How The BBC Tapped A Local Reporter To Cover Kentucky’s Flood Recovery

Inside Appalachia host Mason Adams spoke with Katie Myers and Philip Reevell about the process of making a documentary in this way, with one reporter from the area and another from an overseas outlet. 

This conversation originally aired in the March 5, 2023 episode of Inside Appalachia.

Katie Myers was working her first journalism job at WMMT/Appalshop when last summer’s floods struck eastern Kentucky.

Myers plunged into her work as a reporter, while also living through the flood and recovery alongside neighbors in her community. Her knowledge and rapport with local residents is evident in “Kentucky Flooding,” a 38-minute audio documentary that aired on the BBC Documentary show and podcast. It was produced by reporter Philip Reevell, who flew in from the UK to report on the flood’s aftermath. 

Reevell worked closely with Myers. Since she was a local reporter, with knowledge of the area, she was able to help guide him and introduce him to people. And to powerful effect. 

Inside Appalachia host Mason Adams spoke with Myers and Reevell about the process of making a documentary in this way, with one reporter from the area and another from an overseas outlet. 

This interview has been edited for length and clarity.

Adams: When the Kentucky assignment came up, was it a story that came from you, Philip?

Reevell: It came from me. I’d been reading about the floods. It’s a pretty devastating story. I pitched the idea to the BBC World Service editor. And then I reached out to Katie to help us do it. And that’s how it came about.

Adams: As I understand it, Katie, WMMT/Appalshop was among those places affected by the flooding. Can you talk about what happened with the flooding in your employer?

Myers: The Kentucky River had gotten high enough to do something like that since ‘57. There was no expectation that this could happen, even in a heavy rain. We figured it would just lap at the bottom of the building, and we’d have to deal with some water damage. That day, though, I forget exactly how many feet, but it was something like six feet into the first floor. So the theater, the radio station, all of our equipment, this beautiful art we had hanging downstairs in the gallery, and all this stuff got destroyed. Our archive has decades of precious recordings and film and photographs, documenting life in Eastern Kentucky. That was very severely damaged.

Reevell: That was how I came across the story. That really resonated with me. A photo was tweeted out looking down on Appalshop and showing how high the water had risen. It was like a building within a lake of water. As time went on, we were able to connect with Katie to help us understand how the floods had affected this cultural center that had been there for over 50 years.

Adams: So you’d seen the photos, Philip, you’d corresponded with Katie and other folks. What did you see when you landed on the ground at Whitesburg?

Reevell: I arrived a few weeks after the floods. When I got there, the cleanup was still going on. Katie showed me around different areas in the town and around in the hollers, which were devastated. It was pretty shocking to see houses that had been washed away from the road. Then to see people living in tents beside the road where their home had been washed away. Or to meet people who were still clearing out a home that had been ruined, pulling up the floor or pulling down the wall. That was really pretty shocking, frankly, and upsetting to see how people’s lives have been totally turned upside down.

Adams: What strikes me when I listen to this documentary, is it’s immediately apparent that Katie has been living through the recovery. And not just that, but actively participating in the recovery efforts. Katie, can you tell us what life was like in those weeks between the flooding leading up to some of this reporting with Reevell?

A photo of a camp where people were living as they cleaned up their flooded homes. Credit: Philip Reevell

Myers: I want to, first off, say that I wasn’t directly affected by this flood. I was pretty lucky. I didn’t lose anything, I didn’t lose anyone. I still had a job and still had an income, so I was much luckier than a lot of other folks. This is my first journalism job, and I still am navigating the ways it changes your relationship to people. Sometimes, like, you end up seeing everything through a lens or through the microphone instead of just as a person. There’s this fragmenting of identities that you can have as a journalist. And I was just one person. In this situation, it’s like, of course you help people. What else are you going to do? There’s nothing else to do. Everybody is trying to dig themselves out of a hole, and what kind of a person are you if you don’t try to help them out? That was what everyone was doing. And it seemed very natural to do. 

Adams: What kind of response did you all see once this documentary aired?

Myers: There’s always this constant worry that eastern Kentucky will be forgotten. And just the fact that people from so far away were so interested in the place’s story, I think that really meant a lot to folks. One thing a 3:30-minute radio feature also can’t do is really let people talk. I think this piece allowed people to just just talk in it. People wanted to express and understand what had happened to them. All you had to do is ask one question, and people would just start going off because, like, nobody was going to see their therapist. You know what I mean?A lot of folks don’t have an outlet to talk through like these traumas that have just happened to them. I think being able to hear that was really powerful.

——

Listen to the full interview by clicking or tapping the “Listen” button at the top of this story, or check it out on Inside Appalachia.

