Former Members of Amish Community Reflect on Decision to Leave in "The Amish: Shunned"

American Experience: The Amish, Tuesday February 4 at 8 p.m., followed by the premiere of The Amish: Shunned, 9 p.m. on West Virginia PBS

A poignant and penetrating look at what it means to be cut off from faith and family, The Amish: Shunned follows seven people who have chosen to leave their closed and tightly knit communities for the outside world, knowing that they can never return. Each has paid deeply for this decision. Estranged from loved ones, these former Amish find themselves struggling to make their way in modern America. Interwoven with their stories are the voices of staunchly loyal Amish men and women who explain the importance of obedience, the strong ties and traditions that bind them, and the heartbreak they feel when a loved one falls away. Through its sympathetic portrayal of both sides, the film explores what is gained and what is lost when community and tradition are exchanged for individuality and freedom.

Credit Courtesy WGBH
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Paul Edwards, who joined the Amish church at 17 but was excommunicated after a falling out.

Produced, directed and written by Callie T. Wiser, who was a producer on 2012’s The Amish. Through American Experience’s in-depth look at the history, beliefs and traditions of the insular religious community, Wiser was exposed to the concept of shunning. “This is one of the faith’s defining practices in which members of the community cut ties with those who choose to leave,” says Wiser. “We touched on it in the first film, but I was interested in delving further into the practice, and finding individuals whose stories would portray the breadth and variety of shunning.” 

JFK: Explore a Cultural Icon on WV PBS

Forever enshrined in myth by an assassin’s bullet, Kennedy’s presidency long defied objective appraisal. Recent assessments have revealed an administration long on promise and vigor, and somewhat lacking in tangible accomplishment.

JFK: American Experience begins Tuesday, November 11 at 9 p.m. on West Virginia PBS, and concludes on November 12.

Kennedy’s proposals for a tax cut and civil rights legislation promised significant gains in the months before his assassination. While maturation, as evidenced in the handling of the Cuban missile crisis, was apparent, the potential legacy of the New Frontier will forever be left to speculation.

http://video.wvpubcast.org/video/2365081399/

Credit Courtesy of the John F. Kennedy Library
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President Kennedy and his daughter Caroline on a yacht during a weekend in Hyannis Port.

This new portrait offers a fresh assessment of the man, his accomplishments and his unfulfilled promise. Produced and directed by Susan Bellows, JFK features interviews with Kennedy family members and historians including Robert Dallek, Robert Caro, and Evan Thomas. Beginning with Kennedy’s childhood years as the privileged but sickly second son of one of the wealthiest men in America, the film explores his early political career as a lackluster congressman, his successful run for the U.S. Senate, and the game-changing presidential campaign that made him the youngest elected president in U.S. history.

 

The Legendary Broadcast of "War of the Worlds"

On October 30, 1938, just after 8 p.m. on the east coast, the millions of Americans tuned to CBS Radio were treated to an unusual dramatization of H.G.…

On October 30, 1938, just after 8 p.m. on the east coast, the millions of Americans tuned to CBS Radio were treated to an unusual dramatization of H.G. Wells’s classic “The War of the Worlds,” performed by 23-year-old wunderkind Orson Welles and his Mercury Theater on the Air. Although most listeners understood that the program was a radio drama, the next day’s headlines reported that thousands of others — perhaps a million or more — were plunged into panic, convinced that America was under a deadly Martian attack. Timed to air in conjunction with the 75th anniversary of Welles’s notorious radio broadcast War of the Worlds premieres on American Experience on Tuesday, October 29 at 9 p.m. on WV PBS.
 
http://video.wvpubcast.org/video/2365071541/
 
Featuring interviews with film director and cinema historian Peter Bogdanovich, Welles’s daughter Chris Welles Feder, and other authors and experts, as well as dramatizations of some of the thousands of letters sent to Welles by an alternately admiring and furious public, War of the Worlds explores how Welles’s ingenious use of the new medium of radio struck fear into an already anxious nation. “In an era when the public can still be fooled or misled by what is read online, in print, or seen on TV, War of the Worlds is a timely reminder of the power of mass media,” said American Experience Executive Producer Mark Samels.
 
It took place on the night before Halloween, long known as Mischief Night. It began like any other ordinary Sunday evening, with millions of Americans tuned to their radios. But beneath the outward calm was a nation tense with worry and fear; the Great Depression refused to let up, and the threat of war in Europe loomed larger every day. Then, at 8:15 p.m., the voice of a panicked announcer broke into the dance music with a news bulletin reporting that strange explosions were taking place on the planet Mars, followed minutes later by a report that Martians had landed in the tiny town of Grover’s Mill, New Jersey.
 
Almost instantly, frantic listeners responded to the shocking news. Chicago newspapers were flooded with calls; in St. Louis, people gathered outside to discuss what to do about the “invaders”; in San Francisco, many feared that New Jersey had been laid to waste and that the Martians were heading west. Callers pleaded with the power company in Providence to shut off the lights so that the city would not be seen by the invaders. Similar reports of panicked reactions came from Baltimore, Atlanta, Indianapolis, Memphis, Minneapolis, and Salt Lake. At the epicenter of the event, New Jersey national guardsmen flooded armories with calls asking where to report. And in cities and towns across the country, people stopped a moment to pray — then grabbed their loved ones and fled into the night. 
 
Seventy-five years later, War of the Worlds explores this legendary but misunderstood event. With the CBS radio broadcast serving as its narrative spine, the film examines the elements that came together to create one of the most notorious media events in U.S. history: our longtime fascination with life on Mars; the emergence of radio as a powerful, pervasive medium; the eagerness of newspapers to disparage their radio rivals; the shocking Hindenburg explosion of 1937, the first disaster to broadcast live; and the brilliant enfant terrible Orson Welles, the director of the drama and mischief maker supreme.
 
http://video.wvpubcast.org/video/2365071577/  

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