'If You Build It, They Will Rock': A Guide to DIY Venues in West Virginia

“It wouldn’t be considered commercially viable [as a traditional music venue]… and that’s what makes it unique.”

From West Virginia Public Broadcasting and A Change of Tune, this is 30 Days of #WVmusic, the interview series celebrating the folks who make the West Virginia music scene wild and wonderful. 

And for today’s interview, we’re turning the focus from the artist to the venue, specifically non-traditional, do-it-yourself venues. From coffee shops to houses, DIY venues create transform unconventional places into unique spaces for artists to practice, create and flourish.

But how does a local band get themselves into a DIY venue? And how do these venues differ from more traditional spaces? We spoke to some of West Virginia’s popular DIY venues (including Huntington’s Porch Unplugged, Logan’s Hot Cup and Cleveland’s Jerry Run Summer Theater) to tell us what’s up with non-traditional venues, and why they are assets to the West Virginia music scene.

Credit Courtesy of the venue
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Senora May Childers performing at Porch Unplugged in Huntington, WV.

How does a DIY venue get started?

Some DIY venues start with happy accidents. As Huntington DIY music organizer Joe Troubetaris explains, “Porch Unplugged began on a humid June day in 2011. We had a monsoon thunderstorm and had to unplug all our equipment as fast as we could, and all the musicians ended up playing on the living room carpet as the audience gathered round. So we kept the name Porch Unplugged. My home never was intended to become a venue, but over time that what it is.”

Others, like Logan’s Hot Cup, found a home for DIY performances in their brick-and-mortar business. As owner Michael Cline explains, “The space we reside in served as many things over the decades, including a drug store and a gun-safe shop. Before I even opened Hot Cup a half decade ago in October 2011, I knew I wanted it to be a venue for all local art. Painting, music, comedy, literature, poetry… all of it.”

As for the Jerry Run Summer Theater in Cleveland, West Virginia, the venue was a Field of Dreams moment thanks to co-owners Dusty and Renee Anderson. “It was built on a shoestring budget with the vision of it being a space for live music. We opened in 2003, but it took Dusty over seven years to complete the project, from designing the space on paper, building a model, clearing the land, laying the foundation, framing, building and raises trusses, roofing and finishing/furnishing the interior.”

Credit J. Marinelli
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Kin Ship Goods often acts as a DIY venue in Charleston, WV.

What makes these performance spaces so special?

“Every venue is different,” says Porch Unplugged. “They are unique in their own way. Porch has all ages in performances from a beginner who is in middle school to a seasoned artist who has retired, and they are all sharing the same platform and telling their stories. It’s a good mixture of styles, talents and sounds.”

“The thing that separates us [from traditional music venues] is that, although our venue is a coffee shop, it’s deceptively large inside. We allow bands to bring their whole rig instead of requesting a stripped-down acoustic version. So gigs can range from people sitting and listening to a small acoustic act to a standing room-only, full-on rock gig.”

As for Jerry Run Summer Theater, “The physical building is a one-of-a-kind space with lots of rough lumber, recycled fixtures and vaulted ceilings. Theater seating, which has everyone facing the stage in a darkened room, puts the spotlight on the music makers with little audience conversation. Performers appreciate not being background music. Also, the fact that our location is relatively remote, far from any population center? That wouldn’t be considered commercially viable [as a traditional music venue], and that’s what makes it unique.”

Credit Courtesy of the venue
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Meet Hot Cup’s brew-crew.

How have the local communities reacted?

“It was more difficult when I first started than it is now,” says Porch Unplugged. “Neighbors didn’t like their parking space occupied or would call the authorities because they saw people hanging on the front porch. Over time, I made porch unplugged into a more acoustic, inside-the-home kind of venue to limit exposure. Now the neighbors come over and always love who they get to hear or see play. This part takes some time and a little learning to do it right.”

Credit Courtesy of the venue
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Jerry Run Summer Theater is located in Cleveland, West Virginia.

