CATF to Be in New York City in October

The Contemporary American Theater Festival in Shepherdstown will, for the first time, take one of its world premieres to Off-Broadway in New York City.

In August, CATF finished up its 24th season, but that wasn’t quite the end. To its surprise, the festival was invited to transfer one of this season’s productions to New York City’s Off-Broadway venue, 59E59 Theaters. The play chosen was Uncanny Valley by Thomas Gibbons.

Uncanny Valley is set in the near future and portrays the relationship between Julian, an artificial intelligence being, and Claire, a neuroscientist tasked with teaching him how to become “human.”

This is the first time in the Festival’s 24 year history that it will move one of its Shepherdstown productions as-is to a new venue.

“It’s a really thrilling opportunity,” said Ed Herendeen, the founder and producing director of the Contemporary American Theater Festival, “You know we’ve had several of our plays produced in New York…and several of our plays have been produced around the country at regional theaters, but this is the very first time one of our productions will transfer to New York City.”

Herendeen says this opportunity wouldn’t have been possible if it hadn’t been for the success of the festival and its location.

“We are passionate about our geography. We really, really believe that place matters, and in many ways, the success of the Contemporary American Theater Festival is directly related to our geography; the eastern panhandle, Shepherdstown, the state of West Virginia. So this is going to give and shine a positive light on our state.”

Uncanny Valley by Thomas Gibbons will be presented in New York City between October 2-26.

To learn more about the play, you can visit the CATF website or watch this teaser trailer from the Contemporary American Theater Festival’s Vimeo page.

'A Change of Tune' Interviews Bishops

This week, “A Change of Tune” host Joni Deutsch talks with Tucker Riggleman (vocals, guitar) from the Shepherdstown-based rock band Bishops. Since the dissolution of his other West Virginia alt-outfit, The Demon Beat, Riggleman has been focusing on creating gritty yet accessible rock melodies as the frontman for Bishops, as evidenced by the band’s newest release, Silver Lining. Check out the interview below to learn more about Bishops’ musical past, present, and future. If you’re a fan of raw and raucous garage rock in the same vein as Japandroids, this interview and music are recommended for you.

Credit Jordan Hudkins
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Bishops’ Tucker Riggleman as a Siberian Husky.

Bishops just released Silver Lining this past spring. To find out the band’s fall tour dates, make sure to head over to their Facebook and Twitter. You can hear Bishops’ new music on Joni Deutsch’s “A Change of Tune” this Saturday at 10 PM EST on West Virginia Public Radio.  

Appalachian Heritage Festival Continues in Shepherdstown this Weekend

The annual Appalachian Heritage Festival in Shepherdstown continues this evening.  The dance, art, and music filled weekend is a celebration of the region’s artistic traditions. This past week included a quieter celebration of Appalachian literature with Shepherd University’s 2014 writer-in-residence, Homer Hickam.

Hickam is best known for his 1998 book Rocket Boys, the story of his 1950s childhood in Coalwood, West Virginia and his hopes of becoming a rocket scientist. He eventually realized his dream, working for NASA as an aerospace engineer for seventeen years. But when it comes to his writing ability, he credits his West Virginia roots.

“Both my parents were good storytellers around the kitchen table after supper, and I’d listen to their stories,” Hickam remembered, “And Coalwood, where I grew up, a lot of folks knew how to tell a good story. And when I started writing, it was one of the first things I got back from my editors was, wow you really know how to tell a story, and I said, well, you know I had good teachers.”

As Shepherd University’s writer-in-residence, Hickam has spent the past week speaking to student and community groups around Shepherdstown.  Last night, he received the annual Appalachian Heritage Writers Award, funded by the West Virginia Humanities Council. 

Hickam says it’s been a great experience for him and his wife.

“We have been treated like royalty, and it’s been standing room only wherever I’ve gone, which has been really, really nice, and I mean the people are just wonderful.”

Hickam’s Coalwood Trilogy is this year’s One West Virginia Common Read. That means it’s recommended reading for everyone in the state according to the West Virginia Center for the Book.

Water Heater Project Helps W.Va. Church Go Solar

Water heaters are helping a Shepherdstown church reduce its electricity costs.

A 60-panel solar electricity system has been installed on the roof of Shepherdstown Presbyterian Church. The system’s $55,000 cost will be paid through a community-funded project involving water heaters.

About 100 Shepherdstown area residents and businesses have agreed to have demand-response controllers installed on their electric water heaters.

The controllers are managed by Maryland-based Mosaic Power. Mosaic Power co-founder Greg Vaudreuil says the company sells electricity saved with the controllers to the power grid during peak-use times.

Mosaic Power pays customers $100 year to participate in the program. The Shepherdstown participants will donate their payments to the church to pay for the solar power system. The church’s cost is $1.

