Charges Against 'America's Got Talent' Winner Murphy Dropped

News reports say a West Virginia prosecutor has dropped domestic violence charges against “America’s Got Talent” winner Landau Eugene Murphy Jr.

Murphy was charged in July with domestic battery and domestic assault after his girlfriend reported he struck her in the face with a golf club, slammed her on the ground and banged her head into the sidewalk following an argument.

Murphy released a statement saying he defended himself after she attacked him with a golf club and knife, but didn’t strike her.

WCHS-TV reports the charges were dismissed Wednesday at the request of Logan County Prosecutor John Bennett. The prosecutor says in a court filing that the charges could be refiled after further investigation and review of medical records.

'If You Build It, They Will Rock': A Guide to DIY Venues in West Virginia

“It wouldn’t be considered commercially viable [as a traditional music venue]… and that’s what makes it unique.”

From West Virginia Public Broadcasting and A Change of Tune, this is 30 Days of #WVmusic, the interview series celebrating the folks who make the West Virginia music scene wild and wonderful. 

And for today’s interview, we’re turning the focus from the artist to the venue, specifically non-traditional, do-it-yourself venues. From coffee shops to houses, DIY venues create transform unconventional places into unique spaces for artists to practice, create and flourish.

But how does a local band get themselves into a DIY venue? And how do these venues differ from more traditional spaces? We spoke to some of West Virginia’s popular DIY venues (including Huntington’s Porch Unplugged, Logan’s Hot Cup and Cleveland’s Jerry Run Summer Theater) to tell us what’s up with non-traditional venues, and why they are assets to the West Virginia music scene.

Credit Courtesy of the venue
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Senora May Childers performing at Porch Unplugged in Huntington, WV.

How does a DIY venue get started?

Some DIY venues start with happy accidents. As Huntington DIY music organizer Joe Troubetaris explains, “Porch Unplugged began on a humid June day in 2011. We had a monsoon thunderstorm and had to unplug all our equipment as fast as we could, and all the musicians ended up playing on the living room carpet as the audience gathered round. So we kept the name Porch Unplugged. My home never was intended to become a venue, but over time that what it is.”

Others, like Logan’s Hot Cup, found a home for DIY performances in their brick-and-mortar business. As owner Michael Cline explains, “The space we reside in served as many things over the decades, including a drug store and a gun-safe shop. Before I even opened Hot Cup a half decade ago in October 2011, I knew I wanted it to be a venue for all local art. Painting, music, comedy, literature, poetry… all of it.”

As for the Jerry Run Summer Theater in Cleveland, West Virginia, the venue was a Field of Dreams moment thanks to co-owners Dusty and Renee Anderson. “It was built on a shoestring budget with the vision of it being a space for live music. We opened in 2003, but it took Dusty over seven years to complete the project, from designing the space on paper, building a model, clearing the land, laying the foundation, framing, building and raises trusses, roofing and finishing/furnishing the interior.”

Credit J. Marinelli
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Kin Ship Goods often acts as a DIY venue in Charleston, WV.

What makes these performance spaces so special?

“Every venue is different,” says Porch Unplugged. “They are unique in their own way. Porch has all ages in performances from a beginner who is in middle school to a seasoned artist who has retired, and they are all sharing the same platform and telling their stories. It’s a good mixture of styles, talents and sounds.”

“The thing that separates us [from traditional music venues] is that, although our venue is a coffee shop, it’s deceptively large inside. We allow bands to bring their whole rig instead of requesting a stripped-down acoustic version. So gigs can range from people sitting and listening to a small acoustic act to a standing room-only, full-on rock gig.”

As for Jerry Run Summer Theater, “The physical building is a one-of-a-kind space with lots of rough lumber, recycled fixtures and vaulted ceilings. Theater seating, which has everyone facing the stage in a darkened room, puts the spotlight on the music makers with little audience conversation. Performers appreciate not being background music. Also, the fact that our location is relatively remote, far from any population center? That wouldn’t be considered commercially viable [as a traditional music venue], and that’s what makes it unique.”

Credit Courtesy of the venue
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Meet Hot Cup’s brew-crew.

How have the local communities reacted?

“It was more difficult when I first started than it is now,” says Porch Unplugged. “Neighbors didn’t like their parking space occupied or would call the authorities because they saw people hanging on the front porch. Over time, I made porch unplugged into a more acoustic, inside-the-home kind of venue to limit exposure. Now the neighbors come over and always love who they get to hear or see play. This part takes some time and a little learning to do it right.”

Credit Courtesy of the venue
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Jerry Run Summer Theater is located in Cleveland, West Virginia.

