Searching For The Pawpaw’s Indigenous Roots

It was early August, a fresh summer afternoon in Jackson County, Ohio at the Leo Petroglyph, which is a huge rock carved with images of animals and humans. The sounds of insects in the dense woods combined with the sounds of a nearby creek.

“These pawpaws are on the edge of the forest,” Chris Chmiel said as he motioned to a group of trees nearby. “There’s a clump of them about 15 or so feet away, you know, they grow in a patch.”

Chris Chmiel is the founder of the Ohio Pawpaw Festival and is showing me the numerous pawpaw trees in the area of the Leo Petroglyph. This sacred and historic site is the work of Indigenous Americans who visited this site over 1,000 years ago. What we were searching for isn’t made of stone, but like the petroglyph, it has survived here for thousands of years.

The pawpaw represents a cultural connection between displaced Native American tribes like the Shawnee and their ancestral lands in what we now call Appalachia. Removal robbed them of access to the food, but the pawpaw lingers as a ghost in their language and memory. Now, almost 200 years later, people are trying to bring it back in the flesh.

Chmiel is an expert in all things pawpaw running the festival for many years along with co-owning Integration Acres, the world’s largest processor of pawpaws. Over the years, he’s noticed something about where pawpaws grow.

“It just seems like every one of these ancient sites I hear about or talk about with someone, they mention there’s pawpaws everywhere” he said. “At places like Shawnee Lookout, the Serpent Mound, there’s pawpaws there.”

And they were at the Leo Petroglyph, too. All around us.

The mounds that Chmiel referred to are earthworks that functioned as graves and ceremonial sites for the Hopewell, Adena, and later the Fort Ancient people – a Native American cultural group that had flourished in the Ohio River Valley from about 1000 to 1600 AD. Some scholars believe the Fort Ancient people who made the Leo Petroglyph were ancestors of the Shawnee, who by the 17th century would call this part of the Ohio home.

“These are ancient native plants, they’re well adapted to our soils and the region,” Chmiel told me as we looked out at a patch of pawpaw trees on the trail leading to the creek and gorge. “I’d say these things have been here for a long time.”

We know that the pawpaw was an important resource for the Shawnee because it left an imprint on their culture even after the Shawnee were forcibly removed from this region by the U.S. government in the early 19th century.

Todd Jacops
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Chris Chmiel shows a pawpaw tree and its leaves at the Leo Petroglyph, a Fort Ancient culture site that is around 1,000 years old in Jackson County, Ohio

Joel Barnes is one of the major guardians of Shawnee culture and language in the present day. Barnes lives in Miami, Oklahoma, and is the language and archives director for the Shawnee Tribe and is a tribal member.

Barnes said that the Shawnee marked time by phases of the moon, they used the fruit to mark one of those phases.

“The word for pawpaw is ha’siminikiisfwa. That means pawpaw month. It’s the month of September,” Barnes said. “That literally means pawpaw moon. That moon would indicate that was the time the pawpaws were ripe and it was time to go pick them and probably also indicated, ‘Hey, we’re getting close to winter.'”

Barnes’ ancestors were forcibly moved from their Ohio Valley home in Appalachia by the Indian Removal Act of 1830. The Shawnee were sent first to Kansas, and then after the Civil War, they were pushed into Oklahoma.

For the Shawnee, the pawpaw is a direct tie to Appalachia and their uprooted past. Pawpaw’s are hard to find in Oklahoma because the state is at the edge of the tree’s climate zone.

“Some tribal members have planted them out in their yards, just to get them to grow,” Barnes said. “They’re not quite that abundant in this part of Oklahoma. Once you start moving east you start seeing more and more of them pawpaw trees.”

He does remember eating the fruit when he was growing up. It was rare, but it existed.

“We never did get really fancy with it,” he said. “We would just cut it open and peel it and eat it. It was pretty good, and I’ve ate some off and on throughout my life, but it’s been a while since I’ve had any.”

Brian Koscho
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A patch of pawpaw trees in Athens, Ohio.

Cut off from their ancestral homeland and the plants that grow there, the Shawnee have seen some of the pawpaw’s cultural relevance fade with time, according to Barnes.

“Some of these old folk, they all had them, they’ve all ate them,” Barnes said, but no ceremonies or dances connected to the pawpaw remain. “If there ever was, nobody knows.”