The BBC Documentary, “Kentucky Flooding,” also is available to hear on the BBC. 

New Series Asks, 'What Are Your Hopes Under a Trump Presidency?'

Who are you and what matters to you? What are your hopes for the future under a new US presidency? These are the questions being asked in a new 4-part radio series by the BBC and APM called “The Response: America’s Story”. The series will cover President-elect Donald Trump’s first 100 days in office. It’s producing its first episode right here in West Virginia, and West Virginia Public Broadcasting is helping with the launch.

The Response is a very unique sort of radio program. Instead of having political analysts or talking heads tell us their interpretations of the latest election, producers are asking you to share how the latest election might affect you and your family. Producers have been collecting stories from people all over the United States by asking them to send in recorded voice memos using a smart phone.

“Now we do understand that not everyone owns a smart phone,” says BBC producer Kevin Core. You could also borrow one from a friend or a family member. “And just tell a story about your life. What makes you, you? And then, what you want from the President-Elect Donald Trump,” says Core, who will be in West Virginia this week to collect stories and help write the broadcast, which airs Monday January 16th, a few  days before the Presidential Inauguration.

So, would you be interested in telling your story to the BBC or sharing your thoughts about President-elect Donald Trump? Grab your smart phone and record a two minute message. Then email your recorded message to theresponse@bbc.co.uk. We can’t wait to hear from you!

West Virginia Public Broadcasting is also hosting an event in Charleston Thursday afternoon, where you can meet the BBC producers and learn more about the radio series.

If you have any questions, you can also email the BBC producers, who can walk you through the process of recording your story. Or you can call Roxy Todd at 304-556-4936.

Meet the Producer of BBC's Newest Program 'The Response'

You’re invited to a special event honoring the little-heard stories of Americans.

Join us on Thursday, January 12th for a reception of BBC and American Public Media’s newest series The Response – America’s Story, a radio program about who you are, what matters to you and your hopes for the future under a new US presidency. All told by people in their own words, using the technology in their pockets and sent to the BBC, The Response – America’s Story is a chance for Americans to share realities and reflections with the world, and for people around the world to tell the stories they want Americans to hear at this pivotal moment.

Kevin Core, a producer of The Response – America’s Story, will join us for a special discussion of the program and a preview of what’s to come.

The January 12 event will take place at 3pm at West Virginia Public Broadcasting’s Charleston headquarters (600 Capitol Street, across the street from Charleston Bread). Refreshments will be provided. Admission is free and open to the public. RSVP’s are requested below (or by calling 888-596-9729) by Tuesday, January 10.

<a data-cke-saved-href=”https://wvpublic.wufoo.com/forms/p1xfbp6m0eev2o3/” href=”https://wvpublic.wufoo.com/forms/p1xfbp6m0eev2o3/”>Fill out my Wufoo form!</a>

Can’t make the event but want to be a part of The Response – America’s Story?  Record your story on a voice recorder app and email the audio clip to the BBC. Your story might just make it to broadcast in the coming weeks. Submissions are now open and more details can be found here.

Stay tuned to West Virginia Public Broadcasting for the program’s premiere, as well as monthly broadcasts covering the first 100 days of the new presidency through April 2017. Each program will be broadcast from a different location in the U.S., with the first edition coming from partner station West Virginia Public Broadcasting.

UPDATE: The finished product has been posted to SoundCloud.

Radio Announces Program Changes for the New Year

West Virginia Public Broadcasting is proud to announce a new program from America’s Test Kitchen (ATK) founder Christopher Kimball, Milk Street Radio. With ATK ceasing production of its radio show (television will continue) at year-end, the timing of Kimball’s new adventure couldn’t be more perfect.

The wide world of food is coming to Christopher Kimball’s Milk Street Radio and in turn, to foodies everywhere. From street food in Thailand to a bakery in a Syrian refugee camp to how one scientist uses state of the art pollen analysis to track the origins of honey (and also to solve crimes), Milk Street Radio goes anywhere and everywhere to ask questions and get answers about cooking, food, culture, wine, farming, restaurants, literature, and the lives and cultures of the people who grow, produce, and create the food we eat.

With a four-star cast of contributors, the long-time public TV and radio host brings Christopher Kimball’s Milk Street Radio to West Virginia Public Broadcasting beginning January 1, 2017. The program will air Sundays at 3pm.

Former West Virginian Bridget Lancaster and other ATK personalities will join Lynne Rossetto Kasper to share practical, hands-on culinary expertise on The Splendid Table, which airs Sundays at 2pm.

On Monday nights, due to its unfortunate mid-season cessation of production and distribution, another program change has occurred with World of Opera.

