Rabbi Reflects on Drug Epidemic, Gun Violence, and 170 Years of Faith in Wheeling

Wheeling’s Jewish community got together over the weekend to celebrate 170 years of faith and service in the Northern Panhandle. Rabbi Joshua Lief grew up in Wheeling’s congregation. He says despite challenges throughout the region, he’s proud to be a part of a legacy of resilient, caring people with deep, multi-generational roots in the Mountain State.

On Becoming Rabbi at Temple Shalom

When I was a child growing up here in Wheeling, my family were, and in fact still are, members of Temple Shalom. And we lived right down the street. I used to come to services every Sabbath and Sunday school and youth group events. This was my home congregation.

Credit Glynis Board / West Virginia Public Broadcasting
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West Virginia Public Broadcasting
Rabbi Lief grew up in Wheeling, went away, and says he’s part of a wave of people excited to return and hopeful about contributing to the betterment of the Ohio Valley.

When I graduated from high school, I went off to college, and then off to the seminary graduate program after college, and I served a small congregation in Chattanooga, Tennessee for the first five years out of the seminary. And then I was called to be the senior rabbi at a very large congregation in Florida for about a decade.

During that time, all those years of college and graduate school and serving other congregations, our congregation here at Temple Shalom has an associate member program where, for a very tiny fee, people who used to live in Wheeling stay connected and get the monthly newsletter. And I did that, I paid the fee.

In my “outsider’s view,” if you will, the congregation was shrinking slowly over time. It was less than half the size that it was when I was a child. And Wheeling had shrunk over time — the congregation had become small enough that there was even a question as to whether having a full-time rabbi was worthwhile. But they wanted a full-time rabbi.

This community is still very much a vibrant Jewish community and needed more attentive service. When I read in the bulletin that Wheeling was going to go searching for a new rabbi, I immediately called one of the members of the search committee, who happened to be my father and said, “What do you think the congregation would think about me coming home and being the rabbi here in Wheeling?”

I have never stopped caring about this community. It’s always been my home. Our family is a multi-generation temple family just like many of our other families. And I like to think that I get to help make it an even better place for all its citizens.

On 170 Years of History

We have a hallway that leads from the social hall to our library. And hanging in the hallway are all of the confirmation class photos from the past hundred plus years. We have them all the way back to the 19-teens. My picture hangs on that wall, as does my sister’s, as do many of our friends, as do some of their parents, grandparents and great grandparents and even great, great grandparents. And it’s amazing to see oneself as part of a very long, ongoing tradition of Jewish life in this community.

I’m very familiar with the history of our temple, not only because I’ve read our extensive archives, but because I know those family names. When we think about Wheeling as a city, certainly all credit goes to the Zanes and the McCollochs and the other Scottish Presbyterians who were here in colonial times in western Virginia, when it was still a colony. And they are our founders no question. But the city boomed in the 1840s and 50s because of the influx of German immigrants, German Lutherans, German Catholics, and German Jews. Those German immigrants in the 1840s and 50s made this city come alive with business and industry and culture and arts. It’s inestimable the difference that they made.

Credit Glynis Board / West Virginia Public Broadcasting
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West Virginia Public Broadcasting
Rabbi Lief peruses images of generations of Jewish community members on display in the hallways of Temple Shalom, in Wheeling, W.Va.

We look around Wheeling, and we see the effects those families made on our town. There wouldn’t be a Wheeling Park without the Sonneborns. There wouldn’t be a Good Zoo at Oglebay without the Goods. The effects of those families, not just in the naming rights of things, but the behind the scenes effort of the downtown business community of engaged citizenry to transform this community for the better, is an ongoing trend.

Wheeling is celebrating 250 years. Temple Shalom for the last 170 of those years has been deeply invested in making the city the best place that it could be. It continues, we’re still very much engaged. We seek partnerships all the time with our friends of other faiths. We connect with our friends at Catholic Charities, to staff their soup kitchen and to stock their shelves with canned goods from our food drives and to give gifts to the kids on their Christmas kids list. It’s not our holiday, but it’s our friends and neighbors who are in need, so we partner with them. We partner with Wheeling Health Right. We can’t run a clinic here at temple alone, but we can certainly support the efforts of those who are. And that’s what our members have been doing for 170 years. We continue those efforts today.

