Pumpkin House Lights Kenova Night Sky 

Griffith said the most beautiful thing to him about the pumpkin house is all the volunteer hours that go into making it happen. He said the finished result is a symbol for the greatest thing about his home state — the people.

The quiet streets of Kenova, Wayne County will be flooded with thousands of visitors this week to see the Kenova Pumpkin House. 

Credit: Briana Heaney/ West Virginia Public Broadcasting

Almost all of the more than 3,000 pumpkins start at Jason Ekers’ farm. He began farming after quitting his public service job of 20 years to follow his dream of being a subsistence farmer. After having success producing and selling sweet corn, Ekers’ long time friend, and Kenova Pumpkin House owner, Ric Griffith asked him if he would grow him some pumpkins. 

“So we started growing, and we grew 500 pumpkins one year. Then we grew 1,000. Next thing you know, we’re at 1,500. And now we’re at 3,000,” Ekers said. 

Jason Ekers and his wife Tab Ekers run the farm that grew all the pumpkins.

Credit: Briana Heaney/West Virginia Public Broadcasting

Along with his farming, Ekers is the district supervisor of the Guyan Conservation District in southern West Virginia. The district advocates and oversees sustainable farming practices in the six-county region. 

Ekers said growing pumpkins is complicated and labor intensive. They require special chemicals every six days during the summer and can easily rot. 

“The first couple years I struggled because pumpkins are a little bit different than anything else. There’s so many diseases and so many things that you have to fight,” Ekers said. “So you have to spend a lot of money to be able to raise them.”

Photos by Briana Heaney/West Virginia Public Broadcasting

Once the pumpkins are ready, they are harvested and brought to Griffith’s house starting in early October. Over the course of the month, Griffith will start sketching cut-out-patterns on the pumpkins. He freehands some of his designs, or chooses a design from one of the 18 binders he keeps in one of his sheds that are solely dedicated to the event.

“My wife has a doctorate in psychology, so it’s kinda hard to dispute her diagnosis that I have obsessive compulsive disorder,” Griffith said. 

Griffith looks through his binder for a dancing cat stencil for his cat choir.

Credit: Briana Heaney/West Virginia Public Broadcasting.

Exactly one week out from the festival, Griffith starts to open the pumpkins up for carving. In one week, he and all the volunteers will carve the 3,000 pumpkins. He said he can’t carve any earlier because the pumpkins would go bad by Halloween. He takes them down the day after Halloween, Nov. 1. 

“Every year people will call me or come by and beg me to leave the display up a couple of days more,” Griffith said. “I tell them, ‘this is the fruit fly capital of the world at the end of this thing.’ It gets rather nasty, so we have to take them down.”

The first step to putting on the massive pumpkin display is cutting the bottom out of the 3,000 pumpkins, gutting them and cleaning them. This is done two ways: The first way is with the help of hundreds of volunteer children and the handleless spoons Griffith makes for them. 

Part of the prep for this event is tool design. Griffith said early in the fall he makes these by cutting the handles off of spoons.

Credit: Briana Heaney/West Virginia Public Broadcasting

“The neatest thing about this is the volunteers. We had a school here earlier from Lawrence County, Kentucky’s National Beta Club, and those kids did probably 200 pumpkins at least,” Griffith said. 

The second method is with the Marthanator — a contraption made by celebrity home-maker Martha Stewart for Griffiths pumpkin house. The Marthanator is a giant sturdy metal whisk, with an extra long arm that attaches to a drill bit. 

“It doesn’t take but a few minutes to do it this way, it does a really good job, but it does such a good job you have to be careful because it will eat up your pumpkin,” Ekers said. 

Martha Stewart invited Griffith onto her show, however he could not go because it was to close to Halloween when he is the busiest time for the Kenova Pumpkin House.

Credit: Briana Heaney/West Virginia Public Broadcasting

Once the pumpkins are cleaned out, they are soaked in a bleach bath for a couple of hours. 

“Those small little bits of pumpkin will mold and rot and literally infect the pumpkin from within and without. So we have a little vat here of water that we add bleach to, which we hope retards some of the mold growth,” Griffith said. 

Heat speeds up the decay of the pumpkins. And with the last seven years being the hottest years on record, this means the pumpkins have a higher chance of decaying. 

“So [the bleach bath] may buy us a day or two. Because these are real pumpkins. And global warming is not our friend. So if it’s too warm, they will rot very quickly,” Griffith said. 

These pumpkins soak in a water, bleach mixture to keep them from molding.

