Appalachian String Band Music Festival Story Archives - West Virginia Public Broadcasting

Us & Them: Larry Bellorín’s Unwritten Song

Larry Bellorín is a musician from Venezuela, who is seeking asylum in the U.S. He thought his musical career was in the past until he met Joe Troop, a GRAMMY-nominated musician and North Carolina native who introduced Larry to the folk music and traditions of Appalachia, which seemed quite similar to the joropo he played in Venezuela. Their duo, Larry & Joe, is the realization of a dream for both musicians. It’s also a reminder for Larry of what — and who — he had to leave behind.

Larry Bellorín began making his living as a musician and music teacher when he was a teenager in Venezuela. His career was interrupted abruptly in 2013 when Venezuela’s state-run economy crashed and socialist President Nicholas Maduro cracked down on opponents and folks like Larry, who refused to choose sides. He and his family fled to Raleigh, North Carolina and have added their names to a huge backlog of asylum applicants.

Larry worked construction and thought his musical career was behind him until he met Joe Troop, a GRAMMY-nominated musician and North Carolina native who introduced him to the folk music and traditions of Appalachia, which Larry found eerily similar to the joropo he played in Venezuela.

Their duo, Larry & Joe, is the realization of a dream for both musicians. It’s also a reminder for Larry of what – and who – he had to leave behind.

Us & Them host Trey Kay tells the story of Larry Bellorín’s musical beginnings, his “magical” kinship and duo with Joe Troop and the song he can’t yet bring himself to sing.

This episode of Us & Them is presented with support from the West Virginia Humanities Council and the CRC Foundation.

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Larry Bellorín is a musical prodigy who said he’s been making his living performing and teaching music since he was a 13-year-old kid.

Larry grew up in a little country town in the eastern state of Monagas, Venezuela. To make money, he’d head into the nearby city of Punta de Mata and shine shoes, singing while he worked.

“I was about ten or 11 years old, and I would go to where people were playing billiards. I’d go to the plaza where people already knew me,” Larry said. Larry speaks only Spanish and Joe Troop, who performs with Larry as Larry & Joe, translated with *Us & Them* host Trey Kay.

*Credit: Amy Eddings*

When Larry Bellorín and his family settled in Raleigh, North Carolina, he quickly found work in construction. It was hard on his body, especially his hands and Larry wondered whether he’d ever play music again.

Enter Joe Troop, who introduced Larry to Bluegrass.

“He didn’t even realize where he was in the United States. He thought that this music was played in the ‘Wild, Wild West,’” Troop explained to *Us & Them* host Trey Kay. “He imagined it was played in Texas because since he was in the United States, all he had done was lift cinder blocks and work, and work and work and work. He had never been off a construction site. And I was like, ‘I cannot wait to show him he’s in the heart of string band country! He’s a string musician!’ And then, I was just like, ‘I know this is gonna blow his mind.’”

*Credit: Billie Wheeler*

Larry Bellorín and Athaís Cipriani on their wedding day, Aug. 20, 2011.

*Credit: Gustavo Rattia*

Larry Bellorín says he never considered himself a political person. However, after the “revolution” of self-proclaimed socialist Hugo Chávez, Venezuelans quickly became divided into two camps: chavistas, supporters of Hugo Chávez, and escualidos, a word Chávez used to belittle his opponents. It means “scrawny.” Bellorín was neither, and it got him into trouble with local chavistas who wanted to know where he stood.

In this video clip, Bellorín explains how everything — even culture — became politicized under Chávez and his successor Nicholás Maduro.

Credit: Amy Eddings

Trace Carter is 27 years old and is a big fan of “Old-time” Appalachian music. She has been going to the Appalachian String Band Music Festival in Clifftop, West Virginia for most of her life. That’s because her dad, Will Carter, helped start the festival in 1990, several years before she was born.

“I’ve seen trumpets and saxophones and keyboards and cellos and electric guitars and steel guitars. I mean, just everything mixed in with ‘Old-time.’ Why not the maracas and the harp?” Trace Carter pondered this while reflecting on *Larry & Joe*‘s performance at the Clifftop Festival in the summer of 2022. “I mean, why haven’t we seen these before? And it was such a wonderful addition… Everyone was in awe of their music. No one wanted them to stop. If they had played all night long, I don’t think anyone would have left.”

