Original Post: Since we’ve been unable to record fresh episodes recently, we reached out to the guests we’ve had to postpone appearances by and asked for performance video submissions. The results will premiere this Sunday June 28 at 7p.m. EST as we present “There’s a Stream,” a collection of virtual performances curated by Mountain Stage. Join host Larry Groce at MountainStage.org or LiveSessions.NPR.org to watch along as we enjoy remote performances from Steve Earle, Darrell Scott, Amy Speace, Karan Casey, Lilly Hiatt, Nobody’s Girl, Malcolm Holcombe, The Haden Triplets and Frances Luke Accord.
We’ll have a featured set from Earle, whose latest album, released on New West Records, is called The Ghosts of West Virginia. It features songs he wrote for the play “Coal Country,” which premiered in New York City in February but was shuddered shortly after due to the pandemic. The songs are built around the tragic explosion of the Upper Big Branch Mine that killed twenty-nine coal miners in 2010.
This and many more intimate performances await you this Sunday.
If you’re able, we hope you’ll help support these independent artists, and any artist whose work you appreciate, by purchasing music, making direct contributions, or streaming their work online. We’ll have helpful links to all the guests below, and in the video descriptions on Sunday. Be sure to RSVP on Facebook and share the event so others can enjoy.
“There’s a Stream” is presented as part of FestivALL Charleston’s VirtuALL schedule of events.
Do you remember the 18th of September, 2016? If you were at Mountain Stage you sure do. It was a ladies’ night and the feeling was oh so right.
Recorded at Mountain’s Stage home-base, the Culture Center Theater at the West Virginia Capitol Grounds, the show featured iconic folk heroes the Indigo Girls, up-and-coming alt-country roots rocker Lydia Loveless, songwriting and guitar goddess Patty Larkin, and the one and only wild-eyed Kentucky soul of Wynonna Judd.
Wynonna made her first trip to Mountain Stage, emerging that night with songs from her 2016 album Wynonna & The Big Noise, her first album in 13 years. Host and artistic director Larry Groce immediately made her feel at home framing her career in a hallowed light. “She is an American music icon, a country music superstar. She has won over 60 awards in country music. She has also won five Grammy Awards,” Groce said as the crowd erupted for Judd, who has sold more than 30 million records, including more than 20 million with her mom Naomi as The Judds – the most successful duo in country music history.
Groce said perhaps the most incredible gift of Judd’s is a voice so good she could sing any genre. “If you had never heard this woman before – and you know what she was in country music – she could have been the same thing in rock music and the same thing in blues music and the same thing in jazz music.”
Throwing down the kickstand and revving up her band, Wynonna, who has notched up six No. 1 singles of her own as a solo artist, threw back her hair and let the crowd know they were in for a ride. “How many of you have never seen me in concert before? Well, it’s about frickin’ time!” The sold out audience had bought their tickets before the country icon had even been announced as part of the bill, and by the time this set wrapped up, they were all converts to her rock-infused style of country and soul.
Wynonna let loose a call of the wild growl and the band slid straight and hard into the good ‘n’ greasy blues belter, “Ain’t No Thing,” co-written by fellow country soul singer and Eastern Kentucky native Chris Stapleton with John Scott Sherrill.
Staying right in pocket in that slide-guitar blues rivulet carved through hearts by Bonnie Raitt, Wynonna burned up “Staying in Love,” by Raphael Saadiq, famed R&B and neo soul producer and founder of Tony! Toni! Tone!
Wynonna gave a sweet confessional intro to “You Are So Beautiful” co-written by Ashley Warren with her husband and drummer Cactus Moser. “So, let’s talk about me. I am in love with a concept. At my age, there is hope girls… Everything just looks different, it tastes different, and it looks like that, ” Wynonna told the crowd pointing at her husband Cactus, formerly of Highway 101, on the drums.
Credit Brian Blauser/ Mountain Stage
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Wynonna, who would share a total of seven songs from Wynonna & the Big Noise (Curb, 2016), was at her best viewing her visit through the lens of home.
"My people.” Wynonna cried out to the audience introducing the haunting song, "Keeps Me Alive." "My hometown is an hour from here, I have been thinking all day about the years we spent here in Appalachia. My mama raised me and my sister with nothing, but our hopes and dreams. I had my guitar and I would stand out on the back porch and sing to the heavens and beg God to take me off of that mountain and he did. But as life would have it, I have to return to the well. It reminds me of who I am – that 18 year old singing from my toenails and playing my guitar like it was on fire. That is where my dreams began. A girl that had nothing and that wanted everything and that is what this song is all about."
Then slowly, surgically and soulfully, she peeled back the emotional layers of Sarah Siskind’s “Keeps Me Alive,” which featured Derek Trucks and Susan Tedeschi on the recorded version. With a hushed acoustic burn and Charlie White’s searing slide guitar, Wynonna cried out for all the lonely dreamers like her. “This is my story, this is my glory/this is what keeps me alive/This is me flying, this is me trying/This is what keeps me alive.”