Credit: Briana Heaney/West Virginia Public Broadcasting

After the pumpkins are done with their bleach bath, they are sent either to the amateur shed or the artist shed. 

In the amateur shed, individuals and volunteer groups use jigsaws to carve out basic designs in the pumpkins. Marshall University’s Pi Mu Epsilon math club is one of the volunteer groups that comes every year to help carve pumpkins. They help carve the pumpkins for the math or history quiz they put on each year. Bonita Lawrence, professor emeritus at Marshall University, started bringing the club to the Kenova Pumpkin House. 

“One day Rick Griffith said how about we have a math puzzle, and I said let’s do it,” Lawrence said.  

Bonita Lawerence (left), professor of mathematics emeritus, and Stephen Deterding, math professor, at Marshall University bring their students here every year.

Credit: Briana Heaney/ West Virginia Public Broadcasting

In the artist shed, there are tables with tools carefully laid out, as each carver works in silence, occasionally mummering to each other. Standing lights shine on the pumpkins placed carefully on pedestals.

The carvers peer through magnifying glasses to carve intricate details. 

Tab Ekers (left) works on her pumpkin with other artists all day. She said at the end of each day her hands are very sore.

Credit: Briana Heaney/West Virginia Public Broadcasting

All the pumpkins have numbers and letters on top that correspond to both the person who carved them and where they will go in Griffith’s master plan. It’s a numbers game putting on an event like this. Binders full of spreadsheets, switchboards labeled in code, hundreds of tagged extension cords keep track of the status and placement of each pumpkin. 

The carved pumpkins will either line the house, go on the roof, be a part of the cat choir, be a part of a historical quiz, or be a part of a rock band that plays “Country Roads.” 

https://wvpublic.org/wp-content/uploads/2023/10/1026_KenovaPumpkinHouseVID_EricDouglas.mp4
Pumpkin board with cat choir and drum band play band songs.

Credit: Briana Heaney/West Virginia Public Broadcasting

The pumpkins are lit with bulbs connected by nearly a mile of lighting and extension cords. 

It takes a dedicated team of volunteers to piece all this together. Herbie Blake is one of the volunteers who comes and helps every year. He works all day helping wire the shows and carve the pumpkins. 

“I love working with Fox and Ric, it’s a lot of fun doing this,” Blake said. 

Herbie Blake helps out every year and does a little bit of everything.

Credit: Briana Heaney/West Virginia Public Broadcasting

When it all comes together, the large house glows a bright orange. From a distance, it looks like a Lite Brite design with only orange and yellow pegs. Close up, it’s thousands of little pieces of art, ranging from an intricate design of David Letterman to the classic Jack O’Lantern. 

“Never know what you’re going to expect and when the display is finished, it looks beautiful. Like a dream come true. Spooky and dark and beautiful,” Blake said. 

Credit: Eric Douglas/West Virginia Public Broadcasting

Griffith said the most beautiful thing to him about the pumpkin house is all the volunteer hours that go into making it happen. He said the finished result is a symbol for the greatest thing about his home state — the people. 

 “As a people, we have to overcome those things. And we have to do it with love and hard work and cooperation. We have wonderful people. So I look at this silly celebration every year as something that’s sort of a symbol to me that our people come together,” Griffith said. “It is really an Appalachian thing. People see a need, and they jump in and help us and that’s wonderful.” 

These two friends come to the pumpkin house every year a few days after school to carve pumpkins.

Credit: Briana Heaney/West Virginia Public Broadcasting

The Kenova Pumpkin House opens for viewing on Friday and runs until Halloween night. Admission is free. It is located in Kenova, nine miles west of Huntington.

Griffith recommends that visitors come early, because there is only off-street parking for the event this year. 

Kenova Pumpkins And Diminished Trust In Media On This West Virginia Morning

On this West Virginia Morning, thousands of visitors from all over the region visit the small town of Kenova each year to see more than 3,000 pumpkins aglow for the Halloween weekend. Briana Heaney has the story.

On this West Virginia Morning, thousands of visitors from all over the region visit the small town of Kenova each year to see more than 3,000 pumpkins aglow for the Halloween weekend. Briana Heaney has the story.

Also, in this show, we are struggling with trust in America. Some people distrust our institutions and each other. Recently, Us & Them host Trey Kay partnered with West Virginia University (WVU) for a conversation on diminished trust in the media. His guests were Raney Aronson-Rath editor in chief of the PBS investigative journalism series Frontline – and June Cross, professor of journalism from Columbia University. We listen to an excerpt from that conversation.

West Virginia Morning is a production of West Virginia Public Broadcasting which is solely responsible for its content.