As for Jerry Run Summer Theater, “Neighbors, visitors to Holly River State Park, travelers to Webster County and folks from farther locales react positively to the different genres that we have, as long as they view the genre favorably or have an open mind toward something not in their comfort zone. A diehard bluegrass fan who did not ‘read the fine print’ and comes to a show like Iron & Wine or an Americana act may leave early. A country band with drums may not appeal to someone who enjoys acoustic folk. All in all, reactions have been overwhelmingly positive, and Webster County natives often proudly bring visiting family and friends to the theater to catch a show.”

What are the values of a DIY venue?
From money and music to time and location, the biggest value of a DIY venue is the sense of freedom, which allows artists to take their art to a level that a traditional venue might not allow. Hot Cup agrees: Every form of music is welcome, as long as the lyrics aren’t bigoted or racist in any way. We don’t take a cut of the door money. Whatever the band collects at the door belongs to them. We truly just want local art to thrive. It’s not about the money for us.”

Credit Courtesy of the venue
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Porch Unplugged in motion.

As for Porch Unplugged, it comes down to three things: “passion, respect and love.” But more than musical food for the soul, there’s literal food for the stomach. “There’s always a potluck. Please bring food or drink you don’t mind sharing. Also, donate to the artists traveling.”

“Our philosophy is to help make life in our neck of West Virginia better by bringing live music to live ears in a space with good acoustics,” says Jerry Run Summer Theater. “Luckily, we do not have to depend on theater revenue to make a living. By keeping our overhead low (no AC or heat, doing a lot of the work ourselves or with family, etc.), we also keep our admission charge low, usually $5 and not more than $10.”

Credit Courtesy of the venue
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Anyone want to guess the age of Tyler Childers in this Hot Cup performance?

What kinds of acts can you expect at a DIY venue?

DIY venues act as springboards for eclectic acts to grow, so expect any type of music from anyone. As Porch Unplugged recounts, “A memorable moment was when an artist rode his bicycle on tour from Boston. His name was Leo Lydon, but we called him the Forest Gump for Music. Other favorite acts have included Coyotes in Boxes (with their CD release party), Jared Mahone, Michael McArthur, Frances Luke Accord, Christopher Vincent and Bradley Jenkins, just to name a few.”

“So many great local, regional, and national artists have given their best to our audiences on our stage,” says Jerry Run Summer Theater. “And they reaffirm our vision of having a welcoming space for live music. Two highlights of national significance include the evening that Jerry Douglas played dobro with his father John’s band the WV Travelers to celebrate his 80th birthday. And of course, that incredible 2014 show by Sam Beam/Iron & Wine, where he kept the audience spellbound while cameras captured the performance for his Dreamers and Makers are My Favorite People documentary.

“Having Meet Me in the Matinee play is always a huge deal for us,” recalls the Hot Cup. “They draw a crowd, and those guys are so much a part of the Logan music scene. Other standouts are Tim Browning & The Widowmakers (Americana on steroids), The Big Bad (horror punk at its finest and most passionate), Let The Guilty Hang (the purest metal you’ve heard), The Jasons (think The Ramones, but literally all songs are about scenarios in the Friday the 13th film series, and the guys all wear Jason masks) and The Allegheny Ramblers (100% pure Appalachian folk and bluegrass played by awesome millennials). Tyler Childers also played here before he became a West Virginia household name.”

Credit Courtesy of the venue
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TipTop in Thomas is another location for DIY events.

And how can you get your band booked at one?

Don’t be afraid to reach out! Getting booked at a DIY venue is easier than it sounds. “I used to go to all venues, open mics from Charleston to Huntington and ask the artists if they would be interested in playing a house show,” says Porch Unplugged. “Now, artists Facebook or email me (porchunplugged @ gmail dot com), or a friend will let me know of an artist to contact to play.”

As the Hot Cup tells us, “It’s as simple as contacting the Hot Cup’s Facebook page, getting on the phone (304-752-6500) or the boss’s favorite way: in person.”