Somehow, through all that upheaval and across all those miles, the Shawnees’ connection to the pawpaw tree has endured. Even though the food is largely absent from their physical surroundings, traces of it persist in memory. And in the Shawnee language itself. Barnes closes our conversation by teaching me a Shawnee phrase that translates to “I’m hungry for pawpaws.”

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And some Indigenous people are working to strengthen their cultural connections with the pawpaw. Dr. Devon Mihesuah is a professor at the University of Kansas, a citizen of the Choctaw Nation, and also a Chickasaw descendent. She has devoted her life to recovering lost knowledge of indigenous foods.

“I have spent decades taking a look at travelers’ reports, people who observed back in the 1700s, coming through,” she said. “Nobody ever mentioned pawpaw. They just say this strange fruit. They didn’t know what to call it.”

She has not found any traditional pawpaw recipes among the Choctaw, who called the Mississippi Valley and Southern Appalachia home before they were forced West. She says there’s a reason for that. Like a banana, the pawpaw has a short window of ripeness. That meant it was probably consumed right on the spot–a convenient, fast food.

“They would just wait until the time to eat it because they don’t store well,” she said. “Maybe they dried it and it could be that they mixed with other things, which is what I like to do.”

Despite the difficulty of obtaining written records, Devon has her own special ways of preparing the pawpaw that extend its use. She mashes it, mixes it with berries, cooks it down into a flavorful sauce, and freezes it. Occasionally, she adds it to cornbread.

Brian Koscho
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Pawpaws for sale during a short window of availability in September at Kindred Market in Athens, Ohio.

Even though they had to forage to find pawpaws, Mihesuah’s Choctaw grandparents introduced her to the fruit when she was a child at their home in Muskogee, Oklahoma.

“They had a massive garden,” she said. “It was a model of my grandmother’s ancestors when they lived in Mississippi. They had all kinds of trees. But they didn’t have pawpaws. But they knew where they were.”

Just like Joel Barnes, Mihesuah has childhood memories of the pawpaw, even though it was scarce. Mihesuah reminisces about that first taste in her grandmother’s kitchen.

“It was delicious,” she said. “Just the most amazing flavor. It was sort of like a banana mango combo with a hint of a little strawberry.”

 

Mihesuah runs a popular Facebook group on indigenous foodways. There’s a lot of interest among American Indian people in getting reacquainted with the foods their ancestors ate, she said. But many of those traditional foods are disappearing or not available where Indigenous people live, like the pawpaw. She worries that it’s a food that some people “will never get a chance to taste.”

There are a few pawpaw trees in Kansas where she currently lives, but the fruit tends to be on private property and inaccessible.

“I just wish more people who had them on their property recognized and appreciated what they have,” Mihesuah said, “There’s a yard in Lawrence and you can just smell it because there’s hundreds of them laying there.”

Brian Koscho
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Ripe pawpaws on the forest ground in Athens, Ohio.

Three years ago, Mihesuah decided to try and grow pawpaws herself. She is propagating about 50 seeds in containers and eventually hopes to transplant them. She said it was a long process.

“I ate the fruit and then I packed the seeds away and I put them in the refrigerator,” she said. “They overwinter. I took them out at the end of February and planted them. They each had their own little container. And nothing happened for months and months. It wasn’t until the end of July that finally one sprouted.”

It will be years until they are ready to transplant, and even longer until they bear fruit. So why is she going to all this trouble? Mihesuah believes that not having access to where your ancestors lived, and the foods they ate, is a form of historical trauma that needs to be healed.

“It’s very important that people who are interested in learning their culture and being reconnected to their culture understand what it was that sustained their ancestors,” she said. “Food teaches us all of these different lessons that expand into every aspect of your life.”

By bringing these foods and their lessons back into circulation, Mihesuah hopes to address some of the losses her people have sustained.

In the hills of Appalachia, it’s easy to take the abundance of pawpaw for granted. But far away, on the plains of Oklahoma, it’s a piece of precious history for those who once called Appalachia home.

This story is part of the Inside Appalachia Folkways Reporting Project, a partnership with West Virginia Public Broadcasting’s Inside Appalachia and the Folklife Program of the West Virginia Humanities Council. The Folkways Reporting Project is made possible in part with support from Margaret A. Cargill Philanthropies to the West Virginia Public Broadcasting Foundation. Subscribe to the podcast to hear more stories of Appalachian folklife, arts, and culture.

