Listen: Our Song Of The Week Is By Dumpstaphunk

It’s a certifiable all-star line-up on this week’s show with performances by acclaimed soul troop Robert Cray Band, gospel legends The Blind Boys of Alabama, blues torchbearer John Hammond, and Dumpstaphunk, recorded in Charleston, W.Va. on March 23, 2014.

Led by keyboardist and vocalist Ivan Neville, New Orleans based funk outfit Dumpstaphunk showcased their instrumental prowess and unmatched liveliness when they appeared on Mountain Stage in 2014. Our Song of the Week is their performance of the title track of their 2010 album Everybody Want Sum.

Hear the entire performance, which also includes songs from their 2013 album Dirty Word, on this week’s Listeners’ Choice episode of Mountain Stage with Larry Groce, airing on these stations starting Friday May 22.

Credit Brian Blauser/ Mountain Stage
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The Blind Boys of Alabama and John Hammond join Larry Groce and Julie Adams for the finale song on this week’s Listeners’ Choice episode.

Hear A 2011 Set by Vince Gill On Mountain Stage

Between 2006 and 2014, Mountain Stage made regular trips to the Paramount Center for the Arts in the Virginia/Tennessee border town of Bristol to raise awareness about the now completed Birthplace of Country Music Museum.

On August 21, 2011, Mountain Stage host Larry Groce welcomed one of the greatest and multi-talented country music artists – Vince Gill, who gave what Groce has described as one of the best sets ever performed on Mountain Stage. 

“When we come to Bristol, we like to do some special things in celebration of the Birthplace of Country Music,” Groce said introducing Gill, who has won 21 country music Grammy Awards – the most of any country male artist. “Here is a man who has explored every part of country music and far beyond

He started out in bluegrass, got into mainstream country and pop. If there as anything as a triathlon for music he would no doubt win because he can not only sing wonderfully but he writes great songs, is a wonderful guitar player.”

The laid-back Norman, Oklahoma native showed why he’s such a welcomed and frequent performer on the Grand Ole Opry, interacting early and often with the audience with gentle and self-effacing humor. He then flows into a soulful, stripped down acoustic version of his 1991 hit “Liza Jane,” with his veteran band of Nashville cats, David Hungate on bass, Pete Wasner on keyboards and Billy Thomas on drums.

As a guitarist, Gill is so good he was asked to join Dire Straits at their height, and he’s been pulling double duty singing and playing with The Eagles since 2017. But his superpower throughout his career- from the 1980 No. 1 smash “Let Me Love You Tonight” with Pure Prairie League, to several of his chart-topping solo hits- is his ballad slaying vocal abilities. No male country star can more powerfully drip that vulnerable love ballad vocal honey like Gill. Evidenced here through his beautifully simple and powerful song, “Whenever You Come Around.”

A highlight of this set is the full-on Opry-style comedy routine, with vocal impressions leading up to the sweet song about his father, “The Key to Life.’ Gill described the towering, gruff character as Gen. Patton, John Wayne and Clint Eastwood rolled into one. “One of the best things he ever said to me was – ‘I’ll knock you through a wall and make you fix it,’” Gill said in a gruff voice to a laughing audience.

Gill then paid tribute to his father and to Bristol playing the first song his dad taught him on guitar, The Carter Family’s “Wildwood Flower,” before solemnly paying his respects to his pops.

“I wouldn’t play a guitar or sing songs if it wasn’t for my dad,” said Gill, who as a teenager and young man was in a series of bluegrass bands and these days has a regular Nashville gig with the Time Jumpers. “He sat me down and showed me G, C and D. He said you’re on your own that is all I know. The first thing I learned was recorded right here in this town.”

Gill shared two new songs during this 2011 set, “Threaten Me With Heaven,” which he dedicated to one of the song’s co-writers Will Owsley, who passed away earlier that year, and “Red Words,” a faith-filled tribute to his wife that wouldn’t be released until 2019.

It was grab-the-tissues time when Gill turned in a searing rendition of “Go High Rest On That Mountain” – a 1995 song he started writing after Keith Whitley died in 1989, then finished when his brother Bob died in 1993. “Driving over here I heard a gospel group singing it on the radio on a Sunday morning, and that made me feel pretty good,” Gill said.

Gill closed thanking Mountain Stage for bringing folks together to share in the magic of live music. “I love it when you share a stage with so many different kinds of people and so many different kinds of musicians,” Gill said. “This was a real gift today to get to meet some new friends to hear some people play music that I had never gotten the opportunity to do that with. So as I leave here and go home, I am the one that got the blessing, so thank you.”

Gill’s latest release Okie is available now, and The Eagles “Hotel California” tour have been pushed to 2021.

Set List:

  • Liza Jane
  • Whenever You Come Around
  • Wildwood Flower
  • The Key to Life
  • Threaten Me with Heaven
  • Go Rest High on that Mountain
  • The Red Words

Recorded August 21, 2011 at the Paramount Bristol in Bristol, TN/VA.

