Williamson Attorney Builds Creative Outlet To Spur Growth, Spirit In His Hometown

Leo James Pajarillo, who goes by Jim, first left Mingo County for Massachusetts to attend boarding school, then Kentucky, and eventually landed in California. He worked there as an attorney for 17 years.

Pajarillo made his journey home in 2014. He opened up a law practice but he’s quick to say, that’s just his day job. He’s also building up the arts community in the small town of Williamson.

In Mingo County, residents might recognize the name. Jim’s dad, Leo P. Pajarillo, has worked as a pediatrician there for more than 20 years. While growing up in Williamson, Jim remembers a vibrant downtown and welcoming community.

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Jim Pajarillo and his family.

This isn’t just home, it was a place where we felt welcomed,” Pajarillo said. “My parents are Filipino. I’m a first generation Filipino American. We found this community so welcoming. Me, myself, my two sisters, my mother, we all became part of the fabric of the community. I’ve always been grateful for that. Other people in (a similar) situation, you know, their hometowns weren’t as welcoming, weren’t so kind.”

After living in San Francisco and Bakersfield for 17 years, he realized he lost the energy for what he called “the fun part of his life”.

Appearances may be different, but the heart is still there. Despite all its flaws, Williamson still had a dedicated group of people that were determined to try to improve this place, try to make this a better place to live.

Jim Pajarillo – Williamson, W.Va.

I realized my parents are getting older, and I wanted to spend more time with them in their sunset years,” Pajarillo said. “I wasn’t doing much in California, other than going into work and coming home.

“It just seemed like a time for a new stage. So I took the bar (examination) and decided to set up a law practice here.”

What he found was abandoned buildings, closed businesses and fewer people.

“When they say this area’s hit by two things, the economy (because) of the decline of coal and the opioid epidemic, Mingo County, Williamson, statistically got it worse than anybody just about,” he said. “So you see the results of that, this (place) isn’t the same place I grew up in. You drive down to downtown Williamson, it’s not the booming, bustling downtown that it was.”

But there was a glimmer of hope.

Appearances may be different, but the heart is still there,” Pajarillo said. “Despite all its flaws, Williamson still had a dedicated group of people that were determined to try to improve this place, try to make this a better place to live.”

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Jim Pajarillo, attorney at law.

Pajarillo worked as an attorney in San Francisco where entertainment was almost at every corner. In Mingo County, he’s supporting artists and people who want to see more in Williamson.

Since I’ve been in this space, we’ve had monthly meetings called creative callouts,” he said. “It’s an open meeting to anyone in town, who has ideas or, or artists themselves or anyone creative, that wants to get together and we throw out ideas. What I learned is you don’t have to create your own. But because one of the nice things you can realize, though, is that if you find enough like-minded people, these things can be sustainable.”

Right now, Pajarillo is investing a lot of time off the clock in his community. He’s also a part of the Tug Valley Convention and Visitors Bureau, and a member of the board of directors at the Tamarack Foundation for the Arts.

He and a friend helped to begin an open mic night at a local restaurant. Aside from COVID shutdowns, it’s been going for five years.

“I don’t mean to downplay the fact that I’m an attorney and I have a business,” Pajarillo said, “but what I really am passionate about is what I can provide outside of my work and how I can tie in what I’ve learned during my work as an attorney, and being involved with the rehabilitation process.

He started a project called, the Art of Recovery.

Projects made as part of the Art of Recovery project.

“We involve the entire recovery community, from clients, to to recovery coaches, to counselors, to anyone that’s involved with the recovery process. We create a pop-up gallery for them to display their art. And it doesn’t have to be about addiction, but a lot of the product is. We’ve had the Art of Recovery, two of these so far and we’ve had over 30 pieces exhibited per gallery. A lot of it is clients that produce this art as part of their recovery process and it’s just amazingly powerful stuff.”

Pajarillo says two pieces of art, one paint and the other pencil, were taken back to Washington D.C. and the White House. He also formed a local comic convention in 2017 called Willcon.

“The pop culture convention is kind of like our version of Comic Con,” he said. “In three years, we built attendance to just under 3,000.”

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People gather in Williamson, W.Va. for WillCon, a pop culture festival.

He had no idea that there was such a legion of cosplayers in the Williamson area.

“I think a lot of kids here are struggling to find places where they have outlets to express themselves,” Pajarillo said. “Unless you play sports, you don’t have a lot of attention here when you’re young, and there’s nothing wrong with sports but there needs to be something for the artistic, for the creative kids, for the more introverted children and hopefully in 2022 it will come back.”

Pajarillo and his team are in the process of forming a nonprofit called the Heart of West Virginia or HeArtWV.

“Hopefully, we can bring more substance to what we’ve already started,” he said. “We want to build the artists, the art community and let them figure out how to best solve their issues and how to grow. I’m hoping that the more people get together, the more ideas can spring from that.”

He’s also been inspired by the arts community that’s already here.

“It’s very helpful,” Pajarillo said. “It lends to the idea that whatever we have in the state is worth fighting for.”

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Art from the Art of Recovery project.

Do You Know Where the Word "Redneck" Comes From? Mine Wars Museum Opens, Revives Lost Labor History

In the early 1900s, coal miners were fighting for the right to organize and to stop the practice of using mine guards. They also wanted an alternative to shopping at coal company stores and being paid in scrip, instead of money. In the early 1900’s, miners led a series of strikes in southern West Virginia, leading up to the climatic march on Blair Mountain in 1921.

