Commentary: Rebirth of a Nation — The Klan’s Long Shadow Falls in Charlottesville

Hours after white supremacists' violent protests in Charlottesville, Virginia, in which a car plowed into a crowd of counter-protestors killing one woman…

Hours after white supremacists’ violent protests in Charlottesville, Virginia, in which a car plowed into a crowd of counter-protestors killing one woman and leaving scores hospitalized, President Trump read a strategically vague, equivocal statement from his private golf club in New Jersey.

He blamed “many sides” for the violence and hatred, and uncharacteristically neglected to call out the perpetrators – the KKK, neo-Nazi, alt-right and other hate groups who had just terrorized an American city. This verbal fuzziness continued with an oddly saccharin plea for mutual love and respect, and to “cherish our history” — which some viewed as a nod and wink to the “Unite the Right” organizers whose stated purpose for being in the city was to defend the removal of monuments to their Confederate heroes.

But former KKK Imperial Wizard David Duke was having none of Trump’s equivocality. From Charlottesville he tweeted, “I recommend you take a good look in the mirror & remember it was White Americans who put you in the presidency.”

For those aghast at this weekend’s events, recall that not quite two years ago, candidate Trump dithered over Duke’s tacit endorsement, while the New York Times likened Trump’s success to Reconstruction-era politics. The following weekend, Saturday Night Live rolled out a “Voters for Trump” campaign https://youtu.be/Qg0pO9VG1J8″>spoof ad with ordinary people reciting banalities like “he says what I think” while the camera slowly zoomed out, revealing a housewife ironing a Klan robe as an audience burst into laughter. It was questionably funny then, but Trump’s candidacy at the time was still widely viewed as a joke. Saturday’s violence demonstrated yet again for the nation that America’s latent white supremacy is no laughing matter.

Now, 200 plus meme-filled days into this President’s term, America is faced with a serious choice: Keep laughing until it kills us, or take a long look in the mirror.

Trump’s statement doesn’t get a pass for legitimizing the resurgence of white supremacist violence, but he was right about one thing: “This has been going on for a long time.” Lest you think Charlottesville is an aberration, let’s revisit the rise of the “Second Klan” in 1915 — as good as any starting point for this all-too American story.

On a chilly Thanksgiving night in October 1915, a dozen or so hooded men assembled atop Stone Mountain outside Atlanta, Georgia – an American flag fluttering in the wind, a bible opened to the twelfth chapter of Romans, and a flaming cross to light the night sky. Inspired by the recent release of D.W. Griffith’s racist epic, Birth of a Nation, William Joseph Simmons and his disciples proclaimed the second rising of the Knights of the Ku Klux Klan.

I suspect you can easily imagine this scene. That’s because the enduring media rendering of the Klan is deeply rooted in our popular imagination – fringe outcasts cloaked in ghostly costumes on a torch-lit hilltop. The snag in this fiery narrative is that it conjures up a characterization of racism as a cultural anomaly. Our collective imaginings of white supremacists, with all the stylings of Griffith’s film, have maintained this myth.

Historical scholarship of the WWI era paints a lesser-known, but more enlightening portrait of racism in America, the nature of the Klan, and reveals the 100-year shadow it casts over our nation’s current political and social divides.

The Stone Mountain version of the Second Klan remained an insignificant local group until well after the Armistice of November 1918, when in June of 1920 Simmons contracted with publicists Mary Tyler and Edward Clarke, partners in the Southern Publicity Association – a firm that had mastered the persuasive art of patriotic, nationalistic propaganda during WWI promoting the Red Cross, the Anti-Saloon League, the Salvation Army and the War Work Council (weaponized irony and smug memes serve as modern era white nationalism’s propaganda of choice).

Credit West Virginia and Regional History Center / West Virginia University Libraries
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West Virginia University Libraries
Ku Klux Klan members pose for photos at a camp meeting near Morgantown, W.Va. in May 1926.

Under the guidance of shrewd publicists, the Klan refashioned itself with a familiar brew of coded values: family, community service, law and order, patriotism, “Old-time religion,” hard work and economic prosperity, coupled with sober depictions of Klan members as pillars of respectable society. Their platform of hate against immigrants, Catholics, Jews and African Americans was not only disseminated through burning crosses and white-sheeted horsemen, it was carefully diffused through communities in the guise of family gatherings propagated through cheerful fliers. Picnics. Merry Go-Rounds. Proudly sponsored by your local Ford dealership.

