HBO Documentary ‘Our Towns' Features Charleston; Debuts Tonight

A new feature length documentary premieres tonight (April 13) on HBO based on the best-selling book Our Towns. The book, and the film, look at life in small town America, including a segment on Charleston, West Virginia.

Cover art for the best-selling book Our Towns, by Deborah and James Fallows.

James and Deborah Fallows are journalists for The Atlantic Magazine. Not long after returning from a four-year stay in China, they decided to turn their journalistic attention to the United States. They set up a post on their blog, asking the public to tell them what was special about their hometowns. In a week, they received 1,000 essays.

In the summer of 2013, they set out with the same approach as they had used before, moving away from the big cities and out to the small towns to see what America looked like.

“It’s such a different perspective from the general news coverage that portrays most of America as an object of what’s happening in bigger cities,” James Fallows said. “There, the only thing that matters is, ‘Is it a red state or a blue state?’ which we thought was the least interesting thing.”

One thing the Fallows found was that there was a lot more positivity in the local communities than the national news portrayed.

“If you’re living in a small town, you know what’s going on there,” Deborah Fallows said. “You can be a participant in not only talking about it, but doing something about it.”

She said they witnessed people taking the opportunity to be a part of local issues.

“Big national issues translate into small approachable issues when you’re in a town and feel that you can work with other people,” she said.

The book and the film attempt to strike a balance between the positive things on the ground and the problems.

“If you lead with positivity, people immediately say “I know exactly what I’m going to get, I don’t need to see the film,’” said Steven Ascher, one of the filmmakers that created the documentary based on the book. “Everywhere we went, we wanted you to understand how dire the opioid crisis is, or how intractable the homeless crisis is. We did that at the same time as seeing people who had actually made a difference, either in small or large ways, so that you would feel emotionally what those efforts really meant.”

When filming for the documentary began, the first city they came to was Charleston, West Virginia. It ended up being their proof-of-concept city; the one they showed to the executives at HBO to prove they could make the film.

“There is a youth drug court run by Judge Joanna Tabit in Charleston that is really innovative and it’s catching kids young,” said Jeanne Jordan, the other half of the filmmaking duo. “There were many stories like that all over the country where you start out with something that’s really difficult and then see how people apply positive energy to it to make things work.”

Filming for the HBO documentary took place in 2019, before the coronavirus pandemic. But the filmmakers and authors came away from the project with a feeling of hopefulness that they think applies even more today.

“As I have a chance to say numerous times in the film, the story of America is the struggle between the ways in which the country fails and sins and screws up, and the ways in which it tries to recover from those,” James Fallows said. “I think the hopefulness is in the part of America that is trying to improve.”

The new documentary Our Towns premieres on HBO tonight, April 13, at 9 p.m.

Coal Company Sues HBO's John Oliver for Defamation

Coal company Murray Energy has sued HBO and its Sunday-night host, John Oliver, for what it says was a “false and malicious broadcast” last Sunday evening. It’s seeking financial damages and a court order barring rebroadcasts of the segment’s “defamatory statements.”

Oliver’s “Last Week Tonight” coal segment criticized the Trump administration’s effort to revive the industry, saying coal jobs have dropped for decades and other energy alternatives are driving the industry’s decline.

He ribbed Murray Energy’s CEO Robert Murray, who blames regulatory efforts by the Obama administration for damaging the coal industry. He said the 77-year-old looked like a “geriatric Dr. Evil” and noted that the company had fought against coal safety regulations.

The Ohio company sued the comedian Wednesday afternoon in circuit court in West Virginia, saying that he tried to embarrass Murray by making fun of his age and appearance and made false statements about a 2007 collapse of a Utah mine, when nine miners died. The company said Oliver ignored information it sent the show that it says showed an earthquake caused the mine’s collapse and that the show made no mention of “the efforts Mr. Murray personally made to save the trapped miners.”

An HBO spokesman says the show didn’t violate Murray Energy’s rights or those of Murray. Oliver noted on the show that Murray Energy has a litigious past, and last month sued the New York Times for libel.

Murray Energy employs about 5,400 people, about half of those in West Virginia.

Your Weekly Earworm: Far From Any Road

There is no defense against an earworm.

Even if the tune drives you mad (Call Me Maybe) and/or the lyrics are insipid (Blurred Lines) or the artist has no discernible talent (Miley-Bieber-et al), earworms are something to which you must surrender. You’ll be a lot happier acknowledging the sheer ear candy’s appeal than wearing your music snob-critic mask of misery.

Fortunately, there are good earworms. Enter The Handsome Family’s Far From Any Road.

This rumba-Tex-Mex song graces the opening of HBO’s True Detective and delivers a true, foreboding desert chill:

From the dusty mesa
Her looming shadow grows
Hidden in the branches
Of the poison creosote

She twines her spines up slowly
Towards the boiling sun
And when I touched her skin
My fingers ran with blood

My main complaint about modern songwriting is the paucity of good lyrics. This is the best lyric writing I have seen in a long, long time from American artists.

However, the music is the perfect frame for these Keatsian words. The spine is a rumba rhythm strummed on an acoustic guitar, accompanied by light drums and percussion, but it’s the duo’s shared vocals that set the haunted, desert tone:

When the last light warms the rocks
And the rattlesnakes unfold
Mountain cats will come
To drag away your bones

Then rise with me forever
Across the silent sands
And the stars will be your eyes
And the wind will be my hands

My ever-so-short email interview with Rennie Sparks:

1. How does it feel to have your song used in a critically acclaimed HBO series? It feels pretty darn good. Are you surprised? We love the show and are proud to be a part of it. 2. Has this made an impact on interest in your music? Yes! Everything is changed. We have a lot of new fans who are finding us little by little through the show. 3. Do you watch the show? Heck yeah. Loved it all. We often watched it once and then again with captions on to get all the dialogue… 4. The lyrics are exquisite. Any hints as to their meaning or origin? They're about living in the desert. About strange night-blooming plants and the strange abilities of cacti to survive for long periods. They're about dust storms and mystery. Love and death… 5. The music suggests a rumba feel, but there's also a Tex-Mex influence as well. Where does this come from? What influences? Sounds right to me. Sexy and sinister hopefully. Definitely inspired a bit by Lee Hazelwood/Nancy Sinatra and a lot of the mariachi bands we listen to in town. 6. If I buy your album, would you talk to me sometime in the future over the phone? I am not a journalist – I promise. Not sure what you mean by this. We do do phone interviews with journalists. We don't answer the phone much other than that. Thank you. The artwork is great too. Thanks Jim. xo Rennie

A perfect song in every way. Don’t be a bummer – buy the song and/or the album. Support independent artists!

I put a link to their web. Stop what you’re doing and go there. Ok? ok.

 

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