*Credit: Mauro Ruiz*

To better understand the challenges that Larry Bellorín and his family face, *Us & Them* host Trey Kay reached out to immigration attorney Ruby Powers. Her law firm, Powers Law Group, is based in Houston and represents many asylum seekers.

*Credit: Ruby Lichte Powers*

*Us & Them* host Trey Kay saw Larry & Joe perform in January 2023 at the Public Library in Port Washington, New York.

*Credit: Trey Kay/West Virginia Public Broadcasting*

*Us & Them* host Trey Kay perched in the front row with a shotgun microphone at a *Larry & Joe* concert in January 2023 at the Public Library in Port Washington, New York.

*Credit: Amy Eddings*

Larry Bellorín says he has found the Appalachian folk music festivals to be incredibly welcoming — “Todo con todos” or “Everyone with everyone.” He says the experience isn’t so much about one’s musical prowess, but rather more about harmonizing with the community. Mostly, he says that he can feel the warmth of the people and that they invite him into their circle to play music without judging him as Hispanic.

However, in this video clip, Bellorín recalls a time when his immersion into Appalachia’s Bluegrass and Old-time scene wasn’t so easy or pleasant. The Venezuelan immigrant does stand out at festivals, which are overwhelmingly white. And there are traditionalists who aren’t as thrilled to hear Latin American instruments playing alongside fiddles and banjos.

Credit: Amy Eddings

*Larry & Joe*’s first album, “Nuevo South Train,” dropped in March 2023. They’re touring this year and have concert dates in California, New England and Arizona this summer.

Click here for a list of upcoming concert dates.

Click here to hear their single, “Nuevo South Train.”

*Credit: Tommy Coyote*

Editor’s note, June 8, 2023: The initial version of this story incorrectly stated the ages of Larry Bellorin and Joe Troop. That error has been corrected.

July 26, 1942: Camp Washington Carver Dedicated

Camp Washington-Carver was dedicated as West Virginia’s black 4-H camp on July 26, 1942. Named for Booker T. Washington and George Washington Carver, the camp is located at Clifftop in Fayette County.

It was the first 4-H camp for African-Americans in the country, and its Great Chestnut Lodge is the largest log structure in West Virginia and one of the largest in the nation.

The camp was built under two New Deal programs: the Works Progress Administration and the Civilian Conservation Corps. It originally included the lodge, a guest cottage, a water tank, a pond, two dormitories, a swimming pool, and a bathhouse.

During the years of racial segregation, Camp Washington-Carver sponsored summer 4-H camps, Boys and Girls State, Boy Scout and Girl Scout camps, mining and home economics camps, and church camps for African-Americans. It also served as an off-campus learning center for West Virginia State College (now University) until 1979.

Since 1979, Camp Washington-Carver was has been managed by the West Virginia Division of Culture and History, which hosts various reunions throughout the summer as well as the popular Appalachian String Band Music Festival.

Camp Washington Carver Dedicated: July 26, 1942

It was the first 4-H camp for African-Americans in the country, and its Great Chestnut Lodge is the largest log structure in West Virginia and one of the largest in the nation.

Appalachian String Band Festival Announces 2015 Winners

The 26th annual Appalachian String Band Festival at Camp Washington-Carver in Clifftop, Fayette County, wrapped up on Sunday. Twenty-one musicians, 12 bands and 11 dancers from California to Maryland took home a total of $7,450 in prize money. Ten of the winners were from West Virginia.

More than 4,000 musicians and dancers representing 44 states and 13 countries attended the West Virginia Division of Culture and History’s five-day event. Contests were held in four traditional categories – fiddle, banjo, string band and flat-foot dance – plus one neo-traditional string band category.

The contest winners were:

Youth Banjo

1st Place ($100) – Victor Furtado, Front Royal, Va.

2nd Place ($50) – Trevor Hammons, Marlinton, W.Va.

3rd Place ($25) – Joey Webb, Frankfort, Ky.

Banjo

1st Place ($400) – Victor Furtado, Front Royal, Va.

2nd Place ($200) – Seth Swingle, Earlysville, Va.