Director of Programming Kristi George explained, “After we got over the surprise, we learned that the source of live opera performances, the European Broadcasting Union, was no longer able to provide them.”

George added, “We were assured that numerous options for continuing the program were explored, but none had been fruitful.”

WVPB will air holiday specials with the Pittsburgh Symphony Orchestra to round out the remaining Mondays in December. Then beginning in January, the BBC World Service will air from 9pm throughout the night.

Be sure to check out our other holiday specials too.

As we move forward, we are heartened by other opportunities for opera fans and invite you to join West Virginia Public Broadcasting in supporting them.

A variety of music options – including opera and classical music – is available to our television audience. Among these are Great Performances and Live from Lincoln Center. Program schedules for the West Virginia Public Broadcasting Television Network and the WV Channel can be found here.

Live statewide events for the Met are being held through May. The Met’s 11th season of Live in HD is transmitted live in high-definition cinema simulcasts at three area locations: Huntington Mall – Barboursville, Nitro Stadium 12, and Morgantown Stadium 12. The 2016-2017 schedule includes the following:

  • January 7, 2017 – NABUCCO (Verdi) — Live in HD start time: 12:55 p.m. ET (Encore: January 11 at 6:30 p.m. local time) Approx. runtime: 3:04
  • January 21 – ROMÉO ET JULIETTE (Gounod) – New Production — Live in HD start time: 12:55 p.m. ET (Encore: January 25 at 6:30 p.m. local time) Approx. runtime: 3:29
  • February 25 – RUSALKA (Dvořák) – New Production — Live in HD start time: 12:55 p.m. ET (Encore: March 1 at 6:30 p.m. local time) Approx. runtime: 4:05
  • March 11 – LA TRAVIATA (Verdi) — Live in HD start time: 12:55 p.m. ET (Encore: March 15 at 6:30 p.m. local time) Approx. runtime: 2:54
  • March 25 – IDOMENEO (Mozart) — Live in HD start time: 12:55 p.m. ET (Encore: March 29 at 6:30 p.m. local time) Approx. runtime: 4:18
  • April 22 – EUGENE ONEGIN (Tchaikovsky) — Live in HD start time: 12:55 p.m. ET (Encore: April 26 at 6:30 p.m. local time) Approx. runtime: 3:57
  • May 13 – DER ROSENKAVALIER (R. Strauss) – New Production — Live in HD start time: 12:30 p.m. ET (Encore: May 17 at 6:30 p.m. local time) Approx. runtime: 4:47

Marilyn DiVita, Director of Development and Marketing, states, “Between the quality of the Met’s award-winning HD broadcasts at local cinemas and the playbills provided by the Friends of West Virginia Public Broadcasting at each event, it’s almost like being at the Met in New York City. 
“Thanks to the volunteer efforts of the Friends, we are pleased to again offer a limited number of complimentary movie theater passes to the Met event.”

For more information about the operas, including casts, synopses, and videos, visit The Met.

For more details on these changes, please see our FAQs.

BBC Story on Roadkill Cookoff is Lazy, Classist Clickbait

On October 3rd, BBC News published an article with this headline: “Among the forested hills of West Virginia, residents of a small town have taken to cooking roadkill to revive their flagging economy.”

The lead photograph was of an older gentleman missing several teeth.

The article was meant to document the RoadkillCookoff, an annual festival held in Marlinton, the county seat of Pocahontas, where chefs both local and not compete for a culinary crown while county residents and tourists alike converge for the day. The Cookoff is a play on outsider stereotypes of West Virginia and is undertaken with full awareness of this, but the BBC missed the irony.

Credit BBC
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This unidentified man was part of the original BBC story on the Cookoff. The photo appears to have been removed from the story.

When I wrote to the photographer Charlie Northcott and directly to the BBC editorial staff to complain about these misrepresentations, they responded with justifications: “I hope the exposure will help…more eyes should translate to more visitors” and quibbles: “Overall we do not believe the report paints an inaccurate picture.”

Dear BBC: I disagree.

This article was indeed a rare opportunity for West Virginia culture to be featured in an international publication, but it was a wasted one. This is the bind West Virginians often find themselves in as the subjects of journalism written by outsiders, “parachuting” in for a day and then rolling out – forced to choose between existing at all and existing truthfully.

It may be that this article and its photographs are not technically factually false, but the picture painted here sure as hell isn’t true.

Credit Charlie Northcott / BBC
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BBC
Square dance in Marlinton included in the BBC photo essay

At this year’s Cookoff, when the sun went down, there was a square dance in the Opera House, a historic light-filled concert venue that hosts both Jim James of My Morning Jacket and the Pocahontas County High School Prom. A photo of this square dance taken by the DC-based Northcott was included in the BBC piece.