National Park Service Completes Shepherdstown Battlefield Study

  The National Park Service has completed a study of the Shepherdstown Battlefield and related resources.

Congress ordered the study to determine whether the Civil War battlefield should be added to the national park system. It could become an addition to either Harpers Ferry National Historical Park or Antietam National Battlefield in Maryland.

Tammy Stidham with the park service tells The Journal that the study looked at historical significance, natural resources and economic uses.

Public comments on the study can be submitted online at www.parkplanning.nps.gov/SHBA. The deadline is Oct. 3.

The park service also will hold two public meetings. The first is scheduled Sept. 9 at the Antietam National Battlefield Visitors Center in Sharpsburg, Maryland. The second will be held Sept.11 at the Clarion Hotel and Conference Center in Shepherdstown.

Q&A With Clawhammer Banjo Player, Chelsea McBee

For many West Virginians, the banjo represents a sense of home. That’s certainly the case for Shepherdstown-based musician, Chelsea McBee. The 29-year-old banjo player is a regular on the West Virginia music scene now, but that wasn’t always her plan.

McBee grew up in Shepherdstown, West Virginia. She graduated from Shepherd University with a degree in Photography, and she was sure she wanted to be a photographer. But during her last year at Shepherd, she discovered a love for the banjo. She even learned a unique playing style called clawhammer.

Q&A

How did your upbringing inspire your musicianship?

“I didn’t actually start playing the banjo until my senior year of college, here at Shepherd, but as soon as I started learning those old time tunes, it really, it’s all so connected, that even having grown up in West Virginia, and not necessarily played the instrument growing up, it just ties everything together, all the geography, and the history, and then the music.”

Did you ever meet people who were surprised to see a female banjo player?

“The most common reaction that I get is people are excited that I’m a woman playing this instrument, and…they can get…where once they see that, they get past, like, oh it’s not just a singer, and isn’t it so cute that she plays banjo, like, oh, I can really sit down and play a tune, and that’s…it’s good. I have a lot of young girls that come up and say they want to play, they want to perform, and I’m just like, yeah, do that, get started, play whatever you want!”

What is the clawhammer style?

“I’d say that the most recognizable style of banjo playing is the three finger picking style that is used in Bluegrass music traditionally, and the clawhammer style is more of a rhythm keeping kind of strum, and the way that you hold your hand, it kind of looks like a claw on a hammer, which is where the name comes from. So your fingers are curled up in a claw, and they hit the four main strings, and then your thumb is used to hit the top string as a drone.”

Why did you pursue the banjo?

“When I first learned a West Virginia old time tune, from a friend, he grew up in Romney, West Virginia, and played old time banjo, and he showed me my first couple tunes, and it is really cool, and I hadn’t heard stuff like that before necessarily, and it just really, really spoke to me. The music that I was listening to at the time, there was a little bit of banjo in there, but I wanted to see what else I could do with it, so really once I got started, then the process of getting to know the instrument is really what kept me intrigued and really what made me pursue playing and what else I could do with it, and that led into songwriting, and here we are today.”

Credit Liz McCormick / West Virginia Public Broadcasting
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West Virginia Public Broadcasting

Colin McQuire of the Fredrick News Post described your voice as if “Nora Jones and Dolly Parton could have a daughter and that daughter just happened to grow up in West Virginia,” does this quote effectively represent your style, and are these women musical influences for you?

“I was thrilled when I read that quote, because it’s…their two voices are, and their presence in the music scene are ones that I look up too, certainly, and are inspirational. I mean, they’re both women that have done a lot of stuff for themselves, and…so I was honored that he would use that comparison, and I think it does fit. I’ve had a couple different people…I’ve used that quote on the website and on a couple posters when I’m travelling out of the area to give people some sort of idea, and I’ve had a couple people come in because of that quote, and say, that was really intriguing. We wanted to know what that, and he’s absolutely right! So that was great. I thank him very much for that.”

How do you see yourself evolving in the future, and has your path changed since you started your musical career?

“I think the fact that I see it at all as a musical career now, has changed, and the more and more that I play, and the more that I’m exposed too, industry-wise, the more I want to do. So that feels really good to feel inspired to continue in one direction instead of wanting to experience all the things that I was experiencing before, you know, trying to take photographs, and play music, and you know, everything else that I get excited about. So the fact that I can see that as a pretty clear path of music career, is certainly something that’s changed. And as far as evolution, I hope that it continues to grow and to evolve, and you know, I can tell a big difference in my playing and singing and writing now, you know, has changed so much since I started, for the better. I hope it keeps growing and keeps getting better.”

Chelsea McBee performs around the region – solo, and with her group, the Random Assortment, and she often plays with West Virginia’s Christian Lopez Band. On the first Thursday of every month, Chelsea hosts a First Thursday Artist Series at the Opera House in Shepherdstown.

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