On the Substance Use Disorder Epidemic 

It is truly an epidemic with the fallout from pain medication abuse, which of course segues into heroin abuse. It’s devastating. It touches the lives of all of us. Temple Shalom has been very proud to be part of the drug take back efforts for the District Attorney.  With the West Virginia Council of Churches we participate in the Day of Hope. With Joelle Richter from the Mozart Evangelical Lutheran Church, we lead the service for those struggling with addiction last year down at St. Matthews Episcopal Church downtown. I personally sit on Youth Services Systems Impact Coalition, trying to stem the tide of drug addiction. I also sit on the board of the Unity Center, trying to give hope and assistance to those seeking recovery.

On a practical level, one of our congregants, Lisa Allen at Ziegenfelder’s is renowned nationally for her efforts and those of her team members. When they’re putting their values into their employment hiring practices, they’re doing more than just making frozen treats. They’re making our community a better place. Those are our Jewish values that they’re living where the rubber meets the road.

On Gun Violence

Our congregation was touched quite intimately and directly by the mass shooting at the Tree of Life congregation, just a year ago in Pittsburgh. When the enormity of the experience became clear to me, as a rabbi, I thought to myself, we’re going to have to do something to give people a space in which to grieve. On Sunday afternoon, October the 28th, we had an overflowing crowd of over 500 people. That’s more people then who are members of our congregation. It was the whole city turned out. Everybody came from all different religious traditions, public safety personnel, elected officials, friends, neighbors, and total strangers. 

In my sermon that afternoon, I said we could have closed the doors and lock them and drew the window shades closed and hid in fear. Or we could open the doors. And that was our response — not to hide, but to be even more open, and to say, we value being part of this close-knit community, and a hateful person and their evil actions are not going to change our core values. In fact, it’s our core values of openness and inclusive and welcoming, being good hosts like Abraham, our ancestor in the Bible welcoming in the stranger in the guest. That’s going to be our answer.

Could Wheeling ever be touched by such a tragedy? Of course. I don’t think that folks in Dayton and El Paso this weekend thought that their communities would be the next site of a mass shooting, but they were. Could we? Sure. And would we respond in the same way? Absolutely. Not by closing ourselves off from strangers, but by welcoming in the stranger and making them our friend. Terrorists want to terrorize us. And we have to rise above the fear that is quite reasonable. Intentional inflicting of pain upon somebody else is not acceptable in our society. And we’re going to respond not with hatred, but with more love, with more kindness with more grace. That’s the only weapon I have in my arsenal. And we’re going to deploy it as often as we can.

W.Va. Catholic Church to Publish Third-Party Financial Audit

The Catholic Diocese of Wheeling-Charleston has announced new efforts to improve financial transparency and accountability. The announcement this week comes in the wake of reports of excessive spending by the former Bishop Michael Bransfield.

The Diocese released a statement announcing that an independent, third-party auditing firm, CLA (CliftonLarsonAllen) LLP, would conduct a thorough audit of all diocesan accounts. The release says the results will be published in their entirety.

The diocese reports that a policy review is underway since it was revealed that former bishop Bransfield bypassed current policies and procedures meant to guard against financial mismanagement. 

The diocese says some measures to increase transparency and accountability have already been made. The church mentions an already-introduced independent third-party reporting system which would allow anyone to report financial mismanagement, sexual harassment or abuse by members of the clergy, the local bishop, lay employees or volunteers of the Diocese.

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Wheeling Creative Community Rallies Around Daughters of Fallen Artist, Model

In June, 2017, West Virginia University Medicine was studying a little-known approach to cancer treatment called narrative medicine. The aim was to…

In June, 2017, West Virginia University Medicine was studying a little-known approach to cancer treatment called narrative medicine. The aim was to improve the treatment experience for doctors and patients alike through storytelling. We met and followed a cancer patient, Lacie Wallace, who was diagnosed with stage-four colon cancer.

The art of storytelling has had lasting effects for her family and community. Almost two years later, we pick up her story again. A group of artists in Wheeling recently made good on a promise to Lacie and the two daughters she had to leave behind.

The Stifel Fine Arts Center in Wheeling presented an art exhibit this spring called The Art of Healing. The exhibition included drawings, paintings, photography, sculpture and writing that explored the emotional impact of physical illness and “the therapeutic power of the creative process to address physical, emotional and spiritual needs.”

The Stifel Fine Arts Center’s exhibit The Art of Healing culminated last week with a silent art auction.

Promises Made

Credit courtesy of Cecy Rose
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courtesy of Cecy Rose
Selfless Portrait, mixed media, by Lacie Lee Wallace. “Consisting of buttons, bows, butterflies,” Rozzalin read on from the words her mother wrote on the back of the canvas, “my dreadlocks from 2006-2008 and replica of my grandmother’s key that I have worn since her death in 2003.”

Wheeling-area artist Cecy Rose is part of a group called the independent artists who meet to make art at the Stifle.