Armed with this time-tested brand, Tyler, Clarke and Klan leaders hired a staff of seasoned organizers and set to work increasing the membership of the Klan. Within months, membership soared to 100,000, and by 1921 the Klan had chartered two hundred chapters, with nearly one million members. By the mid-1920s, they had enlisted more than 5-8 million people in nearly every state in the Union, and became a divisive force in the 1924 Democratic Convention held at Madison Square Garden in New York. Dubbed the “Klanbake” by journalists of the time – it represented the longest continuously running convention in U.S. political life. A populist force of reckoning, the millions-strong Klan opposed and defeated Catholic nominee Al Smith, then Governor of New York.

Historian Nancy McLean pulls back the deceptive cloak of decency worn by Klan members and illuminates the now-common embedded race-coding of neutral public policy issues in American politics in her book, Behind the Mask of Chivalry: the Making of the Second Klu Klux Klan:

“Most often the men who donned the order's robes and assembled beneath its flaming crosses were, as one contemporary put it, “… the good, solid middle-class citizens." Not only did the Klan draw from the broad middle of the nation's class structure, but it most commonly mobilized support through campaigns waged on the prosaic theme of upholding community moral standards.”

The Klan campaigned on values that appealed to an aggrieved white middle class whose status, centrality and power was threatened by the rapidly shifting economic landscape of the WWI era: urban industrialization, the Great Migration of African Americans from the rural South, and a flood of Eastern and Southern European immigrants.

The gains and mobility of Black Americans struck a particularly painful chord among a plurality of reactionary populists, but what the Klan perhaps feared most were the hundreds of thousands of African American WWI veterans returning from fighting in Europe in 1919, and what these soldiers symbolized. Trained in combat, exposed to new experiences (and contact with African colonial troops) overseas, their sacrifices fighting had changed them forever. NAACP leader W.E.B. Dubois exhorted returning veterans to fight for their rights in a famous essay, Returning Soldiers, penned for the organization’s magazine, The Crisis, in May 1919:

We return. We return from fighting. We return fighting. Make way for Democracy! We saved it from France, and by the Great Jehovah, we will save it in the United States of America, or know the reason why.

And fight they did. In the Summer and Autumn of 1919, race riots erupted in three dozen cities and one rural county throughout the United States. Dubbed “Red Summer,” black veterans defended their communities from white mobs as racial frictions intensified amidst a post-war economic recession, industrial labor competition, overcrowded urban tenements and greater militancy among black war veterans. In the rural areas of the South, there were 64 lynchings in 1918 and 83 in 1919, including several Black veterans whose only crime was wearing a uniform. Just last week, while doing research on African Americans in WWI, I stood on a street corner in Chicago where one of the bloodiest of these riots occurred in August of 1919. This past does not feel distant.

The white reactionary response to the threat of Black social and economic gains was unequivocally asserted in Tulsa, Oklahoma in 1921. A group of 50 or so Black WWI veterans donned their uniforms and weapons, drove to the county courthouse and offered to guard a young black man charged with assaulting a white woman in an elevator. This inflamed a white lynch mob of 1500, who looted gun shops and attacked the prosperous Black community of Greenwood (dubbed the Black Wall Street). The veterans fought a pitched battle overnight, until the local sheriff and arriving Oklahoma National Guardsman deputized the lynch mob, and used airplanes and machine guns to burn Greenwood to the ground. The message was clear. Gains in status, position and power for Black Americans was intolerable.

Fast forward 100 years to striking economic and social parallels, in which the persistence of racially-coded public policy terms is exploited for political profit and power during periods of economic and social stress. As in the 1920s, there is growing disparity in income and wealth, unregulated excesses of Wall Street, and the extermination of the middle classes.

A similar gulf between the haves and have-nots existed just before the stock market crash of 1929. While the WWI era heralded post-industrial disruption, ours brings its own revolutionary moment with far-reaching impacts from technological change. Headlines abound about robots and artificial intelligence displacing both white and blue collar workers, while Silicon Valley Tech investment capitalists and the Koch-funded, libertarian Cato Institute explore “Universal Basic Income” for the majority of people who will be left behind in the brave new economy. The changing face of America, especially the increase in the Latino population and the influx of Muslims, is eroding longstanding privileges of white people in America. Finally, the ultimate symbolic dislocation of white power amidst this maelstrom of economic, social and technological distress — the election of America’s first African American President in 2008.

Enter reactionary populism in shifting forms, from the coalescing of discontent among Tea Party members to the dramatic rise in militant “patriot” groups and the rebranding of white supremacy as the meme-loving “alt-right.” West Virginia University’s Director of the Center of Black Culture and Research Marjorie Fuller dissects this response in The Pendulum Effect.