Live Show News: Darrell Scott, Joan Shelley and More Updates

Mountain Stage is adding guest artists to their array of live shows already on the calendar.

There are currently six shows on sale for audiences to be a part of our live Mountain Stage events. Browse the entire schedule for details on each show, and let us know you’re coming on Facebook. Be sure you’re signed up for our e-mail newsletter, and better yet make sure you sign up for Mountain Stage Membership, as we have three live shows coming for the month of June in our hometown of Charleston, WV- including some exciting plans during FestivALL Charleston.

But first….

Darrell Scott, bonafide troubadour and musical beacon, has been added to the bill on March 15 when Kathy Mattea returns to guest host with a talent-packed lineup that already includes J2B2 (featuring John Jorgenson on acoustic guitar, mandolin and vocals; Herb Pedersen on banjo, acoustic guitar and vocals; Mark Fain on bass; and Patrick Sauber), Ireland’s Karan Casey, Western North Carolina’s rustic blues maestro Malcolm Holcombe, and critically acclaimed artist, producer and musician Jonathan Wilson.

Scott just memorialized the anniversary of the passing of Hank Williams on New Years day by releasing the first single from his upcoming album Darrell Scott Sings the Blues of Hank Williams. You can hear “My Sweet Love Ain’t Around” below and click here for tickets to see him live on March 15.

Credit Amber Estes Thieneman
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Joan Shelley will join the line-up Sunday April 26 in Athens, OH.

Our April 26 show at Ohio University has generated a lot of interest already with the buzz surrounding the 4 Grammy nominations for UK country-soul sensation Yola, who leads a bill with guest host Kathy Mattea that already includes Kim Richey and Carsie Blanton. Recognition keeps building for Yola, who was recently awarded both UK Album and UK Artist of the Year at the AmericanaFest UK.

Fitting nicely among those artists on April 26 will be revered folk singer and songwriter Joan Shelley. She appeared recently on the popular WTF podcast with Marc Maron, and last year released Like the River Loves the Sea. The hauntingly beautiful collection was recorded in Reykjavik, Iceland with James Elkington co-producing.

Tickets for April 26 are available via Ohio University Performing Arts, who are presenting Mountain Stage in partnership with our affiliate station WOUB Public Media.

Joan Shelley – The Fading

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We’ve completed the line-ups for our upcoming February shows, including one that is already sold out. On February 16, guest host Kathy Mattea will welcome Dom Flemons, former member of the popular string-band Carolina Chocolate Drops, with songs from his 2018 release titled Dom Flemons Presents Black Cowboys. The album garnered a GRAMMY Nomination for “Best Folk Album” at the 61st GRAMMY Awards and peaked at #5 on the Billboard Bluegrass Charts, receiving multiple year-end album recognitions. Flemons was also nominated for “2018 Artist of The Year” at the International Folk Music Awards. He recently announced a deluxe re-issue of his 2014 album Prospect Hill, via Rolling Stone Country.

Tickets for February 16 have already sold out, thanks to a powerful lineup that also features The SteelDrivers, Russell Moore & IIIrd Tyme Out, soulful folk artist Christopher Paul Stelling, and roots duo The Small Glories.

Emily Scott Robinson appears for the first time on Mountain Stage Feb. 23 in Charleston, WV.

There are still a limited number of tickets available for Sunday, February 23 when Larry Groce returns to welcome beloved “amplified string band with drums” Railroad Earth, ukulele phenom Jake Shimabukuro, singer songwriter and podcaster Joe Pug, and Red House recording artists The Mastersons. We’ve finalized the line-up with the addition of road-tested singer and songwriter Emily Scott Robinson. Robinson’s debut Traveling Mercies was named one of Rolling Stone’s 40 Best Country & Americana Albums of 2019.

Emily Scott Robinson – Overalls
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Next up are THREE new events coming for the month of June, with news hitting Mountain Stage Member inboxes this Friday, February 7 around 10 a.m. Sign-up for membership here to enjoy presale access to all our Culture Center Shows before they’re available to anyone else.

Live Show News: Yola and Pokey LaFarge Added to Mountain Stage Lineups

Mountain Stage is adding two new shows to an already extensive live event schedule. Be sure to sign up for our e-mail newsletter for updates and follow along on social media for more artist announcements.