Now, this history is honored at a museum, called the West Virginia Mine Wars Museum.

“My name’s David Hatfield, I’m the great-great nephew of Sid Hatfield, who was the police chief here back in 1920. So this mine wars museum means a lot to me, and to this town, and to this whole area. And I’m just grateful to all the people who worked on it, took their time, and blood sweat and tears, to make it possible. And if they could, I’d love for everybody to come down and see it because it’s something to behold.”

David Hatfield’s ancestor, Sid Hatfield, has come to represent many things for the people of Matewan, depending on who’s telling the story. For most people, Sid Hatfield became a hero who stood up for the families of striking miners.

But for the coal company owners and the Baldwin Felts Agents who opposed him, “Smiling” Sid Hatfield was seen as a lawless, renegade cop.

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During the Matewan Massacre of May 19, 1920, Baldwin Felts agents approached Sid Hatfield and mayor Testerman by the railroad tracks. 

“And just as they reenact here every year in Matewan, the two groups of men had a tense stand off, with the Baldwin Felts agents, asserting that they had a warrant for Sid Hatfield’s arrest, and the mayor insisting that their papers were bogus or falsified,” said Lou Martin, a historian and one of the board members of the Mine Wars Museum.

Nobody is sure which side fired first, but a gun fight erupted beside the railroad tracks in downtown Matewan.

 

Some of those bullet holes are still visible in the bricks in the back of the new Mine Wars Museum.

Beside the bullet holes, there’s also an audio exhibit where visitors can hear the story first hand- from interviews with Matewan residents. These interviews, as well as countless artifacts and research material from the mine wars, have been collected by local historians throughout the years. But there hasn’t been a local museum to curate them, until now.

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“All through the decades there have been people, especially locally, trying to preserve this history, trying to honor it. We feel them cheering us on, and we know that a lot of people have been working towards something like this for a long time,” said Martin.

And some of those people who’ve been working to preserve the Mine Wars history for many years joined up with young organizers and historians to build the new museum.

Mingo County native, Wilma Lee Steele, is one of the board members for the West Virginia Mine Wars Museum. Steele is a retired art teacher. For her the passion of sharing this history started from telling young activists about the history behind the word “redneck” and the red bandana. Striking miners tied Red Bandanas around their necks during the march on Blair Mountain.

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Wilma Lee Steele

“The thing that gets me, I guess, and what makes me want to do this, and tell other people about this, is that all these immigrants from all these different countries, they didn’t speak the same language. They did not have the same culture. And they were fighting each other and divided. But when they tied on these bandanas and marched, they became a brotherhood. And one of the things I love about the union is that the union was one of the early ones that said equal pay for blacks and whites. It’s pretty special.”

“It was strange growing up with this history because when I was first learning about it this history was not being celebrated at all,” said Chuck Keeney, a history professor at Southern Community College. He’s another one of the board members of the new museum. He’s also the great-grandson of Frank Keeney, who led striking miners in the Paint Creek-Cabin Creek Strike of 1912–1913. These were some of the bloodiest battles of the Mine Wars.

“The first time I heard my great-grandfather’s name was I was around 8-9 years old. And it was my great aunt’s house. And it was just a family gathering, and I was actually out back behind her house and was trying to throw a little toy knife into the side of the hill. And an old man walked up to me and said to me, ‘you have to learn how to throw that thing well. Because you never know, you might have a Baldwin Felts thug after you one day.’”

“And I had no idea what he was talking about. So I asked him, ‘what’s a Baldwin Felts thug? And why would they be after me? And he said, ‘well don’t you know that you’re Frank Keeney’s great grandson?’”

 

During the Paint Creek-Cabin Creek Strike, Baldwin Felts agents were sent to fight the striking miners. After the strike, Frank Keeney became the president of the UMWA District 17 in 1917.

But Frank Keeney had blood on his hands, and historians generally did not name him a hero. He was tried for treason and murder, though he was acquitted.

Until recently, the story of the Mine Wars was largely uncelebrated, even by the UMWA.

“So I mean there are enormous chunks of our own history that are just missing. It’s no wonder that the people in our state have an identity crisis; we don’t know our own story. If you don’t know your own story, how can you determine what you are?” said Chuck Keeney.

That’s why the local community and volunteers from far and wide have come together to build the  Mine Wars Museum. The funds to build the museum came from the West Virginia Humanities Council, the United Mine Workers of America, the National Coal Heritage Area, Turn This Town Around, and hundreds of private donations.

And the museum, like the history, means different things for different people.

Wilma Lee Steele says she hopes the museum will become a place where people throughout the coalfields can come to reclaim their identity.

“I think that we have a lot to say, and I think we’re gonna say it. We’re gonna tell our history, and we’re gonna come together as a community.”

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Beginning May 23, the museum will be open on Saturdays and Sundays from 10 a.m. to 4 p.m. and is located in downtown Matewan, 336 Mate Street. The museum’s board members are Greg Galford, Lou Martin, Chuck Keeney, Kenny King, Katey Lauer, Wilma Steele, Charles Dixon and Catherine Moore. Most of the museum’s designs and exhibits are by Shaun Slifer.  in Matewan. For more information, visit www.wvminewars.org. Note: there are many stories about the origins of the term “redneck”. Most scholars agree that the term probably was originally used at least a century before the Mine Wars, to refer to southern farmers who were exposed to long hours in the sun while working in the fields. Do you have a story about where the term redneck came from? You can send a tweet to Roxy Todd @RoxyMTodd to join the conversation.

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