As for Jerry Run Summer Theater, “Neighbors, visitors to Holly River State Park, travelers to Webster County and folks from farther locales react positively to the different genres that we have, as long as they view the genre favorably or have an open mind toward something not in their comfort zone. A diehard bluegrass fan who did not ‘read the fine print’ and comes to a show like Iron & Wine or an Americana act may leave early. A country band with drums may not appeal to someone who enjoys acoustic folk. All in all, reactions have been overwhelmingly positive, and Webster County natives often proudly bring visiting family and friends to the theater to catch a show.”

What are the values of a DIY venue?
From money and music to time and location, the biggest value of a DIY venue is the sense of freedom, which allows artists to take their art to a level that a traditional venue might not allow. Hot Cup agrees: Every form of music is welcome, as long as the lyrics aren’t bigoted or racist in any way. We don’t take a cut of the door money. Whatever the band collects at the door belongs to them. We truly just want local art to thrive. It’s not about the money for us.”

Credit Courtesy of the venue
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Porch Unplugged in motion.

As for Porch Unplugged, it comes down to three things: “passion, respect and love.” But more than musical food for the soul, there’s literal food for the stomach. “There’s always a potluck. Please bring food or drink you don’t mind sharing. Also, donate to the artists traveling.”

“Our philosophy is to help make life in our neck of West Virginia better by bringing live music to live ears in a space with good acoustics,” says Jerry Run Summer Theater. “Luckily, we do not have to depend on theater revenue to make a living. By keeping our overhead low (no AC or heat, doing a lot of the work ourselves or with family, etc.), we also keep our admission charge low, usually $5 and not more than $10.”

Credit Courtesy of the venue
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Anyone want to guess the age of Tyler Childers in this Hot Cup performance?

What kinds of acts can you expect at a DIY venue?

DIY venues act as springboards for eclectic acts to grow, so expect any type of music from anyone. As Porch Unplugged recounts, “A memorable moment was when an artist rode his bicycle on tour from Boston. His name was Leo Lydon, but we called him the Forest Gump for Music. Other favorite acts have included Coyotes in Boxes (with their CD release party), Jared Mahone, Michael McArthur, Frances Luke Accord, Christopher Vincent and Bradley Jenkins, just to name a few.”

“So many great local, regional, and national artists have given their best to our audiences on our stage,” says Jerry Run Summer Theater. “And they reaffirm our vision of having a welcoming space for live music. Two highlights of national significance include the evening that Jerry Douglas played dobro with his father John’s band the WV Travelers to celebrate his 80th birthday. And of course, that incredible 2014 show by Sam Beam/Iron & Wine, where he kept the audience spellbound while cameras captured the performance for his Dreamers and Makers are My Favorite People documentary.

“Having Meet Me in the Matinee play is always a huge deal for us,” recalls the Hot Cup. “They draw a crowd, and those guys are so much a part of the Logan music scene. Other standouts are Tim Browning & The Widowmakers (Americana on steroids), The Big Bad (horror punk at its finest and most passionate), Let The Guilty Hang (the purest metal you’ve heard), The Jasons (think The Ramones, but literally all songs are about scenarios in the Friday the 13th film series, and the guys all wear Jason masks) and The Allegheny Ramblers (100% pure Appalachian folk and bluegrass played by awesome millennials). Tyler Childers also played here before he became a West Virginia household name.”

Credit Courtesy of the venue
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TipTop in Thomas is another location for DIY events.

And how can you get your band booked at one?

Don’t be afraid to reach out! Getting booked at a DIY venue is easier than it sounds. “I used to go to all venues, open mics from Charleston to Huntington and ask the artists if they would be interested in playing a house show,” says Porch Unplugged. “Now, artists Facebook or email me (porchunplugged @ gmail dot com), or a friend will let me know of an artist to contact to play.”

As the Hot Cup tells us, “It’s as simple as contacting the Hot Cup’s Facebook page, getting on the phone (304-752-6500) or the boss’s favorite way: in person.”

Just remember that to have fun with it. As Jerry Run Summer Theater explains, “Having your own take on a particular genre, original songwriting and good rapport with the audience are what draws us to a group. Having an in-person or phone conversation with a member of the band is how we meet most of our acts. Email and Facebook are not our preferred way, as you don’t really get a feeling for the personality of the band until you have a direct exchange. Once that connection has been made, then hearing them on YouTube or in a press kit/CD is a good way to appreciate their talent.”

Credit Courtesy of the venue
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Yep. That’s a lot of Jasons in one DIY venue / coffee shop.

How important is the West Virginia music scene to your venue?

“The WV music scene is our core,” says Jerry Run Summer Theater. “Although we do feature several out of state groups, the overwhelming majority of groups hail from the hills of West Virginia, be they Morgantown folk sisters Whiskey Victor, Charleston’s Carpenter Ants or Hacker Valley’s own bluegrass teen siblings Marteka & William.”