Echoing the rise of the “Good Citizen” Klan of the WWI era, Tea Party ideologues originated as a decentralized, small-scale movement that was predominately white, male, nativist, patriotic, anti-immigrant, and politically conservative. It remained insignificant until shortly after the inauguration of Barack Obama in 2009, when conservative PACs, such as the Koch brother’s FreedomWorks and Americans for Prosperity lent media know-how, funding and organizational expertise to grow its membership. They funded and organized “Town Hall” meetings and other patriotic-themed protests. Within five years, Tea Party affiliates were elected to political office, membership soared to nearly one-half million and sympathizers numbered in the tens of millions, with the movement becoming a divisive force in the Republican Party.

Does this all sound familiar?

If you find yourself bristling at the notion that the same forces that gave rise to the Tea Party movement, then Trumpism and the alt-right bear a resemblance to the reactionary populism that bred the Second Klan, let me stop you right there. This weekend and the past 200 days of escalating white nationalism, bears this trend out. Despite the Tea Party’s frequent and early assertion that their followers were not racist, several studies found that “racial resentment” was a greater predictor of Tea Party membership than political conservatism. Similarly, studies have confirmed that racism and xenophobia drove Trump’s election more than economic anxiety. Keep in mind the fraternal Klansmen of 1925 fancied themselves going about the noble business of upholding community values, patriotic virtues, nationalistic ideals and the ubiquitous, racially-coded theme of law-and-order. Trump emphasized these themes in his administration’s response to the white supremacist violence in Charlottesville: “What is vital now is a swift restoration of law and order and the protection of innocent lives,” he said.

Perhaps it’s entertaining to scoff at the caricatures and memes of Trump as a https://youtu.be/YqyQfjDScjU”>Chaplinesque fascist, as this keeps us at a comfortable distance from a terrible truth. And Trump, in his foot-dragging disavowal of the KKK and the alt-right violence in Charlottesville, must have more than a passing awareness of this truth.

Which means we needn’t look any further than the closest mirror to confront a familiar embodiment of latent white supremacy and white nationalism — cloaked, not in white sheets, but the pretense of “Good Citizen” in this divided, troubled America.

West Virginia Diocese Closes 2nd Catholic School This Year

A Roman Catholic diocese has closed two Catholic schools in a West Virginia county this year, citing low enrollment.Local news outlets report the Roman…

A Roman Catholic diocese has closed two Catholic schools in a West Virginia county this year, citing low enrollment.

Local news outlets report the Roman Catholic Diocese of Wheeling-Charleston announced Thursday that All Saints Catholic School in Moundsville will not reopen for the 2017-2018 school year. The announcement follows the closure of Bishop Donahue High School.

The closure of the K-8 school comes to years after its opening. Only 32 students enrolled for the upcoming school year, leaving most grades with four or fewer students. The diocese said in a statement that there were no plans to close the school prior to receiving enrollment numbers.

All Saints offered lower tuition than the other four area-Catholic schools. Bishop Michael J. Brasnfield has announced a $1,000 scholarship for students continuing at another diocesan school.

The Poetry Break: Steve Scafidi

As a young man Steve Scafidi hungered "for something like magnificence." Or so he explained when asked by Marc Harshman how he came to writing poetry. "I…

As a young man Steve Scafidi hungered “for something like magnificence.” Or so he explained when asked by Marc Harshman how he came to writing poetry. 

“I found it reading aloud some Walt Whitman one evening and I never quit,” Scafidi said in conversation with Harshman. “I remember thinking to myself, ‘my life is changing here but don’t make a big deal out of this — just follow the thread of it.’ And I did.”

Scafidi is a cabinet maker in the Eastern Panhandle. He encourages aspiring writers to do more than write, so that metaphors may be discovered and writing enriched with life.

He was a featured poet in the Wheeling Poetry Series. He spoke with Harshman and delivered some of his published poems. 

Found here:

  • Song for Sunday Morning
  • This Page
  • Lines for a Doorway
  • conversation between Scafidi and West Virginia’s Poet Laureate Marc Harshman

Scafidi is the author of Sparks from a Nine-Pound Hammer (Louisiana State University Press, 2001), For Love of Common Words (LSU 2006), The Cabinetmaker’s Window (LSU 2014), To the Bramble and the Briar (University of Arkansas Press, 2014) and a chapbook Songs for the Carry-On(Q Avenue Press, 2013). He has won the Larry Levis Reading Prize, the James Boatwright Prize and the Miller Williams Prize.  His poems have appeared in numerous journals and anthologies, and he has taught at several universities.

BONUS: The Junebugs

An animated poem from Scafidi’s latest work which is a “magical biography of Abraham Lincoln.”

