He brought his own instruments from Ukraine, too. He’s been busking on the streets, playing tsymbaly and sharing Ukrainian folk music with passersby. 

“I’ve decided also to share something because I have this instrument, which would be interesting for people to see,” he said. 

There is an Irish version of the hammer dulcimer, but it’s not common in traditional Irish music. 

“It was something really unusual [for a street instrument], and a lot of people were just staying for a while just to see, just to hear,” he said. 

It’s not the first time Sadovyj has introduced Ukrainian folk music to people outside of Ukraine. He’s traveled extensively, sharing his music and culture on tour in the U.S. and other parts of Europe.

“It’s something natural for me but the difference probably is that I change the point of where the home is,” he said. 

Now home is Ireland. He’s met several people while playing tsymbaly on the streets in Galway, including a couple from Appalachia and a woman from Iran.

“I met the woman from Iran and she said it reminds her of her motherland,” he said. “Because they have a very similar instrument in Iran which is traditional for them, the santur…that means ‘the sound of sea waves.’” 

Well before the hammer dulcimer arrived in Appalachia or the tsymbaly found its way to Ukraine, it was called the santur. It’s thought to have originated in what is now Iran, where it then made its way around the world.  

Sadovyj is now part of this process: of people coming and going, leaving behind and starting anew — with instruments in tow and music stored within. 

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This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia and the Folklife Program of the West Virginia Humanities Council.

The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts and culture.

Senate Passes Bills On Alcohol, SSAC And EMS 

The Senate passed 20 bills Monday on a variety of issues ranging from alcohol consumption to high school sports. 

The Senate passed 20 bills Monday on a variety of issues ranging from alcohol consumption to high school sports. 

Senate Judiciary Chair Sen. Charles Trump, R-Morgan, said on the floor that Senate Bill 534 was intended as technical cleanup for a bill the Senate passed last year relating to beer, cider, wine, and liquor license requirements.

After changes in committee, and the addition of three floor amendments, the bill would expand how and where alcoholic beverages can be sold and enjoyed responsibly.

“It authorizes municipalities to establish private outdoor designated areas that are zoned for alcohol consumption in that area for alcohol drinks sold for by qualified permit holders, who are class A licensees,” Trump said. “The bill allows a product I’ve not heard of before, but I’m eager to learn about beer slushies. Maybe members of this body are familiar with the product? I don’t know. But the bill will permit that. It would be currently unpermitted under our present law.”

Trump stated that the changes would serve to promote tourism in the state. The bill had its detractors, but ultimately passed on a vote of 25 to 8.

Senate Bill 667 would require periodic performance audits by the legislative auditor of the West Virginia Secondary Schools Activities Commission, the main governing body of high school sports, cheerleading, and marching bands in the state.

There was a brief debate over the legality of such a bill.

Sen. Mike Woelfel, D-Cabell, stood to oppose the bill and raised concerns that the proposed oversight would not stand up to legal scrutiny.

“The Supreme Court of Appeals held that the WVSSAC is not a state agency. In fact, they went on to say it’s not even what’s called in the law public body,” Woelfel said. “So respectfully, I believe it’s an unconstitutional attempt by us to have an audit of an autonomous group. And that’s what the Supreme Court of West Virginia described the SSAC as.” 

Sen. Ryan Weld, R-Brooke, one of the bill’s co-sponsors, spoke in favor.

“What I think we’re trying to get here, with this piece of legislation, Mr. President, is a look under the hood of the agency that is responsible for all the activities in the state that our kids who attend high school partake in, any sports, whether they’re in the band,” he said. “An organization that has millions in assets.” 

Senate Bill 737 was the second bill introduced Monday to deal with compensation for Emergency Medical Service workers.

Senate Finance Chair Sen. Eric Tarr, R-Putnam, said the bill would create a special revenue account, the Emergency Medical Services Salary Enhancement Fund, to supplement the salaries of EMS workers across the state.

“The rules are to provide a mechanism for distribution of the funds to the county with the parameters of distribution to counties demonstrating the most need, counties who have a special levy, counties who have reached the maximum rate on a regular Levy and counties that suffer from competition from border states,” he said. 

According to a state coalition of Emergency Medical Service workers that presented earlier in the legislative session, the state has lost 1900 EMTs over the past three years.

All three bills, along with 13 others, now go to the House of Delegates for its consideration.

Nearing Completion

The Senate also took up four bills originating in the House.

House Bill 2062 completed legislative action. If signed by Gov. Jim Justice, the bill would modify e-bike regulations to more closely conform to federal law and allow certain e-bikes to be operated on public lands. The bill also states that users of e-bikes would have the same rights and privileges as regular bicycles.

House Bill 3340, which modifies the state’s Tax Increment Financing system, also completed legislative action and is awaiting the governor’s signature.

The other two bills were amended on the Senate floor and will complete legislative action if the House concurs on the Senate’s amendments.
House Bill 3307 would establish the West Virginia-Ireland Trade Commission, and House Bill 3428 transitions the West Virginia Business Ready Sites Program from a pilot to a permanent status.

Exiting West Virginia Governor Travels for Business

Gov. Earl Ray Tomblin, who inherited a national recession and coal industry downturn, says attracting business has been his six-year administration’s priority, counting $13 billion in commercial investments that had some state involvement.

After announcing a Canadian aircraft company’s expansion in Bridgeport last week, Tomblin headed to Cuba with representatives of three West Virginia companies looking to export there.

He went to Britain and Ireland in October and says he expects two related business expansion announcements before exiting office in January.

West Virginia’s unemployment rate still hovers near 6 percent, above the national average, in a state that lost 7,000 mining jobs since 2008.

The Tomblin administration’s count includes $7 billion in private investments for retention and expansion projects and $6 billion for new projects, many seeded with tax breaks.

Listen to We Banjo 3 on Mountain Stage

Hailing from Galway, brothers Enda & Fergal Scahill and Martin & David Howley are among the most celebrated young musicians in Ireland today. Calling themselves We Banjo 3, the group traveled straight from their Mountain Stage performance to perform for President Obama and Congressional leaders at the White House. They can be heard on this week’s all new episode, along with Red Baraat, Star & Micey, and Davina & the Vagabonds.

WVU Students, Faculty Featured on 'Return to Old Ireland' CD from Delos

Recently, both students and faculty from West Virginia University teamed up to perform and record the music of Mary McAuliffe for a CD from the Delos label. The reason? WVU piano professor, Lucy Mauro says, “We really liked her music, so we wanted to record it.” Fair enough.

McAuliffe had written a set of songs for Mauro and tenor, Donald George, and the pair fell in love with McAuliffe’s compositions.

 

Much of the music on Return to Old Ireland: Music of Mary McAuliffe is an evocative representation of the migration of thousands of Irish to America during the Great Famine of the 1840s, as well as a “calling home” of Ireland to those who have long since left the Emerald Isle.  

Several forces of students and faculty from WVU shine on these recordings, including: the West Virginia University Choir; the West Virginia University Studio Orchestra (Jeffrey Blake Johnson, conducting); oboist Cynthia Anderson; violinist MikylahMcTeer; violist Andrea Houde; cellist William Skidmore; pianists Lucy Mauro and Sora Lee; and narrator Lee Blair. The CD also includes special guests–tenor Donald George and the Michael O’Neal Singers are wonderful additions to the album. 

To purchase the album and to find more information, click here. Or listen to the interview and hear selections from the album by clicking the audio player above.

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