“I think the #WVmusic scene is important to every venue or DIY component because that means the community is supporting the music and the arts, which makes the area prosper,” says Porch Unplugged. “Our local community is continuing to grow with music, which helps impact the state. That’s why we’ve taken on the motto that Porch means ‘Passion on Real Community Harmony.’”

But let it be said that this line of work is not a moneymaker, which is why community involvement matters in booking, promoting and supporting DIY culture in these musical homes and businesses. “We would survive without the DIY performance component of Hot Cup,” says its owner. “I can’t even say it helps us that much financially, even if we might sell a few more coffees. But I want local artists to have a place to play and call home, especially in Logan, West Virginia. I had two goals when I opened Hot Cup over a half a decade ago: 1. Serve the most kick-ass coffee in the cosmos. 2. To shove a little class and culture down Logan’s throat, whether they knew they wanted it or not.”

Final words of wisdom?

“Play shows, reach out and follow-up,” states Porch Unplugged. And above all else, remember that small scenes are the seeds that grow into bigger ideas and opportunities. The next time you see your favorite band perform at a stadium, remember that they started out with this DIY work ethic.

Hear more #WVmusic on A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. Connect with A Change of Tune on FacebookTwitter and Instagram. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic and subscribe to our RSS / podcast feeds.

Support for 30 Days of #WVmusic is provided by Kin Ship Goods, proud supporter of DIY music and the arts. Locally shipped worldwide at kinshipgoods.com.

#WVmusic Premiere | Meet Me in the Matinee Continue Pop-Rawk Streak with New Release

“Expect to lose money, but don’t let it deter you. If you are just starting out, don’t expect some big pay day. You will pay out more than you take in.”

From West Virginia Public Broadcasting and A Change of Tune, this is 30 Days of #WVmusic, the interview series celebrating the folks who make the West Virginia music scene wild and wonderful.  

And today’s interview is with a group of friends who have kept the dream of the ’90s emo-pop-rock scene is alive in Logan, West Virginia. Listen to their brand new release “Cycle” below (with a special B-Side “Tea” – Live at Earth Tone Audio) as you get to know the band with our interview.  This… is Meet Me in the Matinee.

<a data-cke-saved-href=”http://mmitmband.bandcamp.com/album/cycle” href=”http://mmitmband.bandcamp.com/album/cycle”>Cycle by Meet Me in the Matinee</a>

How did the band start playing music together?

Meet Me in the Matinee started in fall 2008 in a garage by our drummer Nathan Bush and guitarist/vocalist Caleb Luther. In the spring of 2009, they started working on demos and in the fall, the original bassist Chris Workman and keyboard player Josh Brown joined them. We started mainly because we liked the same types of music and just came from different musical avenues. Caleb took guitar classes in high school, Nathan was in Logan High School’s marching band, and Josh was just a self-taught pianist and bass player. We just wanted to play music and chase a dream. We’ve been in the same band now for close to 10 years.

Credit Ginger Willis
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Meet Me in the Matinee’s lead vocalist/guitarist Caleb Luther.

Where does the name Meet Me in the Matinee come from?      

Well, long story short, Caleb’s cousin in high school had the band name, and Caleb had a different name. They looked at each other and decided to trade names with each other. It’s been the same ever since.

How has your sound changed over time (if at all)?          

In hindsight, we have never really had a demo CD or an album that sound the same. We always try to evolve. Right now, we’re writing more ‘80s pop-rock songs, slower jam-based numbers, and more piano-based ballads. We never like to stay in one genre or tone. We like to push ourselves. Sometimes it works, and sometimes it doesn’t.

Where do you play in and around West Virginia?

We play all over the place and pretty much anywhere. We just like to play. We’re the only band to play every single Rocktoberfest in Logan since 2009, we’ve played Live on the Levee back in 2015, Morgantown Sound at WVU, many of the local bars and clubs in the surrounding areas. We just like to take our music to anyone that will listen.

Credit Courtesy of the artist
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Meet Me in the Matinee’s 2015 Live on the Levee performance was a rain-soaked affair that almost didn’t happen.

What’s been the highlight of your musical journey?       

We absolutely loved playing Live on the Levee in 2015. We almost didn’t get to because of a storm that blew through, which almost shut down the whole show that night. Fortunately, it was a quick storm, and we got to play. People seemed to really enjoy it, and we had a lot of fun.

What’s it like making music in West Virginia?

It’s like everything else in life. It has its highs and lows. Sometimes it can be good when you have a big turnout to a show and people are really responsive. Then there’s times where just a few people show up. It all depends on what else is going on in the town. Having said that, it’s not a bad place to make music at all. There’s plenty to look at and get inspiration from.

Credit Ginger Willis
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Meet Me in the Matinee’s Caleb Luther, Josh Brown and Nathan Bush outside Hot Cup Coffee Shop in Logan, West Virginia.

Do you feel held back by being in West Virginia? Or does it feel like a musically-supportive place?