3rd Place ($150) – Brad Kolodner, Baltimore, Md.

4th Place ($100) – Hunter Walker, Beckley, W.Va.

5th Place ($50) – Jesse Pearson, Huntington, W.Va.

Senior Banjo

1st Place ($200) – Marvin Gaster, Sanford, N.C.

2nd Place ($100) – Arnie Naiman, Aurora, Ontario, Canada

3rd Place ($50) – Bertram Levy, Port Townsend, Wash.

Youth Fiddle

1st Place ($100) – Andrew Vogts, Chadds Ford, Pa.

2nd Place ($50) – Grayson Wickel, Asheville, N.C.

3rd Place ($25) – Stephanie Flowers, Montreal, Quebec, Canada

Fiddle

1st Place ($400) – Jake Krack, Marlinton, W.Va.

2nd Place ($200) – Andrew Fitzgibbon, Montrose, W.Va.

3rd Place ($150) – Erynn Marshall, Galax, Va.

4th Place ($100) – Grace Forrest, Big Sur, Calif.

5th Place ($50) – Henry Barnes, Columbus, Ohio

Senior Fiddle

1st Place ($200) – Rafaello Stefanini, Elkins Park, Pa.

2nd Place ($100) – John Longwell, Gandeeville, W.Va.

3rd Place ($50) – Joe Herrmann, Paw Paw, W.Va.

Youth Traditional Band

1st Place ($300) – The Onlies, Seattle, Wash.

Traditional Band

1st Place ($700) – Buffalo Gap, Swoope, Va.

2nd Place ($400) – Old Drake, Galax, Va.

3rd Place ($300) – Donkey Nation, Columbus, Ohio

4th Place ($200) – Uncle Henry’s Favorites, Crozet, Va.

5th Place ($100) – Bill Kimmons, St. Albans, W.Va.

Youth Neo-Traditional Band

1st Place ($300) – The Psycho Exploding Orangutans, Chadds Ford, Pa.

Neo-Traditional Band

1st Place ($700) – Roochie Toochie & the Ragtime Shepherd Kings, Nashville, Tenn.

2nd Place ($400) – The Rigs, Brooklyn, N.Y.

3rd Place ($300) – Himalayan Memo, Cincinnati, Ohio

4th Place ($200) – Cameron DeWhitt & the Confirmation, Philadelphia, Pa.

5th Place ($100) – Root 2 Music, Montvale, Va.

Old-Time Flat-foot Dance – 15 years of age and under

1st place ($75) – Victor Furtado, Front Royal, Va.

2nd Place ($50) – Luke Snuffer, Beckley, W.Va.

Old-Time Flat-foot Dance – 16 years of age through 40

1st Place ($75) – Gyasi Heus, Hinton, W.Va.

2nd Place ($50) – Kathryn Cohen, Brooklyn, N.Y.

3rd Place ($25) – Jenn Gooch, Pittsburgh, Pa.

Old-Time Flat-foot Dance – 41 years of age through 59

1st Place ($75) – Suzanne Ambrose, Kendal, Cumbria, UK

2nd Place ($50) – Thomas H. Reedy, Parkton, Md.

3rd Place ($25) – Gene Worlledge, Mt. Lookout, W.Va.

Old-Time Flat-foot Dance – 60 years of age and older

1st Place ($75) – Rosie Davis, Palmerstown, Dublin, Ireland

2nd Place ($50) – William McGuigan, Hellam, Pa.

3rd Place ($25) – Jane Henderson, Bloomington, Ind.

Grand Champion Old-Time Flat-foot Dance Winner ($100) Suzanne Ambrose, Kendal, Cumbria, UK.

Clifftop Fans – Check Out This Documentary

This weekend, hundreds of fans of old-time music braved rain and mud to jam with each other at the Appalachian String Band Music Festival — known better by its nickname, Clifftop.

Our own Bill Lynch wrote this story in the Sunday Gazette-Mail about Clifftop 2014. It talks about the informal, spontaneous nature of the event, where musicians wander from group to group, striking up jams along the way.

And you should watch this half-hour documentary that captures the energy of the event from producer John Nakashima, “Clifftop.” I especially love the footage of the all-night jam session at the end.