Support for our news bureaus comes from Shepherd University.

Caroline MacGregor produced this episode.

Listen to West Virginia Morning weekdays at 7:43 a.m. on WVPB Radio or subscribe to the podcast and never miss an episode. #WVMorning

Making Use Of Jack-O'-Lanterns After Halloween

The end of spooky season comes with the temptation to throw away your jack-o’-lanterns without a second thought. But there are alternatives to find a use for your pumpkins after Halloween.

The end of spooky season comes with the temptation to throw away your jack-o’-lanterns without a second thought. But there are alternatives to find a use for your pumpkins after Halloween.

An easy way to reuse pumpkins is to split them into chunks and add them to compost. That way, they help fertilize the soil in gardens and local forests, or become treats for local wildlife like deer during wintertime.

“When the snow starts flying, those pumpkins are frosted up a good bit and the sugars have kind of broken down, it seems like the deer really enjoy them,” WVU Extension agriculture and natural resources agent Josh Peplowski said. “So it does add to the wildlife viewing in the backyard.”

Though the use of chemicals like bleach to keep pumpkins from decaying can be a concern, Peplowski says most household brands like Clorox are diluted, with the compound continuing to degrade in sunlight.

“Obviously if you were to drink that bleach straight, it would be toxic to wildlife and humans, but that’s not what we’re using those pumpkins for,” Peplowski said. “So don’t be concerned that just because you treated it with bleach, that you have to be concerned about feeding into the wildlife. It’ll be perfectly fine as long as you did it correctly.”

Other alternatives include feeding the fruits to pets, donating them to a farm, zoo or shelter as animal feed or even cutting off the top of the pumpkin and suspending the base from a tree branch to make a bird feeder.

“Certainly anyone can reuse the pumpkin seeds, clean them up, and roasting or baking them makes a handy snack,” WVU associate professor of plant pathology Jim Kotcon said. “The pumpkin flesh itself can be used as either wildlife food, or in some cases pets will enjoy those.”

Kotcon said these alternatives help give back to nature and promote sustainability instead of adding to overfilled landfills.

“Putting any kind of food waste or yard waste into a landfill does create some potentially harmful residues as those products break down,” said Kotcon. “And so finding a safe and environmentally sustainable alternative always makes sense.”

Watching out for paint, light bulbs or other harmful materials before feeding pumpkins to animals is also essential.

“You probably want to scrape those pumpkins off before you add them into the compost pile, or also before you add it out there for the wildlife feed,” Peplowski said. “A lot of those paints that people use are child safe and washable a lot of times so maybe just a good scrubbing will take those off.”

Dan Kehde: A Tale of Haunting

Dan Kehde, Charleston author and playwright, offers this excellent tale of a childhood haunting.

Every Halloween season, I out roll classic films such as Night of the Living Dead, The Fog, Halloween III: Season of the Witch and others.

The newest tradition is now the third annual collection of ghostly tales from my fellow West Virginians.

Dan Kehde
/
The Contemporary Youth Arts Company
Author, playwright and director of CYAC, Dan Kehde.

Dan Kehde, Charleston author and playwright, submits his third ghostly tale of his childhood haunting. His work is superb.

Note: this is the original submitted story. It is slightly longer than what aired in West Virginia Morning.

New Film Looks At 'Return of the Mothman'

Since his first sighting in November of 1966, West Virginia’s Mothman has become a pop culture figure recognized around the world and appearing in films, books and video games. Now the state’s best-known cryptid is back in a new movie, the locally produced “Return of the Mothman.”

Since his first sighting in November of 1966, West Virginia’s Mothman has become a pop culture figure recognized around the world and appearing in films, books and video games. Now the state’s best-known cryptid is back in a new movie, the locally produced “Return of the Mothman.”

Bill Lynch spoke with film director Herb Gardner about why people are still interested in the Mothman.

This interview has been lightly edited for clarity.

Lynch: The Mothman has been kind of like the local monster. I’d never heard of it until about college, actually. What is the enduring affection for the Mothman? Why do we still love the Mothman?

Gardner: I think, probably rest on Jungian thought on that one. Carl Jung would probably call him a universal archetype, that he kind of wellsprings from, whether he’s real or not.

Certainly, it’s something that our universal unconscious can relate to and I really think it’s that simple.

There’s so many of them [monsters] besides the Mothman. There’s the Flatwoods Monster, and then there’s Sasquatch, and the list goes on and on and on.

Lynch: West Virginia really likes its monsters. You were mentioning Sasquatch and the Flatwoods Monster. There’s over 20. They keep developing them. Why do we like monsters?

