Farnsworth: 'Don't Ever Let Anyone Get In Your Way to Making Music'

Since the show began almost two years ago, A Change of Tune has highlighted some of the best up-and-coming artists out of these West Virginia hills with podcast-y chats ranging from Sean Richardson to Kyle Meadows, The Sea The Sea to Qiet and beyond.

But those interviews have been a bit infrequent, and since West Virginia Day was this month (and with A Change of Tune’s second birthday on the horizon), we thought we’d do something special: 30 days, 30 brand new #WVmusic interviews that range from Morgantown alt-rockers and Parkersburg singer-songwriters to West Virginia music venues and regional artist management and beyond, all of which contribute to this state’s wild and wonderful music scene.

And today, we are chatting with Farnsworth, a home-grown rock trio out of Charleston, West Virginia whose sound is “equal parts The Black Keys and The Black Crowes.” This alternative band is sure to leave you rock’n and roll’n all night, but how did these West Virginians start making music in the first place? Let’s find out…

Credit Phillip Boze
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Farnsworth’s members include C.W. Vance, Jason Reese and Tim Dorsey.

How did the band start playing music (when, where, why, etc.)?

The band started in early 2011 when C.W. Vance and Jason Reese met up at Budget Tapes and Records in Charleston to start discussing putting a band together. We both knew each other and we loved a lot of the same music, so we thought we could really do something awesome. We got Justin James to join us on bass and started practicing in Justin’s living room.

What previous bands have Farnsworth’s members been in?

C.W. came from the band Eva Elution. Jason came from the band Universes. Tim has been a longtime member of the area scene.

Where does Farnsworth’s name come from?

We named ourselves after Farnsworth Drive, a road which goes straight up to Spring Hill Cemetery in Charleston.

How has Farnsworth’s sound changed over time (if at all)?

We first started out playing a load of blues and rock covers with very little originals. We always loved riff rock, so our early sound as a band resembled a lot of Grand Funk, Free, etc. As we progressed, we started focusing more on songs as a whole. We began writing more melodically-driven songs and focused less on the riffs. With the addition of Tim Dorsey on bass a few months ago, our sound has become fuller.

Credit Courtesy of Farnsworth
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Farnsworth have played around West Virginia, including The Empty Glass, The Clay Center’s Soundcheck Sessions and Live on the Levee.

Where does Farnsworth play in and around West Virginia (venues, festivals, etc.)?

We play a lot at The Empty Glass and Blue Parrot. We just had the honor of playing The Clay Center’s Sound Check Sessions. A few years ago, we played the Brew Skies Festival. We’ve played Live on the Levee several times. The V Club is another favorite of ours.

What’s been the highlight of the band’s musical journey?

In the early years of Farnsworth, we did a week tour ending up at The Trash Bar (now defunct) in Brooklyn, New York, then driving the 8 hours back to open for the Huntington Music & Arts Festival. We’ve also enjoyed being able to play at so many great venues (including The Clay Center and The Levee) and being able to tour through Ohio this past March. We’ve also been able to release our first full-length on vinyl, which has always been a dream of ours.

Credit Phillip Boze
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Meet Charleston’s alt-rock sons… Farnsworth!

What’s it like making music in West Virginia?

It’s very unique. We have such a wide variety of musical genres and a wealth of talent that rivals anywhere in the country. You can walk into any bar or venue any given night and see amazing local musicians.

Do you feel held back by being in West Virginia or does it feel like a musically-supportive place?

Not at all. It’s a very supportive scene. Being in West Virginia really allows musicians to find and hone their own voices. Everyone has their own identity here.

What, in your opinion, needs to happen in the West Virginia music scene for it to move forward?

Having more artists gain regional or national exposure would be great. We certainly do have artists that are doing very well within our community.

What’s the band’s advice to anyone starting to make music?

Just be yourself and do what’s true to you. Don’t ever let anyone get in your way to making music.

<a data-cke-saved-href=”http://followfarnsworth.bandcamp.com/album/farnsworth-ep” href=”http://followfarnsworth.bandcamp.com/album/farnsworth-ep”>Farnsworth EP by Farnsworth</a>

Farnsworth’s latest release is the Farnsworth EP. Keep an eye on their social media for summer tour dates, not to mention an upcoming full-length (which will be recorded this summer at Musicol Recording Studios in Columbus, Ohio). To hear more #WVmusic, tune in to A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic.

Inside the Countrified World of Shepherdstown's The 29ers

Since the show began almost two years ago, A Change of Tune has highlighted some of the best up-and-coming artists out of these West Virginia hills with podcast-y chats ranging from Bishops to Rozwell Kid, The Sea The Sea to Bud Carroll and beyond.

