‘Hill Women’ Examines Three Generations In Eastern Kentucky

Stories of life in Appalachia are often told from a male perspective, but many young writers and authors are trying to change that. They want to make sure the story of Appalachia’s women are not forgotten. 

In Cassie Chambers’ memoir “Hill Women” she examines her life in eastern Kentucky through the eyes of three generations of women in her family. 

She spoke with Eric Douglas to discuss the book — and her pursuits that ultimately led her back to eastern Kentucky. 

Douglas: The book is set in eastern Kentucky. Can you explain to me a little bit more specifically where we’re talking about?

Chambers: The book is set in Owsley County, which is one of the poorest counties in America. It’s a place where the average household income is around $16,000 a year for a family of four. It has very high rates of disability. There are two restaurants in town, a sort of dairy bar and a diner. No franchise restaurants, no franchise businesses other than some dollar stores and a couple gas stations. And so it’s really just a very small, very rural town in the hollow of the eastern Kentucky mountains.

Douglas: You made a choice leading into your junior year in high school to leave the mountains to go away to school. Why did you make that decision?

Chambers: My parents had always instilled in me how important education was. And although I had not seen a lot of the world, and I had not traveled to a lot of places, I had been raised to know that that was something I wanted to do. There was never a doubt in my mind that I was going to go to college and that I would probably go to college away from my family. That’s what my mom had done. That’s what she had sort of assumed I would do, as well. 

I got a brochure to this international high school in New Mexico. It was free for everyone who got in and then it had college scholarships. I decided to apply. When I got in, it was such a good opportunity that I felt like I couldn’t pass it up. That sort of started me on this journey to seeing the larger world and experiencing the larger world outside of the mountains.

Douglas: You talked about, both at the high school and then at Yale, feeling uncomfortable with your own roots, your Appalachian roots. You were trying to put them aside and trying to fit in for a while. What was that period like for you?

Chambers: I think I was always aware of the negative idea of a hillbilly, all those stereotypes. As a teenager, I think all of us want nothing more than to be accepted. I thought that coming from the mountains, being a part of a family that I think the outside world probably still thinks of as hillbillies in a lot of ways, was something that was going to stop me from being able to fit into these new worlds that I was trying to explore. I thought people would judge me and that they would look down on me. 

I spent a lot of my late teenage years and early adulthood trying to figure out how to be who I thought belonged in these privileged environments. I didn’t think I could both be myself, the poor kid from eastern Kentucky, and fit into these very privileged environments that I was working really, really hard to be a part of.

Douglas: Once you were finished with Harvard Law, you decided to return to eastern Kentucky.

Chambers: I’d been working on problems in Boston, on poverty law issues. There are good organizations doing really good work in Boston and New York and DC. There are good organizations doing that kind of work in Kentucky, there just aren’t as many people trying to do it to address rural poverty. It’s harder. People are more diffuse. There are all kinds of unique logistical challenges. I decided if I wanted to work on these issues, I felt tied to Kentucky, I’ve always felt tied to Kentucky, and I decided it was time to go home and make a difference in communities like the one I grew up in.

Douglas: To come back to the book for a second, it’s a memoir, it’s you talking about your experiences and the lives of your family. What lessons did you learn about yourself when you actually had to sit down and put it all together?

Chambers: I think there’s this idea out there of this “pull yourself up by the bootstraps” narrative. A lot of people, if they were telling a story like mine, would start with being born into poverty in a trailer, and then working hard and going to the Ivy League. That would be the story and that would be the arc of it. 

I knew this intuitively, but writing the book really drove home how it took three generations for me to even have the opportunity to even think about applying to those types of educational institutions. Now that I see that, I see that change takes generations and it takes a village. I’ve really been talking about “Hill Women” as this anti-bootstraps narrative because I hope what it does is change the way that we talk about those types of stories, those sorts of rags-to-riches or poverty-to-elite institution-type stories.

Hill Women is published by Ballantine Books. This interview is part of an occasional series with authors from the region.

Memoir Looks at Appalachia Through a Photojournalist's Eyes

Nancy Abrams is the author of a new memoir The climb from Salt Lick published by WVU press. The book is about her experience as a young photojournalist from the Midwest moving to Preston County to live and work. Abrams documents how she came to love West Virginia and the people who live here. Kara Lofton spoke with Abrams about the new book and what it means to write honestly about one’s own life. 

LOFTON: You begin the book in the early 1970s when you came to West Virginia as an intern at a small-town newspaper in Preston County, at which point you fell in love with West Virginia and ended up returning after you graduated from college. What was the draw for you?

ABRAMS: Well, I saw the opportunity to do work that was meaningful and still have time to have a family – to combine work and a private life was really always my ultimate goal.

LOFTON: Throughout your book you infer and talk directly about being a feminist, and that a work-life balance was really important to you, and how you didn’t want to work for a big newspaper in Miami. How did working for a small-town newspaper afford you that potential? Do you feel like you achieved that goal?

ABRAMS: Well yes, I do think I achieved that goal. But what’s important is, I’m a control freak. And when you’re put in a box as a photographer or a writer or an editor or the designer – especially in print – the package is really important. So to me, to come to Preston County and be able to take the pictures and write the story and lay out the finished product – to see it – was really important to me.

In most big newspapers you have to fit into a small compartment. At a weekly newspaper, you have to do every job and at the Preston County News it included inserting Murphy Mart flyers and folding them up and stamping addresses on them, then dragging the newspapers to the post office. That’s not so glamorous. And that first summer, you know, I even pasted up ads. But that combination of skills to make that whole package – the words and pictures and the design – was really important to me and the Preston County News gave me the opportunity to do that.

LOFTON: Part of working for a small town newspaper is being deeply embedded in the community. Was it difficult for you to break into the community? Did being an outsider who was committed to the community made your work more difficult or easier?

ABRAMS: I think there’s a process of becoming part of the community. For newcomers to West Virginia, I usually tell them that it will take two years for you to find your circle, to find your tribe. And you have to prove over and over again that you’re here for the long haul – you’re not here to take the riches and run, which is the history of this state.

I volunteered at the local high school teaching journalism. I took kayaking classes, and activities with people in the community. I do think my softball team had a whole lot to do with welcoming [me] to the community because when you’re a part of a team, you put on a uniform. But it wouldn’t have worked if I hadn’t been honest, if I hadn’t had good intentions.

Be nice, be kind, be generous, be honest. And those are those are instructions for anywhere you’re going to live.

LOFTON: Throughout the book you are rather honest and open about a number of things including various sexual exploits and use of pot. As a young woman, why did you decide to include those elements in your book.

ABRAMS: I’m crazy. It’s part of my commitment to honesty. One of my fears with this book was that people would read it and not be my friend anymore. You know, I have different circles of friends and I thought some of them would be shocked.

But it didn’t make sense without that. It is putting myself out there and it’s embarrassing and I’ve had a couple of instances where people have stood up in a room when I walked in and said ‘I can’t believe you wrote about your husband’s penis!’ And I’m blushing right now to even talk about that. But a good friend of mine said ‘Don’t leave out the naughty bits.’ And I think that’s good advice. Again, Honesty. Honesty. Honesty. Honesty. It’s really important, especially in this these times.

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