But next to this lovely photograph, the editors chose to place a statistic about West Virginia’s unemployment rate.

Another Northcott photo shows a run-down white clapboard house covered in ivy, with statements about the poverty rate in West Virginia and I can’t help but wonder how long Northcott had to circle around town before he settled upon a house that looked suitably poor, for the norm on the gridded and numbered avenues of Marlinton that immediately surround the festival is well-kept two story colonials painted pastel blue and yellow.

Credit Charlie Northcott / BBC
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BBC
In the BBC story, Curt Kershner of the West Virginia Citizens Defense League says, “CNN is known as the Communist News Network in these parts.”

Yet another photograph shows a member of the Citizen’s Defense League holding a machine gun along with a quote from the fellow saying “CNN is known as the Communist News Network in these parts.” With a quick Facebook post, I learned that the man is not even from Pocahontas County. (“Not being local does not preclude the CDL member from having knowledge about the area,” argued the BBC staff.)

“I was just baffled,” commented my friend, local Pam Pritt, the longtime editor of weekly The Pocahontas Times. “I wondered if the reporter was at the same festival I attended.”

Pocahontas County is the birthplace of literature Nobel Prize winner Pearl S. Buck, and hosts Allegheny Echoes, a local annual Bluegrass and Old-Time music institute to which people from all over the world travel to study under local teachers, one of whom now performs with Old Crow Medicine Show.

This is exactly the kind of classist, lazy journalism that plagues national and international coverage about West Virginia…

In the mid 1970s, it was home to more than 200 Back to the Landers, and it was twice the host of the annual gathering of the Rainbow Family of Living Light. The county holds within its borders the Gesundheit! Institute, a hospital combining traditional and alternative medicines founded by Patch Adams, and the artist colony Zendik Farm.

The county also has a thriving farmer’s market, where people can purchase fresh vegetables with food stamps. In the 1980s and 1990s it was also the headquarters of the National Alliance, the white supremacist group headed by William Pierce.

Pocahontas County is spectacular. Pocahontas County is isolated. Pocahontas County is conservative. Pocahontas County is radical. Pocahontas County is historically democratic, and a politically mixed place. West Virginia went Democratic in every presidential election from 1932-1996 except three and is also home to many anti-racist folks that support choice.

But none of that context is included in this BBC article. This writer chooses to highlight the county’s poverty rate and present it as a Trump-loving monolith.

“I had the same reaction,” wrote my friend Andrea Larason, who grew up in the county. “I just kept thinking they were making so many assumptions.”

“Thank you,” wrote Amanda Unroe, who also grew up there. “My excitement for the coverage quickly turned to anger.”

I lived in Pocahontas County about two years, first serving as an AmeriCorps VISTA and then simply as a transplant, though I still go back about a month out of every year. As a former resident of Pocahontas County and as a journalist, this article disgusts and offends me. As an outsider journalist working on a book about Pocahontas County, I am constantly checking myself, asking myself: is this true? How do I know? I will fail, I will make mistakes.

Representation is fraught. But throwing up one’s hands, using images and stereotypes as clickbait and quibbling about the facts is a cop-out. This is exactly the kind of classist, lazy journalism that plagues national and international coverage about West Virginia.

I’m tired of it. It is simply not good enough.

WVPB Radio Announces Program Changes

West Virginia Public Broadcasting is committed to serving the greatest number of listeners possible, across our state and beyond. With this in mind, we are delighted to announce a few additions to our radio programming line-up effective July 1, 2016:

  • The BBC World Service will replace the Classical 24 and Jazz After Hours overnight services.
  • Local Classical Music will increase, with hosts Matt Jackfert and Frank Stowers from noon to 2 p.m. weekdays.
  • The Takeaway (a mid-day news magazine hosted by John Hockenberry) will air at 2 p.m. Monday through Friday.
  • Across the Blue Ridge (a regional music program hosted by former NPR reporter, Paul Brown) will air at 9 p.m. Sundays.

To see the complete radio schedule, click here: http://wvpublic.org/schedules

Paul Brown, host of Across the Blue Ridge

In addition to providing the highest quality programming available, these changes will enable us to save money in light of the recent state budget cuts. The result is increased efficiency across our entire agency.

Additionally, we find ourselves relying more and more on listener support, for which we remain ever so grateful. Neither of these is mutually exclusive. In fact, they work in tandem as we seek to be tremendous stewards with what we’ve been entrusted. 

So from all of us here, THANK YOU, for the opportunity to serve you to the best of our ability.

Additional questions and answers are posted in our FAQs.

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