But those interviews have been a bit infrequent, and since West Virginia Day is coming up (not to mention A Change of Tune’s second birthday), we thought we’d do something special: 30 days, 30 brand new #WVmusic interviews that range from Morgantown alt-rockers and Parkersburg singer-songwriters to West Virginia music venues and regional artist management and beyond, all of which contribute to this state’s wild and wonderful music scene.

And today, we are chatting with The 29ers, a country-tinged rock band based in Shepherdstown, West Virginia. The band’s five members have only been performing in this configuration for a short period of time, yet they’ve released a rock’n good EP and are already planning a forthcoming follow-up release. With that said, let’s get to know the men behind The 29ers (namely Matt Metz, Martin Metz, Matt Kline, Chris Chilcoat, and Eric Watland).

Credit Courtesy of The 29ers
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The 29ers gave the crowd some countrified rock feels at this 2015 Shepherdstown Opera House show.

How did The 29ers start playing music together (when, where, why, etc.)?

The band started a year ago after Matt Kline and Matt Metz played an acoustic set together. After that, they decided to flesh out their songs with more (and louder) instruments. They now share lead singing and songwriting duties for The 29ers.

Kline and Metz have actually played in multiple bands and genres together for over 10 years. They made up half of the folk string band The Fox Hunt, which spent 8 years touring around much of the United States, as well as parts of Ireland, Scotland, and Japan. Prior to that, they played with Chilcoat in the instrumental post-punk/metal band The Red Oranges, which garnered a reputation for complex song structures and frenetic live shows.

Their harmonizing vocals and guitars are now complemented by Chris Chilcoat on drums, Martin Metz on bass, and Eric Watland on keyboards.

Where does The 29ers’ name come from?

The number 29 holds several different meanings of varying importance to the band members. Most importantly is the fact that a score of 29 in Cribbage is the perfect hand!

How has the band’s sound changed over time (if at all)?

Our music started off quiet and acoustic. Then we switched to electric guitars and it got really loud. Now we realize you can play electric guitars at a lower volume.

Where does the band play in and around West Virginia (venues, festivals, etc.)?

We primarily play around the Shepherdstown area, but we have also played 123 Pleasant Street in Morgantown and The V Club in Huntington a few times.

Credit Courtesy of The 29ers
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Matt Kline (left) and Bud Carroll (right) work through The 29ers’ debut EP.

What’s been the highlight of the band’s musical journey?

Recording our debut EP with Bud Carroll was priceless. Getting to hang out with someone that talented and who we’ve admired for a long time was incredible. We recorded that 4-song EP over a long weekend of 10-hour days.

What’s it like making music in West Virginia?

It’s special. There are (and have been) such great music communities, specifically in Shepherdstown, Morgantown, and Huntington. There’s a large number of insanely talented folks in this state and a kind of instant camaraderie between West Virginia bands.

Do you feel held back by being in West Virginia? Or does it feel like a musically-supportive place?

West Virginia has always been supportive of our music, 100%. Different places in West Virginia are close to other good music towns, so it’s never felt isolated or limiting in that way. Because of the support of those music communities, it’s now a great time to be a band in West Virginia.

What, in your opinion, needs to happen in the West Virginia music scene for it to move forward?

More of the same. Great folks like Bud Carroll will keep making great records, Ian Thornton will keep finding and promoting great bands/artists, and the bands in West Virginia will keep playing and supporting each other, swapping shows, and encouraging a wide array of music. The Huntington Music and Arts Festival is a perfect example of a community coming together to support local West Virginia musicians.

What’s the band’s advice to anyone starting to make music?

Make sure to practice as much as you can and write songs every day. And be nice to everyone you meet! Other bands, venue owners, sound guys, bartenders, concert goers, everyone. You’ll get back what you give, so showing appreciation to the folks you meet will come back to you big time.

The 29ers’ latest release is the 4-song Inherent Buzz EP. The band will return to the studio soon to record a follow-up record, which is tentatively titled Spanish Panther. Keep an eye on their social media and website for more music and summer tour dates. To hear more #WVmusic, tune in to A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic.

Huntington's Of the Dell: Classic Rock for the New Age

Flashback to your days as an 18-year-old in West Virginia. Did you idolize Paul McCartney as your friends raved over Green Day? Did you play sold-out clubs and hopp’n festivals around the state? Were you “Runnin’ on Good Times”? If you were, you have a good deal in common with the Hattons, a pair of brothers who founded the Huntington rock band Of the Dell.