Credit Larry Niehues
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Pokey LaFarge will make his fourth appearance on Mountain Stage Sunday May 10 in Charleston, W.Va.

On Sunday May 10 Mountain Stage host and co-founder Larry Groce will welcome back the incomparable Pokey LaFarge, who will make his fourth appearance on the show.

Tickets are on sale now to Mountain Stage Members for only $15. Members make a recurring gift of $10/month or $120 annually and receive presale access and frequent discounts to our Culture Center shows. General Admission tickets will be $20 in Advance, available online and at Taylor Books in downtown Charleston on Friday, January 24 at 10a.m. EST.

LaFarge will join us shortly after wrapping up some tour dates through Mainland Europe. His latest release, Rock Bottom Rhapsody, is scheduled for release on April 10th, 2020 via New West Records.

Mountain Stage Members should check their e-mail inbox for instructions to redeem their discount.

Click here to browse membership levels and sign up to become a Mountain Stage Member.

Credit Alysse Gafkjen
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As previously announced, Mountain Stage returns to the campus of Ohio University in Athens, Ohio on Sunday April 26 at the Templeton-Blackburn Alumni Memorial Auditorium as guests of OU Events and our affiliate WOUB Public Media.

This will be our first show in Athens with guest host Kathy Mattea, and we’re proud to announce our special guests will include British country-soul sensation Yola, songwriter extraordinaire Kim Richey, and the outspoken troubadour Carsie Blanton. Tickets are already on sale via OU Events. Find more venue and ticket info here.

2020 has already been quite a year for Yola, who appeared last night on the Tonight Show with Jimmy Fallon. Her Dan Auerbach–produced album, Walk Through Fire, earned her four Grammy nominations, including Best Americana Album and Best New Artist.

Watch the Fallon performance below and check out Walk Through the Fire via Auerbach’s Easy Eye Sound.

A longtime favorite of Mountain Stage, singer and songwriter Kim Richey returns to the show on April 26, celebrating the 20th anniversary of her landmark album “Glimmer,” with a new release, A Long Way Back: The Songs of Glimmer, due March 27 on YepRoc Records. Richey recorded all 14 songs from the original release with two-time Grammy-nominated producer Doug Lancio in Nashville. The first single, “Come Around,” is available now.
Richey just appeared at the Ryman Auditorium on the first night of Brandi Carlile’s recent resedency there, and she’ll embark on a nationwide tour celebrating the Glimmer anniversary, performing the whole album and some old favorites.

Socially conscious songwriter Carsie Blanton will appear for the third time on April 26. According to her website, Blanton is “inspired by artists including Nina Simone and Randy Newman, her songs encompass a wide range of genres, from sultry pop to punk-tinged Americana. Whether alone with her electric guitar or fronting her four-piece “handsome band,” Carsie delivers every song with an equal dose of moxie and mischief.” Her latest, Buck Up, was released in February of last year.

“American Kid”- Carsie Blanton

Tickets for the April 26 Athens show are on sale now, and May 10 is on sale now to Mountain Stage Members.
Tickets will be available for May 10 at Taylor Books and online starting Friday, January 24 at 10a.m. EST.

Be sure to follow Mountain Stage on Facebook, Twitter and Instagram for all the latest updates. You can also sign-up for our e-mail newsletter.

 

Live Show News: The Devil Makes Three, Si Kahn, Over the Rhine and More Coming to Mountain Stage

Mountain Stage looks towards Spring as we finalize our upcoming shows in April and May. Browse our entire live-show schedule for details and more links, and be sure to purchase early before the show sells out, like our  April 14 event with Matt Nathanson, Stephen Kellogg, Carbon Leaf and others.

On Sunday, April 7 Mountain Stage returns to Athens, OH on the campus of Ohio University thanks to our hosts at OU Performing Arts. We’ve completed the line-up with the addition of two Ohio-based artists, Over the Rhine and Adam Remnant, who join The Lone Bellow, Scott Mulvahill and Anna Tivel when we record at Memorial Auditorium. 

Over the Rhine have been coming to Mountain Stage since 1993, and will return this time with songs from their newly released project titled Love & Revelation. The 11-songs on Love & Revelation were recorded in Culver City, CA and showcase the pair’s timeless songcraft and understated yet soulful delivery.

Ohio’s Adam Remnant will appear on Mountain Stage April 7 in Athens.