“The art group has been getting together for about 15 years now,” Cecy said. “We just started out as a group of artists that wanted to get together and draw from the live model.”

Cecy met and invited Lacie Wallace to sit for the group 10 years ago. Lacie loved being a model for the group.

“And she stuck with us for at least eight years and then she got her diagnosis, and she stuck with us for most of that. She modeled for us when she had lost 100 pounds for the colon cancer. And we just rode it out together.”

Cecy and some of the artist group went to visit Lacie when she was ill. Lacie asked them to do her a favor.

“She said, ‘I’m gonna be a warrior…but just in case, would you put an exhibit together of all these paintings for me. Do this for my daughters.’ And we said, of course.”

Cecy got to work organizing first a small show, then a larger auction in collaboration with the Stifel Fine Arts Center during their exhibition The Art of Healing. Cecy said most of the art sold and several portraits were donated back to the family. Dozens of community members showed up to bid. All proceeds went into a fund for Rozzalin and Zuzu, Lacie’s daughters. The independent artist group, together with the Stifel Fine Arts Center, managed to raise $4,000 for Lacie’s girls.

Cecy said the auction and the larger exhibit provided valuable insight about some of the deeper values of art.

“I think this brought awareness to the community that art permeates everything,” she said. “Art is so healing.”

Credit courtesy of Clare Mcdonald
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A portrait of Lacie Lee Wallace by Clare Mcdonald of Wheeling, W.Va., was sold and donated back to her family during The Healing Power of Art exhibit at the Stifel Fine Arts Center this spring.

An Artist’s Auction

Rozzalin Wallace, Lacie’s almost-14-year-old daughter, read an artist statement about her mom:

“Lacie Lee Wallace was a Wheeling artist who was a mother of two and diagnosed with stage-4 colon cancer when she was in her 30s.”

Rozzalin stood in front of one of her mom’s pieces at the art exhibit. An abstractly painted self-portrait called “Selfless Portrait” had dreadlocks attached to it. An abstracted key made of loosely spindled wire hung from a necklace also attached through the canvas around the neck of the painted portrait.

“Consisting of buttons, bows, butterflies,” Rozzalin read on from the words her mother wrote on the back of the canvas, “my dreadlocks from 2006-2008 and replica of my grandmother’s key that I have worn since her death in 2003.”

Rozzalin also happens to be wearing a key necklace but she says there’s no real sentimental value like her mom’s had. Her mother’s key will go to her 4-year-old little sister, Zuzu.

Zuzu’s grandfather — Lacie’s dad, Tom Garafalo — was also at the auction. He was always close to Lacie and remembers when she first became interested in art as a young girl.

“We would go to the library and get books on art and she understood that artists were trying to bring you somewhere and put you in a certain moment of time,” he said.

Tom loved all the portraits of Lacie from the various artists over the years but not just to see the variations of his daughter, but because of what the portraits revealed about her relationship to the artists.

“Every single painting — they took the tattoos off,” Tom observed. “Lacie didn’t like her tattoos. That means they understood her. The art wasn’t just a woman who’s posing for someone it was someone that they knew.”

“She told us near the end,” Cecy recalled, “that she just wanted to be a painting on the wall of a woman that people would walk past and say, ‘I wonder who that woman is?’”

Credit Kara Lofton
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Lacie Wallace sits in her backyard in Marshall County back in 2017, holding one of the paintings done of her when she was still healthy.

WVU Art Exhibit Celebrates Water and the Women Who Protect It

A collaborative art exhibit at West Virginia University focuses on one of the state’s most abundant resources — water. It also celebrates the many women who protect it.

Featuring brightly colored panels covering wide swaths of the downtown campus library’s walls, “WATER: Exploring the Significance, Power and Play of Life’s Critical Resource” explores the state’s rivers and wetland ecosystems, celebrates the art and recreation opportunities afforded by water, and explores challenges and solutions facing the state’s water resources.

“We wanted to have a full picture of what West Virginia water looks like,” said Megan Kruger, the interpretive curator of WATER, and environmental education and outreach coordinator for the West Virginia Water Research Institute.

 

Kruger was part of the team that sifted through contributions from more than three-dozen scholars across campus and the wider water community, including restoration and advocacy groups working to preserve the state’s water resources. In addition to showcasing where the state’s water comes from, the exhibit takes on other water-related challenges such as the 2016 flood that impacted southern West Virginia and the pollution challenges posed by acid mine drainage, a remnant of the state’s coal mining legacy.

 

In addition to using vivid imagery, the exhibit also features tactile elements. For example, the staircase between the first and second floors of the library celebrates water-based recreation in a big way.