Listen: Dawes Has The Mountain Stage Song Of The Week

Our Listeners’ Choice episodes of Mountain Stage continue this week with a classic show from 2011 featuring Dawes, Jason Isbell & 400 Unit, Blitzen Trapper, James McMurtry and Matthew Sweet.

Check out the playlist here and find out where you can listen on these public radio stations starting Friday.

In October 2011 California quartet Dawes were touring in support of their acclaimed album Nothing is Wrong. Our Song of the Week is a performance of the final track on that album, a creative and emotional high watermark for the band, “A Little Bit of Everything.”

In March the band released “I Will Run,” a previously unreleased song from the recording sessions for their 2018 album Passwords. All proceeds will benefit the North Shore Animal League America and the MusiCares Covid-19 Relief Fund.

Credit Brian Blauser/ Mountain Stage
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James McMurtry, performing on Mountain Stage in October, 2011. Catch an encore broadcast of this show starting May 15 on Mountain Stage affiliate stations.

Hear the entire set from Dawes, plus performances by Jason Isbell & 400 Unit, James McMurtry, Matthew Sweet and Blitzen Trapper, on this week’s encore broadcast of Mountain Stage. We hope you can find comfort in the sound of the applause that we hear in these classic episodes.

Be sure to follow Mountain Stage on Facebook, Instagram and Twitter. We’re not sure when we’ll be back to producing new episodes, but you can sign up for our email newsletter to be among the first to hear about it when we do.

Listen: Vince Gill Has Our Song of the Week

This week’s Listeners’ Choice episode of Mountain Stage comes from a road-show recorded in Bristol, TN/VA with the Birthplace of Country Music.

Our listeners voted on which vintage episodes of Mountain Stage we air throughout the country this Spring. This week, we look back to a show recorded August 21, 2011 at the Paramount Center for the Arts on State Street in the Virginia/Tennessee border town of Bristol. Mountain Stage made regular trips to Bristol from 2006 to 2014 to help raise awareness about the now-completed Birthplace of Country Music museum.

This show featured one of Country Music’s most awarded and beloved performers, Vince Gill. A highly regarded vocalist, guitarist and songwriter, Gill performed perhaps his most recognizable song, “Go Rest High On That Mountain,” in what host Larry Groce calls one of the best sets ever performed on Mountain Stage.

Gill’s latest album, Okie, can be purchased or streamed now.

We’ll also hear performances by Red Molly, David Mayfield Parade, Jim Lauderdale, and West Virginia honky-tonk singer and songwriter John Lilly, during this vintage Mountain Stage.

Hear the entire episode starting this Friday on these public radio stations. While a lot has changed recently, Mountain Stage is still bringing you live performances, on-air, online, and in our podcast. Please consider a gift of support to West Virginia Public Broadcasting to help remember the fun times during these unprecedented times. Your support means a great deal to us. Thank you.

Listen: Hot Club of Cowtown Have Our Song of the Week

This week on Mountain Stage we look back to another classic episode from 2010, this time featuring live performances from Cake, Hayes Carll, Old 97s and Hot Club of Cowtown. Tune in on one of these public radio stations starting this Friday, May 1.

When they appeared in 2010, Texas trio Hot Club of Cowtown were touring in support of their excellent Texas swing album What Makes Bob Holler? This tribute to the pioneer of Western Swing Bob Wills and his Texas Playboys found the band covering classics like “Stay a Little Longer” and “Faded Love.” Our Song of the Week, “I Can’t Give You Anything But Love, Baby” appears on their 2003 album Continental Stomp.

Hot Club of Cowtown joined us earlier this year with songs from their latest The Finest Hour. A live album recorded in Minneapolis, The Finest Hour is filled with a “glorious array of music on the radio across the United States in 1945 at the end of WWII and celebrates artists from Bing Crosby to Billie Holiday, Bob Wills to Doris Day.

Credit Brian Blauser/ Mountain Stage
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Members of Old 97’s, Hot Club of Cowtown, Hayes Carll and Cake gather for the finale song on December 5, 2010,

You’ll also hear an interactive set from alt-rockers Cake, a band set from Hayes Carll, and a predictably raucous set from country-rockers Old 97s. Check out the playlist and find out where you can hear the show on one of these public radio stations and enjoy the sound of audience applause that we’re all admittedly missing right about now.

Listen: R.E.M. on Mountain Stage

R.E.M. made their historic visit to Mountain Stage 30 years ago this week. The appearance was just one of three shows scheduled to promote their upcoming release “Out of Time.”  The other appearances included in the media tour were “Saturday Night Live” and MTV’s “Unplugged.”

The anniversary is all the reason we need to revisit their performance of “It’s The End of the World as We Know It (And I Feel Fine)” recorded live in Charleston, W.Va. on April 28th, 1991.

R.E.M.’s full Mountain Stage set was re-released in 2016 on the 25th anniversary deluxe edition of “Out of Time.”

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