Meet One of the Last Remaining Broom Makers in Appalachia

Along Davis Creek, in Loudendale, WV, outside of Charleston, there’s a long green building on the side of the road with the words “Charleston Broom and Mop Co.” painted on the side. That building is the workshop of James Shaffer, who at age 87, is the last hand-made commercial broom maker in the state. He first learned the trade in 1946, meaning he’s been making brooms for 70 years.

Schaffer is tall, sporting jeans and suspenders, with a friendly face and big smile. He stands at a machine in his dusty workshop, attaching straw to a broomstick. His hands move adeptly, adding straw by the handful. He’s done this so long, he doesn’t need to measure- he can build a broom by feel.

Building a Broom by Feel: An Interview with James Shaffer

 
The broom style and the equipment he uses hasn’t really changed since Jim first started making them when he was 17.

“The change has been in the usage of brooms. Instead of sweeping sidewalks and outside garage areas and everything, they use the gasoline blowers now to blow the dirt and dust away,” says Schaffer. “Same thing in the house with these new laminate floors they have, they’re so slick that they’ve developed dust mop type things for those sweeping the house. So the broom industry is fading out. I suspect another 5-7 years you won’t find a straw broom in the store.”

Today, Schaffer’s  main customers are local Lions Clubs who buy them and sell them for their annual fundraisers. “If it wasn’t for Lions Clubs selling brooms as their fundraisers, I wouldn’t have a business today. Walmart, Kmart, and Kroger’s have took all that over now and you don’t have any mom and pop stores to buy from the wholesale distributors, so they all went out of business,” Schaffer says. 

Credit Emily Hilliard/ WV Folklife Program
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James Schaffer building a broom

Jim also sells at Pile Hardware, a local store that’s been operating on Charleston’s West Side for 84 years. Bill Pile owns the store and says customers even make trips to Charleston just to buy Jim’s brooms. “He does it out of pride! I mean, when he turns out a broom, he wants it to be just right. He’s proud of it!” says Pile.

While James Schaffer may have slowed down in his 70 years on the job, that’s not apparent from the tall stacks of brooms lining his workshop. When he’s gone, though, it isn’t clear how the broom making tradition will continue in West Virginia.

“Well, when I finally give up on it, I guess it’ll just die. A lot of people at the Lions Clubs kind of worry about it, some of them have even considered trying to run it on their own and but nobody’s come up. It’s just not a profitable enough business..”

Schaffer has taught some apprentices over the years, but no one has stuck with it. When it comes to retirement though, he isn’t interested.

“Well, you gotta have something to do! And you know I feel great all day every day, so I have to do something. If I wasn’t here making brooms, I’d maybe be over at McDonalds making hamburgers or something! You need to keep yourself occupied and busy if you’re able to, and thank goodness I’ve been able to pretty much all my life.”

Schaffer says that the only downfall to his job is that he does get lonely. “Sometimes I’ll go a week without somebody walking through the door, but it really doesn’t bother me a whole lot, but I do enjoy company,” he says.

He always appreciates visitors. He’ll even make a special broom for you right on the spot. 

Credit Emily Hilliard/ WV Folklife Program
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Brooms made by James Schaffer

You can find Jim Shaffer’s brooms at Charleston Broom and Mop Co. in Loudendale, or Pile Hardware on Charleston’s West Side.

Emily Hilliard is the West Virginia State Folklorist with the West Virginia Humanities Council. Learn more about the West Virginia Folklife Program, a project of the West Virginia Humanities Council, at wvfolklife.org.

Hear this story and more on Inside Appalachia in the episode called, Does Holding on to Appalachian Traditions Matter?

The Poetry Break: Believe What You Can

Marc Harshman, poet laureate of West Virginia has just seen his second full length collection of poetry published by the Vandalia Press at West Virginia University called Believe What You Can

"To enter this work is to remain open to the haphazard, the lopsided, the fragile, and the bracing details that tell our times as we both know and fear them," said Maggie Anderson of Harshman's publication.

 
Found here: 

  • Grandmother at the Dressmaker
  • And Fly
  • With No Questions

Rockefeller Photos Released by WVU, Available Online

Hundreds of digital photographs from former Sen. Jay Rockefeller’s archives have been released.

The 1,500 photos are available at the website of West Virginia University Libraries’ West Virginia & Regional History Center. The photos document moments from Rockefeller’s 30 years in the U.S. Senate, beginning with his first swearing-in ceremony in 1985.

WVU says the images were taken by the Senate Photographic Studio.

Lighthearted moments are featured as well, including Rockefeller and former Sen. Bob Graham of Florida trading West Virginia apples for Florida oranges after WVU’s football win over Miami in 1993.

To view the collection, visit https://rockefeller.lib.wvu.edu or West Virginia & Regional History Center on the sixth floor of the Wise Library.

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