Just remember that to have fun with it. As Jerry Run Summer Theater explains, “Having your own take on a particular genre, original songwriting and good rapport with the audience are what draws us to a group. Having an in-person or phone conversation with a member of the band is how we meet most of our acts. Email and Facebook are not our preferred way, as you don’t really get a feeling for the personality of the band until you have a direct exchange. Once that connection has been made, then hearing them on YouTube or in a press kit/CD is a good way to appreciate their talent.”

Credit Courtesy of the venue
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Yep. That’s a lot of Jasons in one DIY venue / coffee shop.

How important is the West Virginia music scene to your venue?

“The WV music scene is our core,” says Jerry Run Summer Theater. “Although we do feature several out of state groups, the overwhelming majority of groups hail from the hills of West Virginia, be they Morgantown folk sisters Whiskey Victor, Charleston’s Carpenter Ants or Hacker Valley’s own bluegrass teen siblings Marteka & William.”

“I think the #WVmusic scene is important to every venue or DIY component because that means the community is supporting the music and the arts, which makes the area prosper,” says Porch Unplugged. “Our local community is continuing to grow with music, which helps impact the state. That’s why we’ve taken on the motto that Porch means ‘Passion on Real Community Harmony.’”

But let it be said that this line of work is not a moneymaker, which is why community involvement matters in booking, promoting and supporting DIY culture in these musical homes and businesses. “We would survive without the DIY performance component of Hot Cup,” says its owner. “I can’t even say it helps us that much financially, even if we might sell a few more coffees. But I want local artists to have a place to play and call home, especially in Logan, West Virginia. I had two goals when I opened Hot Cup over a half a decade ago: 1. Serve the most kick-ass coffee in the cosmos. 2. To shove a little class and culture down Logan’s throat, whether they knew they wanted it or not.”

Final words of wisdom?

“Play shows, reach out and follow-up,” states Porch Unplugged. And above all else, remember that small scenes are the seeds that grow into bigger ideas and opportunities. The next time you see your favorite band perform at a stadium, remember that they started out with this DIY work ethic.

Hear more #WVmusic on A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. Connect with A Change of Tune on FacebookTwitter and Instagram. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic and subscribe to our RSS / podcast feeds.

Support for 30 Days of #WVmusic is provided by Kin Ship Goods, proud supporter of DIY music and the arts. Locally shipped worldwide at kinshipgoods.com.

A Personal History of WV Punk: 'You Could Do Anything, No Matter How Weird'

“All-ages punk music scenes were my gateway into this whole thing.”

From West Virginia Public Broadcasting and A Change of Tune, this is 30 Days of #WVmusic, the interview series celebrating the folks who make the West Virginia music scene wild and wonderful.  

And today’s interview is with a noisy lo-fi one-man European-touring machine who hails from Morgantown, West Virginia. This… is J. Marinelli.

J. Marinelli’s latest release is Stray Volts. Hear more #WVmusic on A Change of Tune, airing Saturday nights at 10 on West Virginia Public Broadcasting. Connect with A Change of Tune on FacebookTwitter and Instagram. And for more #WVmusic chats, make sure to go to wvpublic.org/wvmusic and subscribe to our RSS / podcast feeds.

Credit Courtesy of the artist
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J. Marinelli

Interview Highlights

On his musical beginnings:

What I do essentially is write songs and perform them using foot percussion, basically an up-ended drum set that consists of a high hat, snare drum, and bass drum I play with my feet. I play guitar and sing on top of that. I was lucky enough to grow up in an environment where playing music and being creative was encouraged. I started playing drums in a couple of bands and switched over to guitar. Over the years, I’ve switched back between the two, and then I did them at the same time.

Before I got into the punk stuff, I was in the marching band. As far back as 6th grade, I started playing the snare drum in the school band. The first show I saw when I was 13 was The Go-Gos with A Flock of Seagulls opening in Morgantown. I saw other bands like that, poppish/new wave bands. I guess I’ve always been more exploratory than most listeners. The steps from The Go-Gos to the Sex Pistols and the Clash aren’t that far.