Ain’t No Thing (John Scott Sherrill/Chris Stapleton) Staying in Love (Raphael Saadiq) Keeps Me Alive (Sarah Siskind) You are So Beautiful (Ashley Warren/Cactus Moser) Cool Ya (Lisa Carver/Andrew Ripp) Things That I Lean On (Travis Meadows/Mark Daniel Sanders) You Make My Heart Beat Too Fast (Julie Miller)
Our Song of the Week is a modern-day blues original by the incomparable Adia Victoria.
Building on a deep, intense bass and drum groove, complemented by horns and keys, Adia Victoria cuts through the fuzz with a gripping vocal performance of “Different Kind of Love,” our Song of the Week.
Between the world and me Tell me, what will it be? Who do you love? Tell me, who do you love? -Adia Victoria's "Different Kind of Love"
“Different Kind of Love” appears on Victoria’s 2019 release Silences, which was produced by Aaron Dessner of The National.
Tune in to this week’s encore episode of Mountain Stage on your favorite NPR station to hear the entire set from Adia Victoria, plus live performances by New Orleans’ hybrid-funk band Tank and the Bangas, Canadian rockers The Trews, and singer-songwriters Justin Townes Earle and Courtney Marie Andrews.
Credit Brian Blauser/ Mountain Stage
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The entire cast join together for one last song to cap off this week’s episode of Mountain Stage.
When country superstar Chris Stapleton stopped by a special FestivALL Charleston edition of Mountain Stage on June 28, 2015, he brought songs from arguably one of country music’s greatest debut albums in recent memory. His performance – full of polish, genius and passion – foreshadowed the fame and fortune that would soon come for the workhorse Nashville songwriter who had only just begun to build a reputation for his own crowd-pleasing performances as an opening act and at bars, clubs and bluegrass festivals.
Hidden in plain view in Nashville, the well-established songwriter, Stapleton, had by then already written six No.1 hits for other artists like George Strait and Kenny Chesney. He had recently released his game-changing solo album Traveller the previous month. That album on Mercury Records would go to No. 1 on the Billboard 200 charts, win three CMA Awards for “Album of the Year,” “New Artist of the Year,” and “Male Vocalist of the Year” and two Grammys for “Best Country Album” and “Best Country Solo Performance.”
Stapleton came barreling out of the gates like a thoroughbred, with his well-rehearsed studio and touring band that includes his wife Morgane, on her trademark harmony vocals, Robby Turner on steel guitar Derek Mixon, drums, and childhood friend and bandleader, J.T. Cure on bass.
In his introduction, Mountain Stage host and artistic director Larry Groce prophesied exactly what was to happen later that year for Stapleton, who grew up across the Big Sandy River near Paintsville, Kentucky, a day-trip from the show’s hometown of Charleston, W.Va. As a proud son of the region, located along the famed Country Music Highway known for such country stars as Loretta Lynn, Crystal Gayle, Ricky Skaggs, and now Tyler Childers, Stapleton donated money for new band uniforms for his high-school about a year after this performance.
“We’ve had him on once before singing with The SteelDrivers,” Groce said, “The last 15 years he has been one of the most successful songwriters in Nashville, and now he is about to become one of the most successful singers in Nashville.”
Credit Josh Saul / Mountain Stage
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Mountain Stage
Chris Stapleton met audience members after Mountain Stage, June 28, 2015 at the Clay Center in Charleston, W.VA.
Well aware of Stapleton’s long-list of barn burners he wrote and sang with The SteelDrivers, this sold-out and rowdy regional crowd was simply electric with waves of whistles, claps and love hollers as Chris and Morgane poured out some hurtin’ on the honky-tonk ballad “Nobody to Blame.”
“I can tell that a few of you might have bought the record we have out and we appreciate it,” said Stapleton, of the album that would go triple platinum and secure him his first musical appearance on “Saturday Night Live.”
One of the set highlights comes from one of the best road songs written in recent times – the title cut “Traveller,” that Stapleton penned on a cross country trip from Phoenix to Nashville in 2013 after his father passed away.
“I couldn't tell you honey, I don't know/Where I'm going but I've got to go/'Cause every turn reveals some other road/And I'm a traveler, oh, I'm a traveler.”
Stapleton sets up two back-to-back 100 proof musical shots with “Tennessee Whiskey,” and “Drinkin’ Dark Whiskey.” The former, “Tennessee Whiskey,” is the David Allan Coe cover that he would sing later in 2015 on the CMAs with Justin Timberlake, forging a musical friendship that saw the two collaborating on three songs from Timberlake’s last album, including the Top 10 hit “Say Something.”
Stapleton’s hidden secret though is that- while he may look the part – he is far from being just whiskey-bent and lonesome, ornery and mean. Stapleton showcases his lyrical versatility and vulnerability, which make him simply one of the best. No wonder he received the Academy of Country Music’s first ever ACM Artist-Songwriter of the Decade Award in 2019. His talents are at their clearest on the teary-eyed set closer, “Sometimes I Cry.” Shedding his burly biker exterior, Stapleton shows there is no shame in the crying game and that everybody needs to let it go.