Adam Remnant, a founding member and principal songwriter in the alt-roots group Southeast Engine, has struck out on his own with a solo album, Sourwood, recorded in his home studio of Athens, Ohio.

All seats in Athens are reserved and tickets to the show can be found here.

Keep scrolling for more news.

https://www.youtube.com/watch?v=lZocFYnqCxE

Si Kahn is preparing to celebrate his 75th Birthday and Mountain Stage will welcome him on April 28 in Morgantown, W.Va.

On April 28 Mountain Stage returns to the Lyle B. Clay Concert Theatre in Morgantown’s Creative Arts Center with our partners at WVU Arts & Entertainment. Just added to the line-up is folk musician, activist and composer Si Kahn, who will be performing on the show in celebration of his 75th birthday, along with European bluegrass group The Looping Brothers. Their latest collaboration will be released in March, a follow-up to their 2013 release Aragon Mill: The Bluegrass Sessions. In 2017, Kahn was acknowledged by the International Folk Alliance with their “Spirit of Folk Award.”

Also joining the April 28 bill in Morgantown will be Nashville-based songwriter and singer Sean McConnell, whose new album, Secondhand Smoke, was released last month. McConnell has a long career at a relatively young age, since the 34-year-old started releasing his own music at age 15. Sean earned his first no. 1 single on country charts as a co-writer in early 2018 with breakout artist Brett Young’s delivery of “Mercy.” The video for his song “Here We Go” was recently featured in NPR Music and World Café’s monthly web feature “Heavy Rotation.”

Tickets for April 28 in Morgantown are reserved seating, available online or by calling 304.293.SHOW.

More news below the next video.

The Devil Makes Three return to Mountain Stage in Charleston, WV Sunday, May 12.

The Devil Makes Three’s new release, Chains Are Broken, was recorded at Sonic Ranch Studios in El Paso, TX with producer Ted Hutt (Gaslight Anthem, Dropkick Murphys). It’s the band’s sixth full-length record and first since 2013, and May 12 will mark the band’s second appearance on Mountain Stage.

The Devil Makes Three join the line-up on Sunday, May 12 along with The David Bromberg Quintet, one-man-psych-rock band The Suitcase Junket, folk-music icon Eliza Gilkyson and Ireland’s Jarlath Henderson. Tickets are available now online and at Taylor Books in downtown Charleston.

The Lone Bellow Rescheduled for Mountain Stage on April 7 – Athens, OH

Mountain Stage with Larry Groce will return to the campus of Ohio University on Sunday April 7, 2019 as  guests of OU Performing Arts in partnership with our affiliate station WOUB.

Performing at the Templeton-Blackburn Alumni Memorial Auditorium April 7 with be The Lone Bellow, who asked to reschedule their appearance from November 11 due to a family matter. More guests will be announced soon.

Mountain Stage is working with Ticketfly to issue refunds for tickets purchased online to the November 11 show. Each request has to be approved individually so we appreciate your patience as we work through the refund process. If you haven’t already, please reach out to Ticketfly customer service via e-mail or by phone at 877.987.6487 to start the process.

If you purchased your tickets at Taylor Books please send an e-mail  to redeem for a future show.

More information on the show can be found here, and full ticketing details are available on our Live Show Schedule.

Mountain Stage with Larry Groce
Sunday April 7, 2019 – 7pm
Templeton-Blackburn Alumni Memorial Auditorium
Ohio University
47 E Union St, Athens, OH 45701

All Seats Reserved
Advance Tickets:
Student: $12
Senior: $18
General: $20

On Sale Now
Available online and by phone: 740-593-1780
Featuring: The Lone Bellow and more TBA

Listen: Kenny Wayne Shepherd Band on Mountain Stage

In a 20-year recording career that began when he was just 16, Louisiana born guitarist and songwriter Kenny Wayne Shepherd has become one of the most recognizable players in all  of rock music. The Kenny Wayne Shepherd Band appears on this week’s Mountain Stage with songs from their latest release “Lay It On Down,” including “Diamonds & Gold,” heard here.

This episode was recorded in Athens, OH with our friends at Ohio University and WOUB Public Media. You’ll hear performances by Kenny Wayne Shepherd Band, Paula Cole, LADAMA, Matt the Electrician and Angela Perley & The Howlin’ Moons. Find a station in your area here.

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