Composing Oneself – 20 Quips About the Creating Process

A creative life or daily creative activity is a funny thing- fraught with missteps, miscues and misfires. It is not, as we might think, a Sturm und Drang artistic wrestle with the fates. It’s far more practical and hilarious than that.

Occasionally, an amusing thought, often containing a bitter grain of truth, will pop into my head.This is a partial list of these nuggets of “wisdom.”

1. Coffee helps. A lot.

2. Let your voice be the only one speaking in your head.

3. Create a space for silence. Music comes from there.

4. Listen, don’t think.

5. Don’t worry, that feeling of superiority will pass.

6. Is this necessary?

7. Not every idea has merit.

8. Inspiration doesn’t last long.

9. Don’t blame others for your mistakes.

10. It might not be the composer’s fault, but it is at rehearsal.

11. Trust the morning playback.

12. Panic is an option, but not a good one.

13. You are a child of the universe. Blah, blah, blah. Write the piece.

14. Players will give you incredulous looks. Plan on it.

15. Don’t be so precious.

16. When you’re tired, you’re going to hate everything. Go do something else.

17. If you start using terms like “macro and micro” or “pitch structures,” you need to slap yourself.

18. Envy is always partnered with self-doubt.

19. This isn’t actually working for a living.

20. Don’t go down the rabbit hole.

'A Change of Tune' Interviews The Barr Brothers

 

This week, “A Change of Tune” host Joni Deutsch interviews Andrew Barr of The Barr Brothers, an up-and-coming Canadian quartet with roots in American folk, African desert, Delta blues and classical string, to say the least. The band’s newest record, Sleeping Operator, just goes to prove that The Barr Brothers are the Ra Ra Riot of transcendental folk. Check out the interview below to learn more about the band, their longform music style and their connections to alt music friends The War on Drugs and of Montreal. If you’re a fan of sprawling soundscapes that are as much warm as they are catchy (see: Bahamas), this interview and music are recommended for you.

The Barr Brothers just released Sleeping Operator this past month. Check out their fall/winter tour schedule with Bahamas over on their website, and you can follow Joni Deutsch for more music news on Facebook, Twitter and Instagram. To hear more from The Barr Brothers, tune in to “A Change of Tune” this Saturday at 10 PM EST on West Virginia Public Radio.

West Virginian Uses Opera to Talk Mountaintop Removal Mining, Painkiller Overdoses

Composer and Huntington native Nate May recently finished production on an original two-person music-drama, called Dust in the Bottomland.

When he began studying music at the University of Michigan Nate May decided to write an opera about some of the issues facing Appalachians.

His friend and fellow student at the University, Andrew Munn, collaborated with him to create Dust in the Bottomland, which they performed last year in West Virginia, Kentucky, Pennsylvania, and New York City. The piece uses only one instrument and one vocalist. May plays piano, and Munn sings bass.

“Some people ask, ’Where’s the Appalachian influence in the music?’ And I say, ‘Well, all of it. It’s me, who’s writing it and I grew up in Appalachia,’” said May.

Dust in the Bottomland is about a young man who grew up in West Virginia but moved away. Since he’s been gone, his parents and sister have been displaced from their home, due to mountaintop removal mining. They still live in West Virginia, though they now live down in the valley.

The main character is returning home after 10 years because his sister has overdosed on pain pills. During his return home, the protagonist also visits the site of his family’s home and sees the changes that mining has done to that landscape.

“I think the story hit home to a lot of people because a lot of people, even not from the area, know people affected by addiction,” said May. “The other issue that people were affected by was homecoming. And going away and coming back.”

Credit Nate May
/
Album cover for Dust in the Bottomland. Shows Bev’s Flower Store in Oceana, West Virginia.

Nate May and Andrew Munn are now talking about composing a chamber ensemble version of Dust in the Bottomland, which will include more instruments.

Credit Abigail O’Bryan
/
Andrew and Nate, during a break from rehearsing at Interlochen Center for the Arts in northern Michigan.
Exit mobile version