I think our music scene needs a kick in the pants, sort of speak. By that I mean we need people to see that we have a more diverse scene than just Americana bands. We have punk, ska, alternative, pop, and classic rock bands, but you very rarely hear about them. That’s more on the economic side of booking music. Americana bands draw more people than a little indie-rock band. The major venues are the same way though: why book a band like Cursive, which will draw 1000 people, when you can book Jason Aldean and get 9,000? I understand that is how business works, but it would just be nice to have a change sometimes.

Huntington has its alt-country/Americana scene, Charleston its eclectic scene. But what about your hometown of Logan?

Logan honestly has four bands that have been here for a long time. We have alt-country, horror punk, a metal band, and us. That’s really it. So Logan shows are special because they don’t happen often. A show may take place twice a year except for a festival called Rocktoberfest that we help organize. That fest is free to the public and brings in all different acts of the surrounding areas to Logan, and there is usually a great turn out for it.

Why stay in Logan when you could ingratiate yourself into another rock scene around the state?

Logan is home. Now we play Charleston and Huntington, perhaps more than anywhere else, but there’s something special about a home show. It’s special because your family may not get to see you play very often and your friends can come out. Our home is Logan but we don’t think of us as just a Logan band. We love to play to anyone that will listen and enough to maybe get what we are attempting to do when it comes to music.

<a data-cke-saved-href=”http://mmitmband.bandcamp.com/album/cycle” href=”http://mmitmband.bandcamp.com/album/cycle”>Cycle by Meet Me in the Matinee</a>

What, in your opinion, needs to happen in the West Virginia music scene for it to move forward?           

We need more people pushing more genres of music to the general public. Bands, themselves, can only do so much. We all need to help each other along if we want our music scene to continue to grow and prosper.

Credit Ginger Willis
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Meet Me in the Matinee performing at Hot Cup in Logan, West Virginia.

What’s the band/act’s advice to anyone starting to make music?            

If you’re passionate enough, want to do it enough, stay at it. Don’t let negativity ruin your chemistry inside the band. Inner drama destroys bands. Be creative together and write things together to sway that kind of negativity. Play what you want to play, don’t let anyone tell you what kind of music to play. And be yourself! If people don’t get your music from the beginning, don’t let it get you down. The ones that will get it, will. The ones who don’t, that’s okay too! If there’s an audience out there for your music, it will be found. You just have to want it bad enough and are willing to make it happen.

And don’t be afraid to ask for pointers from other bands that have been doing it for a long time. We did that, and we still do. We never push anyone away from advice.

Meet Me in the Matinee’s new release is “Cycle.” Keep up with the band on social media as they prepare to release a new record by the end of 2017. Hear more #WVmusic on A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. Connect with A Change of Tune on FacebookTwitter and Instagram. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic and subscribe to our RSS / podcast feeds.

Support for 30 Days of #WVmusic is provided by Kin Ship Goods, proud supporter of DIY music and the arts. Locally shipped worldwide at kinshipgoods.com.

Tomblin to Award $1M Grant for Ex-Coal Miners

Gov. Earl Ray Tomblin is joining environmental officials to award a $1 million grant that will benefit workers affected by layoffs in three coal counties.

The state Department of Environmental Protection says Tomblin will announce the project Friday morning at the Ralph R. Willis Career and Technical Center in Logan.

Tomblin’s office says the grant will support stream clean-up efforts in Boone, Logan and Mingo counties.

State environmental officials say the grant will let workers continue working and living in southern West Virginia.

Prosecutor Suspended After Pulling Gun on Fake Spiders

An assistant prosecutor in West Virginia has been suspended after pulling a gun and threatening to shoot fake spiders scattered around the office as Halloween decorations.

Prosecuting Attorney John Bennett tells media outlets that Chris White informed other employees that he is “deathly afraid of spiders” before threatening to shoot. Bennett says he was out of the office at the time but was told about the incident by shaken employees.

He says White assured him the gun wasn’t loaded. Bennett suspended White on Wednesday, several weeks after the incident, because employees were still upset.

The spider decorations have been removed, and Bennett has barred anyone other than the agency’s investigator from carrying guns in the office.

Neither the media outlets nor The Associated Press could reach White for comment.

State Fines Logan for Wastewater Violations

State regulators have fined the city of Logan more than $81,000 for wastewater violations.The violations include a discharge of sewage from a manhole that…

State regulators have fined the city of Logan more than $81,000 for wastewater violations.

The violations include a discharge of sewage from a manhole that continued for four months.

Other violations include exceeding average monthly discharge limits for nitrogen and other pollutants in 2012, and failing to maintain and properly operate wastewater facilities.

The $81,755 fine is part of a consent order issued by the Department of Environmental Protection. The order also requires Logan to submit a plan outlining corrective actions the city will take to achieve compliance with its water pollution control permit.

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