 

Vivid, life-sized photos of rafting and kayaking adorn the walls. In honor of the winter months, a pair of snowboards and numerous ski poles are suspended in the stairwell. The second floor features a full wall of plastic water bottles artfully hung to show the impacts of plastic pollution. Students crafted the message, “Water is life, plastic is not” from bottle labels.

 

Students also have the option of listening to a soundtrack while interacting with the exhibit.

 

Kruger said WATER is supposed to be splashy, and the multi-faceted approach to displaying information aims to draw in both students and the public. An estimated 4,000 WVU students pass through the downtown library daily, she said.

 

“So as soon as they come in the door, they’re like, ‘Oh, my gosh, what are those cool panels on the wall,’ and we didn’t want it to be something where they had to kind of walk right up to see it, because many people work on the computers in the library,” she said. “So, something where they can kind of view and appreciate from afar, and then if they were more interested, they could walk up and and check it out.”

 

The WATER exhibit is free and open to the public. It will be up through June 2019.

 

Celebrating W.Va. Women Water Stewards

 

Inside the library’s tutoring center, a complimentary 20-item exhibit featuring photos, paintings and sculptures created and curated by women working to protect West Virginia’s water resources, will run through the end of April.

 

The exhibit was born from research conducted by WVU Assistant Professor of Geography, Martina Angela Caretta. Caretta studies gender, climate change and water.

 

“Being that West Virginia is a water state, I was really interested in understanding their all different roles women and men play in the management of water in the state,” she said. “What I realized was that the most important watershed organizations in the state that work on water quality and water restoration are actually headed or completely staffed by women.”

 

In 2017, Caretta interviewed about 30 women working on water issues across West Virginia. The next year, the participants gathered to discuss the work, but also how to balance advocating for the state’s water resources and having lives outside of that work. As an ice breaker exercise, Caretta asked each woman to bring a photograph or object that sparked joy or inspired them to keep working on water-related issues.

 

“The pictures depict the women — what they like about their job, what they don’t like about their job, what makes them inspired to work in West Virginia, and for West Virginia,” she said. “It’s an honest picture or recollection in a way of, you know, the struggle of doing work that’s often underpaid, that offer requires free work during weekends, and the results are not fully recognized by the communities and the society around them.”

 

Many of the pieces collected in the exhibit depict aspects of the 2014 Elk River chemical spill. Caretta said for many of the women she interviewed, the event really mobilized them.

 

Ohio Valley Environmental Coalition Project Manager Robin Blakeman was one of the women who contributed to the exhibit. She submitted a cloth tapestry created during the first Radical Joy for Hard Times event hosted by OVEC. The event was hosted in the Kanawha State Forest near a mountain top mining site. During the gathering in the park, Blakeman said people celebrated their favorite places.

 

“The slips of papers pinned on the the tapestry were their thoughts about those places or their prayers for those places,” she said. The tapestry was also taken to North Carolina for another event where additional prayers were added.  

 

Blakeman said while there are some really great men working as environmental advocates across the state, women seem to more intensely connect with this work in part because of their ability to have children. That amplifies concerns about what the world will look like for future generations.

 

She said it was “powerful” to see that expressed in the exhibit.

 

Caretta said many of the people who have so far interacted with the exhibit or attended the outreach events associated with it have been surprised at the critical and leading role women in West Virginia play in protecting the state’s water.

 

“I think a lot of people don’t think that women play such a big role in the community — although West Virginia has a very strong history when it comes to women being engaged in the labor movement, union movement, also environmental movement — for some reason people keep forgetting about it,” she said. “So, that’s why it’s important to have this exhibit, to actually highlight something that we tend to forget, like, pretty quickly, which is that there are a lot of people and among the majority of women, that putting in a lot of free time to preserve the natural resources of our state.”

 

Bethani Turley, a geography graduate student at WVU, Amanda Pitzer, executive director of the Friends of the Cheat, and Beth Warnick, media and outreach specialist for the Friends of the Cheat helped curate the exhibit. The exhibit will run through the end of April. Two more events associated with Women & Water are scheduled and will be held at the WVU downtown campus library in room 104.