We sat down with Of the Dell’s frontman Corey Hatton to talk about his band, his dog, his state and why he keep’s getting banned from, well, everything.

Note: this interview is uncensored. Listener discretion is advised.

Of the Dell released their debut single “Runnin’ on Good Times” on Neurological Records this past November. You can keep up with the band on Facebook and Twitter. To hear more of their music, tune in to ‘A Change of Tune,’ airing Saturdays at 10pm EST on West Virginia Public Broadcasting.

Mountain Stage After Midnight- December 27 & 28

As the stockings come down and the New Year’s champagne is brought out, take a breather and relax with some great live performance radio. Broadcast from 1am-5am Saturday and Sunday mornings here on West Virginia Public Radio, “Mountain Stage After Midnight” takes the best episodes from the show’s 31 year history and shares their memories and songs with our late-night listeners. Each week we’ll hand-pick two of our favorite episodes that’ll alternate order each night.

Tune in this Saturday December 27 and Sunday December 28 for the last “Mountain Stage After Midnight” of 2014!

First up: a June 2012 show featuring Todd Burge, The Quebe Sisters Band, Elizabeth Cook, Alejandro Escovedo and Justin Townes Earle.

Credit Brian Blauser / Mountain Stage
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Mollie O’Brien and Rich Moore on Mountain Stage in Grand Marais, Minnesota.

Next is a September 2012 show, recorded at the North House Folk School in breathtaking Grand Marais, Minnesota. You’ll hear from Mollie O’Brien & Rich Moore, Chip Taylor featuring Paal Flaata, Gretchen Peters, Jonathan Edwards and Chris Hillman & Herb Pederson.

Need more Mountain Stage in your life? Look no further than our new website, which features past show playlists and even a 24/7 Mountain Stage stream? Keep in touch with us on the show’s FacebookTwitterTumblr and Instagram, and subscribe to The Mountain Stage Podcast on iTunes to hear the best live performances around these public radio parts.

Mountain Stage After Midnight- December 13 & 14

Move over, Santa! Greensky Bluegrass and Hot Club of Cowtown are com’n to town this winter. Since Mountain Stage just announced that it’s bringing the pair to Charleston in January, this weekend’s “Mountain Stage After Midnight” will get you bounce’n in your bobsleds before the bands hit the stage. Broadcast from 1am-5am Saturday and Sunday mornings here on West Virginia Public Radio, “Mountain Stage After Midnight” takes the best episodes from the show’s 31 year history and shares their memories and songs with our late-night listeners. Each week we’ll hand-pick two of our favorite episodes that’ll alternate order each night.

Tune in this Saturday December 13 and Sunday December 14 on “Mountain Stage After Midnight” for some rock’n and folk’n jams from Greensky Bluegrass and Hot Club of Cowtown.

Hear a December 2010 show featuring honkey-tonk singer Hayes Carll, alt-country stalwarts The Old 97’s, jazzy-swingy trio Hot Club of Cowtown and alt-rock legends Cake.

Credit Brian Blauser / Mountain Stage
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Greensky Bluegrass, performing on Mountain Stage back in 2011.

You’ll also experience a June 2011 show that features the musical talents of mountain crooner Diana Jones, sought-after Southern songwriter Shawn Camp, bluegrass maestro Charlie Sizemore, Americana jamgrass group Greensky Bluegrass and cutting-edge bluegrass rockers Mountain Heart.

Need more Mountain Stage in your life? Look no further than our new website, which features past show playlists and even a 24/7 Mountain Stage stream? Keep in touch with us on the show’s FacebookTwitterTumblr and Instagram, and subscribe to The Mountain Stage Podcast on iTunes to hear the best live performances around these public radio parts.

'A Change of Tune' Interviews Bishops

This week, “A Change of Tune” host Joni Deutsch talks with Tucker Riggleman (vocals, guitar) from the Shepherdstown-based rock band Bishops. Since the dissolution of his other West Virginia alt-outfit, The Demon Beat, Riggleman has been focusing on creating gritty yet accessible rock melodies as the frontman for Bishops, as evidenced by the band’s newest release, Silver Lining. Check out the interview below to learn more about Bishops’ musical past, present, and future. If you’re a fan of raw and raucous garage rock in the same vein as Japandroids, this interview and music are recommended for you.

Credit Jordan Hudkins
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Bishops’ Tucker Riggleman as a Siberian Husky.

Bishops just released Silver Lining this past spring. To find out the band’s fall tour dates, make sure to head over to their Facebook and Twitter. You can hear Bishops’ new music on Joni Deutsch’s “A Change of Tune” this Saturday at 10 PM EST on West Virginia Public Radio.  

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