On being inspired by Morgantown producer/rocker Mark Poole:

The first band I saw him in was The Larries, which was in the mid-80s. 63 Eyes grew out of that band. Those first shows were really amazing, watching them form and becoming friends with them… Mark and Todd Burge, especially. My interaction with him as a recording engineer wasn’t even with my band, it was my sisters band, a riot grrl king of thing. They recorded a 7-inch in his kitchen on a four-track cassette recorder. I was amazed at the sound he got out of that four-track. I think that might have been what first pointed me toward recording and keeping things lo-fi. Lo-fi doesn’t necessarily mean crappy; it can sound good if you do it right. 

On moving to Lexington, Kentucky, from Morgantown, West Virginia:

My wife got accepted to the Ph.D. program at the University of Kentucky, but it turned out to be a good move. I felt like I was stagnating in West Virginia, working like three jobs, and I still couldn’t make rent. And I’m talking good jobs, like teaching jobs [laughing]. It’s the reality of living in West Virginia. I was doing my best to be active as a musician, but I couldn’t because I had no time. At the time, the cost of living was cheaper in Lexington than it was in Morgantown, so it was a huge bonus.

Credit Courtesy of the artist
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J. Marinelli performing in Huntington’s Ritter Park in 2016.

If there weren’t all these cool people doing things in West Virginia, I probably wouldn’t come as often as I do. Like the scene in Huntington, which is super active and super supportive. And Mark [Poole] up in Morgantown. Kin Ship Goods has become a community center. I’ll always go back to West Virginia. There might be a conscious or gut feeling to that.

On the significance of DIY communities/venues:

A lot of the West Virginia music scene centers around bars. And that’s the case to a lesser degree in Lexington, where it’s centered around breweries… which is God-awful. It’s important to get away from the whole alcohol thing. Like alcohol is fine, and I imbibe one in a while, but I don’t think it’s the be-all, end-all. It’s closely connected to music to a degree I’m not personally comfortable, and I like the idea of getting away from that. It’s not like I refuse to play in bars; I’ll pretty much play about anywhere and have a good attitude about it, but it’s good to change the dialog.

The crowds are a bit different too. In a DIY sort-of pop-up space, people are there more for the music than anything else.

Credit Courtesy of the artist
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Cover art for ‘Stray Volts,’ designed by Charleston’s Kin Ship Goods.

On his latest release Stray Volts:

I wouldn’t say there’s a theme going on around it, but when I was writing some of the songs in early 2016, it was about the then-upcoming election. The title refers to being distracted by everything around you and being unable to focus. Most of them focus around this idea of being overloaded with information and unable to focus on your own life and evolving.

I recorded it in the way that I usually do, at home on a four-track cassette recorder. I still use that; I’ve yet to evolve past that stage.

Credit Courtesy of the artist
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Show poster from J. Marinelli’s European tour.

On touring Europe:

Before I went over there for the first time in 2014, I had never been there before. I heard that audiences were just enraptured by you, and I wanted to check it out. My buddy who does some of my booking over there was in town and played a show with Tyler Childers, and I think the next day I talked to him about it. So I worked with him and with the first tour, I flew into Vienna, Austria, went to France, Germany, all completely awesome. I had a day off in Paris; that couldn’t possibly be bad [laughing].

One of the shows I’ve played, maybe the best show I’ve ever played, was in Rosenheim, Germany. Before I even set up, there were people in line to buy merchandise and records and stuff. My wife was doing merch and was like, “He hasn’t even played yet, you don’t know… he could suck, and you’ll regret it.” And they were like, “No, we buy now,” and it turned into an insane gig. Audiences are fun, and you get set up in a cool hostel. The shows pay very well. To a degree, people do that in the U.S., but even more so there… plus you get to go and visit castles.

Music featured in this #WVmusic chat:

J. Marinelli- “Stray Volts”

J. Marinelli- “Madison Girls”

J. Marinelli- “The Common Come-On”

Support for 30 Days of #WVmusic is provided by Kin Ship Goods, proud supporter of DIY music and the arts. Locally shipped worldwide at kinshipgoods.com.

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