 

  • March 28, 4-5:30 p.m. — A panel titled “Flint and Charleston: Drinking water pollution and its impact on women’s health.” Panelists will discuss drinking water and its impacts on reproductive health. WVU Department of Public Health PhD candidate Maya Nye, WVU Economics Assistant Professor Daniel Grossman and WVFree Executive Director Margaret Chapman are expected to attend.
  • April 11, 5-6:30 p.m. — A screening of short films by the West Virginia Department of Environmental Protection

Q&A: Photography, Hip Hop and Making Art in the Ohio Valley

In addition to musical artists, a recent Wheeling event — Hip Hop: A Black Tie Affair — featured visual artists such as photographer Rebecca Kiger. Kiger photographed members of the hip hop community including the artist Joshua Lamar Pethtel — also known as Poetic Peth.  Kiger and Pethtel sat down to talk about creating art in the Ohio Valley, and how a photographer and a rap artist collaborate.

problems__prod._by_beatsbyemani_.mp3
Poetic Peth – Problems (prod. by BeatsByEmani)
get_somethin___prod._by_rob_kelly_.mp3
Poetic Peth – Get Somethin' (prod. by Rob Kelly)

Rebecca Kiger: I really loved it because what I found in working with other artists is that there was synergy that’s different than working with people who aren’t used to creative flow basically. That’s something these guys are adept at, they’re really good at, except they do it with words.

Glynis Board: The resulting images — were they what you expected?

Joshua Lamar Pethtel: It exceeded my expectations to be honest with you. I thought I was just going to take a couple pics in like a suit and that was that, but we got this one cool image where I’m wearing some sort of cloth. It’s like around my face and there’s like these glowing red lights in front of me, and I’m hitting a jewel or whatever. And there’s like smoke everywhere. It definitely exceeded my expectations for sure. And it was an honor to be honest.

Rebecca Kiger: The reason it worked is because I felt like I was in a space to play. I mean, basically we just had to play and you were …

Joshua Lamar Pethtel: I was open to it!

Listen to hear the rest of this conversation between artists about realities of making art in the Ohio Valley.

  

Credit Rebecca Kiger
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Chance E*D
Credit Rebecca Kiger
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Poetic Peth
Credit Rebecca Kiger
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Zap Zuda
Credit Rebecca Kiger
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Kadesh TheArtist
Credit Rebecca Kiger
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Kelz
Credit Rebecca Kiger
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LaRon Carroll
Credit Rebecca Kiger
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Mall Black

West Virginia Public Theatre Stages 'Storming Heaven: The Musical'

West Virginia Public Theatre is hosting professional actors and musicians this week in Morgantown. They’re rehearsing a new musical based on a novel about life in the coal camps of southern West Virginia leading up to the historic Battle of Blair Mountain. Authors and musicians aim to highlight the sacrifices that laid the groundwork for the modern labor movement.

The musical is based on the 1987 novel Storming Heaven by West Virginia native Denise Giardina. Giardina says the musical captures the spirit of her book, and that it’s respectful of Appalachian culture.

Artistic Director of the West Virginia Public Theater, Gerald McGonigle, learned about the musical being developed through Giardina and negotiated to bring it in early development to West Virginia.

“As the artistic director, it’s really important to me that we do theater that is vital and important to West Virginians,” McGonigle said. “I was a little skeptical that they could bring the power of the story, Storming Heaven, into the musical theater genre, but in some ways it takes the story and elevates it in a powerful way that is unique to musical theater.”

The novel and the musical are set in southern West Virginia leading up to the largest labor uprising in US history in 1921, the Battle of Blair Mountain.

The musical revolves around a key character in the novel, Carrie. Co-author Katy Blake, who began writing the musical about six years ago, explains Carrie is a coal camp nurse caught in a love triangle.

“That drama is set against the mine wars going on in West Virginia at the time. She’s an educated woman trying to find her place in the world, which mirrors the miners trying to find their place in the world.”

Blake is herself a singer/songwriter and she’s working with other musical professionals to compose the music, like country western musician Tracy Lawrence. Lawrence took a break from touring this week to work in Morgantown on the musical.

“It’s a fascinating story,” he said. “It’s a heartwrecking story about losing people that you love and the struggle that American people went through years ago to get us to the place we’re at now. And I think it’s something everyone should see to get a sense of the sacrifices that were made by the people that came before us.”

“There are a lot of things that spoke to me personally about this story,” Peter Davenport, the other co-author, said. “I come from Flint, Michigan, so I get the whole union thing and I get when an industry leaves a town how devastating it is. I wanted to pay my respects to not just the people of West Virginia but to those people in the United States upon whose backs the industries and this country has been built.”

The musical is still being developed. Student actors and professionals employed with West Virginia Public Theatre have been rehearsing for a public staged reading to get a sense of how the musical is shaping up.

A reading of Storming Heaven: The Musical will be staged in Morgantown on Saturday, January 19, at the Gladys G. Davis Theatre (WVU Creative Arts Center). The event is free and open to the public.

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