Gardner: I think with any culture, and especially West Virginia/Appalachian culture, there’s a rich history of folklore and storytelling. I think they just naturally arise. And again, going back to Carl Jung, it’s like, can we project our shadow self into the real world? And that’s a reflection of us, really.

Lynch: With the production of the film, did it go okay. Did you have any trouble?

Gardner: It took two years to make and we would have released it probably this last year, If COVID hadn’t just brought us to a grinding halt there for a while.

We had actually shot our first scenes when – and of course, we were following all the strict protocols– masks and nitrile gloves and taking people’s temperatures every hour.

We’d filmed a couple of scenes in-studio, and then we got a call from one of the primary actors. They say, hey, I just found out that, prior to filming, I was exposed to someone who has COVID.

And they were getting tested.

So, we’re just holding our breath for 48 hours. It came back negative, but we didn’t even have to discuss it. The risk was just too high for us. We didn’t want to put anybody at risk. So, we just put production on a back burner and concentrated on what we could, which was working on the Mothman costume, securing locations down the road and things that we could do, literally, from our offices.

Lynch: Herb, How did you get into filmmaking in the first place?

Gardner: My background from the late 80s and early 90s, I did educational films and commercials. I really didn’t find it rewarding. And I was like, if this is what’s available, I’m just not gonna do it.

So, I pursued a career as a detective and then as a mental health counselor. And a few years ago, a very good friend of mine, actually, my filmmaking partner Calvin Grimm, enlisted me as an actor for our first film, “River of Hope.”

And… that was the type of film-making that I wanted to do.

So, I went from being an actor in that, to first assistant director to helping co-write the screenplay, and I got hooked and haven’t looked back since.

As soon as that project was over, we were looking to do another film. And we wanted to do a Mothman story, and actually had three separate ideas for potential scripts. And then Calvin discovered Michael Knost’s novel, “Return of the Mothman.”

He shot it over to me and I read it. We both fell in love with the story and we decided that’s the avenue we were going to take.

We contacted Michael. He’d been approached by some larger networks – Sci Fi Channel and FX. He turned them down. He wanted the story to be told by West Virginians. So after a few meetings with Michael, we shook hands, and started working on the project.

Lynch: I imagine the difference between “River of Hope,” which is more of a historical drama, to your Mothman film, there’d be some differences like in costuming, special effects. What kind of challenges?

Gardner: The first film, which was set between 1850 and 1891, of course, costuming was a huge concern.

And then also we got horses. We had to hire horse wranglers, horse trainers to teach the actors how to ride,

In this film, because it is contemporary, costuming wasn’t an issue, but there’s special effects and we didn’t go the CGI route. The Mothman is a live actor. So, the costuming there was a huge challenge, instead of having to come up with period correct costumes for 50 people-plus.

It’s giving this believable costume for one actor –but the challenge was real and it was great.

Lynch: The film is called “Return the Mothman.” Herb, thank-you.

Gardner: Thank you so much.

Three Eclectic Ghostly Tales For Halloween

“There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy.” ~ Hamlet

The ghost story.

We’ve all heard them, but do we believe?

Skeptics, like myself, find ourselves on the side of incredulity when we hear the old chestnut about the lady in white (archetypal to countless stories) who goes or glows by candlelight and haunts in historical places. Years ago, the Elk Hotel in Sutton had such an ethereal guest.

Yet, like Fox Mulder of The X-Files, I want to believe.

Seeing a ghost is actually on my bucket list. Also on that list was seeing a UFO – now past-tense because in the late 90’s, in Charleston, I saw something one winter evening hovering silently in the sky – for which I have no logical explanation. That’s a tale for another time.

Earlier this year, I was visiting friends who have a summer home along the Elk River in Clay County. One clear night, under an immense spread of stars and planets, I heard myself asking:

“Have you ever seen a ghost?”

That question let me to ask for ghost tales from our West Virginia audience. Here are three of those tales for your enjoyment:

  • Dennis Hedrick, a friend of forty-five years, recounts the strange, inexplicable things had consistently happened while remodeling an office.
  • Courtney Buterbaugh shared this story, not of specter, but of a time slip.
  • Charleston playwright, Dan Kehde, submitted this tale of dark unrest.
WV Ghosts and Paranormal 10282020.mp3
Listen to three ghostly tales collected by Eclectopia host Jim Lange from his fellow West Virginians.

As for me, I believe, but await my own experience.

You can hear Eclectopia Fridays at 10 and Saturdays at 11 on WVPB.

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