“There are days that I can walk around like I'm alright/And I pretend to wear a smile on my face And I could keep the pain from comin' out of my eyes/But sometimes, sometimes/ Sometimes I cry.”
In today’s world, as strange and troubled as it ever was, that’s a message and song worth repeating.
Our Listeners’ Choice series of special broadcasts continues this weekend with a 2016 episode featuring Indigo Girls, Patty Larkin, Lydia Loveless and…
Our Listeners’ Choice series of special broadcasts continues this weekend with a 2016 episode featuring Indigo Girls, Patty Larkin, Lydia Loveless and country mega-star Wynonna & the Big Noise.
Wynonna Judd made her Mountain Stage debut on this 2016 episode, and she brought her band The Big Noise, including her husband Cactus on drums, and songs from their self-titled debut release together.
Credit Brian Blauser/ Mountain Stage
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Hear the entire engaging performance on this week’s broadcast starting Friday, June 5 on these NPR stations. You’ll also be treated to sets from Indigo Girls, alt-country roots rocker Lydia Loveless, and the outstanding guitar and song stylings of Patty Larkin. View the playlist here and be sure to let your station know you appreciate them bringing live performances every week by way of Mountain Stage.
Wynonna instantly wins over the audience with her powerful voice and magnetic stage presence, evidenced by the crowd’s response to the powerful and uplifting song of gratitude, “Things That I Lean On.”
With essentially every large American music festival canceled for the summer of 2020, we sure could use a dance-inciting funky live set to pry us off the couch and help us shout it out, shake it off and get our groove back.
Straight from the New Orleans hot-funk time machine comes Dumpstaphunk, which stopped by the Culture Center Theater in Charleston on March 23, 2014, for a smoking set on an all-star night that also included blues ‘n’ soul veterans The Robert Cray Band, gospel legends The Blind Boys of Alabama, and blues torchbearer John Hammond.
Keyboardist Ivan Neville, who’s toured and played with everyone from The Rolling Stones to The Neville Brothers, leads the band, which includes his younger cousin, Ian Neville, son of Art Neville who organically built the band in the early 2000s. Dumpstaphunk debuted at the New Orleans Jazz and Heritage Festival in 2003, and has returned every year since, resulting in a couple of live releases.
On this legendary March night in 2014 at Mountain Stage, the band kept everyone on their feet rolling a sweet wave of funk over fans with an infectious double-bass fusion and funk jam style that has made Dumpstaphunk main stage favorites at massive festivals from Bonnaroo to Lockn, and helped draw in everyone from Carlos Santana and Bob Weir to Trombone Shorty, Flea and Chaka Khan to perform with them.
“People have gone crazy about them for a decade and compared them to some greatest funk bands of all time – The Meters, James Brown, Parliament, Booker T – and I think they are carrying on in all that tradition,” said Mountain Stage founder and host Larry Groce introducing the band.
Playing songs mostly off of their album Dirty Word, on Louisiana Red Hot Records, Dumpstaphunk transported the crowd down to the Big Easy in their groove-powered mothership with the set opener “Dancing to the Truth.” Drummer Nikki Glaspie — who spent half a decade as Beyonce’s hand-picked percussionist – trades lead vocals with the band’s two bassists Tony Hall and Nick Daniels, before blasting full steam ahead into the fast-paced rocker, “Blueswave” showcasing the sound and fury of Ian Neville’s shredding lead electric guitar.
Credit Brian Blauser/ Mountain Stage
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Dumpstaphunk performing on Mountain Stage in 2014.
Glaspie took over lead vocals to pay respect to Betty Mabry Davis, the female funk pioneer on her smoking hot song “If I’m in Luck,” which was recorded with Red Hot Chili Peppers’ bassist Flea sitting in on the album cut. After the smoke cleared, Dumpstaphunk slid back comfortably into their Sly and the Family Stone-like funk revival with more of their sweet trade-off lead vocals and harmonies served up on two powerful message-packed songs preaching unity and social equality – “Reality of the Situation,” and “Everybody Want Sum.”
“Everybody just can’t get along – that is the reality of the situation/ Instead of hurting each other, let’s look out for one another,” the band sang on “Reality of the Situation.”
Dumpstaphunk continued its powerful voice for unity on their topical 2017 single and music video, “Justice,” featuring fellow NOLA super rocker Trombone Shorty, which bears revisiting in light of recent events.
Currently Ivan is offering virtual “Piano Sessions” on the band’s Facebook page, and they have plans to release their fourth studio album later in 2020.
Dumpstaphunk is one of 60 bands performing at Quarantine Comes Alive, a one-day virtual music fest on Saturday, May 30. This donation-based event will directly benefit the participating musicians as well as Sweet Relief, MusiCares, Center for Disaster Philanthropy, World Central Kitchen, Partners In Health, Trans Lifeline, Backline, and local organizations helping the homeless. Those who donate will be e-mailed a link to watch the event on various platforms.
